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Articles Tagged Processors

  • Wednesday, May 04, 2016
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    PSW Staff 05/04/16 09:48 AM,
    Boasting two brand new studios, fully kitted out with two Audient analog mixing consoles, two iD22 audio interfaces and three 8-channel mic pre ASP880s, Kingston College’s Creative Industries Centre was opened at the beginning of this academic year. As they advance into their second term, Music Technology instructor and studio technician, Chris Winter has noticed how the students have been enjoying the recent studio upgrade. “They love using both the ASP4816 and progressing to the ASP8024 with Dual Layer Control,”… View this story
    Filed in: RecordingNewsAnalogConsolesEducationStudio

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    PSW Staff 05/04/16 08:57 AM,
    Morris has added to its warehouse repertoire by purchasing 578 new pieces of d&b audiotechnik equipment. This investment will allow Morris to further engage with clients in the touring industry, as well as take on more live events and continue to make an impact in the variety of services it offers through its Integration division.  “We chose to work with d&b audiotechnik because of their technical ingenuity and because their service location in North Carolina will help us do great… View this story
    Filed in: AVNewsAmplifierAVBusinessLine ArrayLoudspeakerMonitoringProcessorSoftwareSound ReinforcementSubwoofer

  • Tuesday, May 03, 2016
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    PSW Staff 05/03/16 02:41 PM,
    Universal Audio announces the release of UAD Software v8.6. Alongside the new UAD Fender ‘55 Tweed Deluxe Plug-In, this latest software release features two exclusive new plugins for UAD hardware and Apollo interfaces — the Softube-developed Chandler Limited Curve Bender Mastering EQ and the Sonnox Oxford Limiter v2. Developed for the UAD Powered Plug-Ins platform by Softube, the Chandler Limited Curve Bender Mastering EQ plug-in is an exacting emulation of this inductor-based EQ. Based on the vintage EMI TG12345 desk… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Friday, April 29, 2016
    live sound international
    Ike Zimbel 04/29/16 11:34 AM,
    In 1980 I was working for a band, doing sound…and lights…and some backline…from front of house. During the 11 months I was with them, the band completed a successful showcase, landed a record deal, released its first album, and did a national tour of bars and universities. Truck and van deal…did I mention that I also drove the truck? On this particular night, pre record deal, we were part of the way through a week-long gig at a Toronto bar… View this story
    Filed in: Live SoundFeatureBlogConcertEngineerMixerProcessorSound ReinforcementTechnician

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    PSW Staff 04/29/16 10:24 AM,
    US Presidential candidates Bernie Sanders, Ted Cruz and Donald Trump might not agree on much when it comes to political issues, but one thing they all have in common is DiGiCo’s new S21 digital audio console. Over the past few months, Milwaukee-based SR provider Clearwing Productions has been using the compact desk to mix sound for the three candidates’ rallies and other political events throughout Wisconsin, Minnesota and Indiana. According to Clearwing’s Bryan Baumgardner, the S21’s onboard processing has eliminated… View this story
    Filed in: Live SoundNewsAVConsolesDigitalSound Reinforcement

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    PSW Staff 04/29/16 07:15 AM,
    After a three-year expansion, the new San Francisco Museum of Modern Art (SFMOMA) opens on May 14 with nearly triple the gallery space, 45,000 square feet of free public access areas, and a collection of modern and contemporary art on view. Committed to an extraordinary visitor experience on every level, SFMOMA partnered with Meyer Sound to provide sound solutions throughout the transformed museum. A highlight of the collaboration is the redesigned Phyllis Wattis Theater, located at the heart of the… View this story
    Filed in: AVNewsAVInstallationLoudspeakerProcessorSound ReinforcementStageSystem

  • Thursday, April 28, 2016
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    PSW Staff 04/28/16 09:02 AM,
    Modern opera productions depend on the singing technique of the main characters, the extravagant stage design or the musicians in the orchestra. At the same time, the directors achieve additional soundscapes with sound effects from the speaker. “Especially in modern productions, directors require us to produce various sound effects, create different spaces and connect with each other over the sound system,“ says Oleg Surgutschow, sound mixer at the Zurich Opera. In the historic hall, loudspeakers are mounted on a total… View this story
    Filed in: AVNewsProductAVDigitalInstallationLoudspeakerManufacturerSoftwareSound ReinforcementStage

  • Tuesday, April 26, 2016
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    PSW Staff 04/26/16 08:04 AM,
    In the hands of Wicklow-based systems rental house Sound Design, NEXO’s STM Series line arrays have played a prominent role in Dublin’s month-long official commemorations of the 1916 Easter Rising, the long and bloody rebellion of the Irish people against British rule. ‘Ireland 2016’ was an ambitious and wide-ranging national commemoration with an extensive program of music and speech, theatre and sport. As in 1916, some of the most significant events took place in Dublin, where large crowds attended ceremonial… View this story
    Filed in: Live SoundNewsAmplifierConcertConsolesDigitalLine ArrayLoudspeakerMonitoringSound ReinforcementSubwoofer

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    PSW Staff 04/26/16 06:59 AM,
    Tools from Waves Audio were employed by front of house engineer Stephen Bailey for mixing live sound at the Passion 2016 conference. Passion 2016 was held simultaneously across three venues (with emphasis on the slogan “3 Locations, 2 Cities, 1 Heartbeat”), all linked by fiber and with satellite redundancy. Production for the event was managed by Black & White Live, with RAT Sound providing all audio systems and audio design, headed up by Matt Manix from Method Production Group.  A… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalNetworkingProcessorSound ReinforcementSystem

  • Monday, April 25, 2016
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    John Mills 04/25/16 12:45 PM,
    What Is It? A high pass filter, or HPF, is exactly as it sounds.  It is a filter we can use on our soundboards that ONLY allows the higher frequencies pass. It is sometimes referred to as a Low Cut filter for a similar reason. It is also the most overlooked tool in the sound engineer’s arsenal. Where It’s Found. Some soundboards only have a High Pass Switch which is fixed at a certain frequency, often 80Hz or 100Hz.  This… View this story
    Filed in: Live SoundFeatureBlogStudy HallAmplifierAnalogConsolesDigitalEducationEngineerProcessorSoftwareSound Reinforcement



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