Sign up for ProSoundWeb newsletters
Subscribe today!

Articles Tagged Processing

  • Friday, July 15, 2016
    image
    David Glenn 07/15/16 10:36 AM,
    This article is provided by the Pro Audio Files.   Today we’ve got a pair of overhead mics we’re going to talk about. They have come to me high passed, low cut, no lows at all. Super compressed and we’re going to look at the before and then we’re going to look at the after soloed and then in context with the drum kit, and then we’re going to talk about why you might want either of those options in… View this story
    Filed in: RecordingFeatureVideoStudy HallDigitalDigital Audio WorkstationsProcessorSoftware

  • Monday, July 11, 2016
    universal audio
    Daniel Keller 07/11/16 06:04 AM,
    Courtesy of Universal Audio.   No one will argue that digital technology has done much to empower musicians to take control over their recordings. Today’s artists are far less dependent on high-priced recording professionals, with many great-sounding projects having never even seen the inside of a recording studio. But while the average modern laptop rig can run circles around the Abbey Roads of yesteryear, the knowledge and expertise of those old-school engineers has yet to be bundled into a plugin.… View this story
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsEngineerMixerProcessorSoftwareStudio

  • Tuesday, June 28, 2016
    image
    Joe Gilder 06/28/16 06:04 AM,
    This article is provided by Home Studio Corner.   I know it may be hard to believe, but I too used to believe this was true. I had simply never given it much thought. Maybe you’re in the same boat? The issue was, I made the mistake of confusing headroom with dynamic range. Put simply, when I looked at the master fader, if there was a lot of room between the loudest peak of my mix and 0 dBFS (clipping,… View this story
    Filed in: RecordingFeatureProductionAudioDigitalMeasurementMixerMonitoringSignalSoftwareStudioSystem

  • Friday, June 24, 2016
    image
    PSW Staff 06/24/16 07:49 AM,
    Antelope Audio [Summer NAMM booth 343] has announced updates and additions to its collection of authentic digital recreations of classic vintage recording gear. The hardware-powered FX contained in Vintage Pack 2.0, which leverage Antelope’s proprietary FPGA engine, brings an even wider set of production tools to users of Antelope’s Orion Studio, Zen Tour and Goliath Thunderbolt interfaces. The [AP550A] places the sound of this studio preamp and EQ at your fingertips with 3-band EQ, switchable filters and optional shelving behavior… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Thursday, June 23, 2016
    image
    Chris Huff 06/23/16 06:16 AM,
    This article is provided by Behind The Mixer.   Don’t we all have stories of misheard words?  It could have been a song lyric or maybe you misheard your spouse?  Maybe they mumbled a word or it just wasn’t clear what was said.  This has been the cause for a few hilarious moments at our dinner table.  The problem is that unclear words are a distraction from the message.  In the church environment, the pastor’s words must be clear and… View this story
    Filed in: Church SoundFeaturePollStudy HallProductionAudioConsolesProcessorSignalSound ReinforcementSystem

  • Wednesday, June 22, 2016
    image
    PSW Staff 06/22/16 11:44 AM,
    A discussion that began in the REP Recording Forum here on ProSoundWeb that’s packed with relevant/useful points and references. Question by kifaru I’ve been brought a song to record that has a part in it that requires a chorus to sing part of it. The performer told me that what he had in mind for the part was a sound like the choral parts in Bohemian Rhapsody by Queen. I’m really not sure how to achieve this sound and the… View this story
    Filed in: RecordingFeatureForumOpinionStudy HallConsolesEngineerMicrophoneProcessorSoftwareStudio

  • Monday, June 06, 2016
    image
    PSW Staff 06/06/16 09:00 AM,
    Bose Professional introduces the PowerShare adaptable power amplifier line, consisting of three 1U models: 2- and 4- channel fixed-install models (PS602 and PS604) and one 2-channel portable amplifier (PS602P). Each model delivers 600 watts of power that can be shared across all output channels. With support for both low- and high-impedance loads up to 100V, PowerShare amplifiers adapt to a wide range of applications. Onboard configurable loudspeaker processing and direct access to zone controllers eliminate the need for an additional… View this story
    Filed in: AVNewsProductAmplifierAVDigitalSoftwareSound Reinforcement

  • Thursday, June 02, 2016
    image
    PSW Staff 06/02/16 08:29 AM,
    LAB GRUPPEN announces that it has expanded its D Series advanced install-dedicated amplifier platform with the introduction of three slimline models, the D 40:4L, D 20:4L and D 10:4L. The D Series now consists of six power levels which offers integrators ‘genuine open interoperability’ providing integration with a wide range of digital audio and control protocols. “Total integration and flexibility has been the core ethos behind D Series which our most advanced install-dedicated amplifier platform to date. That’s why we… View this story
    Filed in: AVNewsProductAmplifierAVManufacturer

  • Wednesday, June 01, 2016
    image
    PSW Staff 06/01/16 03:01 PM,
    ClearOne announces the new second generation Beamforming Microphone Array 2 for voice conferencing, utilizing audio beamforming, adaptive steering, acoustic echo cancellation, and noise cancellation technologies.  “This second generation, highly selective and directional Beamforming Microphone Array is optimized to operate with ClearOne’s next generation CONVERGE Pro 2 audio conferencing platform,” said Durai Ramachandiran, ClearOne’s senior director of Product Line Management for Pro Voice and AV Distribution. “Twenty-four microphone elements in the array adaptively guide audio pickup patterns towards conferencing participants, rejecting… View this story
    Filed in: AVNewsProductAVMicrophoneProcessorSoftware

  • image
    Bobby Owsinski 06/01/16 05:55 AM,
    This article is provided by Bobby Owsinski.   When signal processing is timed to the pulse of the track, everything in the mix sounds a lot smoother. This applies to compressors, delays, modulators, and especially reverbs. One of the questions I get a lot is, “How do you time your reverb to the track?” There’s a step by step tutorial in my Audio Mixing Bootcamp book that I’ve excepted from the Adding Reverb chapter of the book below. By the… View this story
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerProcessorSoftwareStudio



Audio Central