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Articles Tagged Production

  • Wednesday, January 22, 2014
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    PSW Staff 01/22/14 09:51 AM,
    Burst Audio Systems, a full service professional sound and lighting company, has relocated and expanded its Detroit headquarters. The new location features a 12,000 square foot warehouse along with a video conferencing room, a full kitchen, multiple offices, an overnight break room and a retail supply area. “During the last 18 years our inventory has expanded significantly along with our staff,” explains Scott Ciungan, owner of Burst audio. “We felt the time was right to expand our facilities and capabilities… View this story
    Filed in: Live SoundProductionNewsBusinessConcertSound ReinforcementStage

  • Monday, January 13, 2014
    pro audio files
    Mark Marshall 01/13/14 03:58 PM,
    This article is provided by the Pro Audio Files.   Click tracks are like Kryptonite to musicians. There isn’t a lot of enjoyment one gets from recording with them. Click tracks sound like nails being hammered into a coffin. A coffin you’ll find the remnants of your soul whimpering in. OK, maybe that’s a little harsh, but clicks aren’t fun and can suck the life out of a groove sometimes. However, click tracks are often vital to a recording session.… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerMixerProcessorSignalStudioTechnician

  • Tuesday, January 07, 2014
    church sound
    Chris Huff 01/07/14 01:19 PM,
    This article is provided by Behind The Mixer.   Vital…Propel…Next Level…Can four production tips actually make THAT MUCH of a difference? Yes, they can!  The sad part is a good number of people aren’t using these tips and their sound is suffering.  Answer this question; when does your mixing work begin? Before you answer, I’ll give you three choices:; once you enter the sound booth, once you enter the sanctuary, or once you get the song list?  The problem is… View this story
    Filed in: Church SoundFeatureBlogStudy HallAnalogConsolesDigitalEngineerMixerProcessorSound Reinforcement

  • Wednesday, December 18, 2013
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    PSW Staff 12/18/13 09:11 AM,
    The James Douglas Show, a six-time Grammy considered funk band, consists of James Douglas (lead vocals), Mike Cee (keyboards, vocals), Zach Fowler (bass, vocals), Marco Nunez (drums, vocals), Delmone Taylor (saxophones, EWI, keyboards, vocals), and Jessie Martinez (lead guitar), recently completed production of their new video, Vegas Hot. During the video’s shoot, the producers of SyFy Network’s Naked Vegas TV show crossed paths with the band and were so impressed with what they saw that they asked to incorporate a… View this story
    Filed in: Live SoundNewsBusinessMicrophoneSound ReinforcementStageWireless

  • Monday, November 25, 2013
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    PSW Staff 11/25/13 03:10 PM,
    RTW recently sold eight RTW TM7 TouchMonitors to Astro Production Sdn. Bhd., a leading Asian broadcaster, for monitoring of audio levels. The TM7s were equipped with several software modules, including: the SW20001, SW20002, SW20004, SW20005 and SW20006 units. Stagetec Asia (http://www.stagetecasia.com), a long-time distributor of RTW, coordinated the sale. Audio loudness standards have been a key concern for many broadcasters worldwide. That being said, the company sought a new tool that would help it to monitor its audio levels consistently.… View this story
    Filed in: AVNewsInstallationMeasurementSystem

  • Thursday, November 21, 2013
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    PSW Staff 11/21/13 10:15 AM,
    Launched in 2002 by John and Martina McBride, Blackbird Studio is the ultimate marriage of cutting edge and vintage. The state-of-the-art recording facility has been the studio of choice for acclaimed recording artists including Beck, Sheryl Crow, Tim McGraw, Faith Hill, Taylor Swift, Kings of Leon and Rascal Flatts. The Blackbird Studio complex is also home to Blackbird Audio Rentals. Whether it’s an upcoming studio project or a tour that’s getting ready to hit the road, the Chandler Limited TG1… View this story
    Filed in: RecordingNewsBusinessProcessorSound ReinforcementStudio

  • Friday, November 01, 2013
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    Jimmy Stewart 11/01/13 06:04 PM,
    From the archives of the late, great Recording Engineer/Producer (RE/P) magazine, this feature offers an interesting discussion with a true “dynamic duo” of the recording world. Quincy Jones is interviewed first, followed by Bruce Swedien. This article dates back to October 1989. The text is presented unaltered, along with the original graphics. If the word “professionalism” can be epitomized by one of the most successful producers currently working in the recording industry, that man must surely be Quincy Jones. The… View this story
    Filed in: RecordingFeatureBlogStudy HallDigitalEducationEngineerMicrophoneMixerSignalStudio

  • Friday, October 25, 2013
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    William Robinson 10/25/13 03:34 PM,
    From the archives of the late, great Recording Engineer/Producer (RE/P) magazine, this feature is an interesting look back at techniques for recording electronic instruments. This article dates back to April / May of 1970. (Volume 1, Number 1). The text is presented unaltered, along with all original graphics. There are variations of three basic methods which seem to satisfy most requirements…that is, those requirements which don’t demand instant audio annihilation…for getting a signal out of an electronic musical instrument and… View this story
    Filed in: RecordingFeatureBlogSlideshowStudy HallAnalogEducationEngineerSignalStudioTechnician

  • Friday, October 18, 2013
    production
    Mike Sessler 10/18/13 10:17 AM,
    This article is provided by ChurchTechArts.   It’s been a long time coming, but we finally did it. For years I’ve wanted to update our stage lighting rig, but the funds have not been there. A few years ago, we managed to score some used High End Studio Color 575s which gave us some additional color backlight, but it wasn’t what we really wanted. But this year, our End Of Life savings plan starts paying off. 2013 is the year… View this story
    Filed in: ProductionFeatureBlogStudy HallProductionLightingBusinessStage

  • Thursday, October 17, 2013
    live sound
    Craig Leerman 10/17/13 01:39 PM,
    Like most production company owners, I regularly take stock of my equipment inventory, evaluating the need for updates or additions to match current and future needs. A recent audit led me to consider investing in higher powered 12- or 15-inch-loaded stage monitors. The process of investigating what matched our audio requirements with what’s available in the marketplace emphasized that there are a whole lot of variables beyond sound that come into play regarding the acquisition of new gear. All businesses,… View this story
    Filed in: ProductionFeatureBlogStudy HallProductionAudioBacklineCases & AccessoriesCurtains, Pipe & DrapeLightingProduction SoftwareRecordingRiggingStagingVideoAnalogBusinessDigitalManufacturerSystem