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Articles Tagged Post Production

  • Monday, September 08, 2014
    ssl
    PSW Staff 09/08/14 01:01 PM,
    World Wrestling Entertainment (WWE) recently upgraded its post production facilities with a Solid State Logic C10 HD compact broadcast console in Audio 5 studio to support foreign language broadcasts. WWE programs, including Monday Night RAW, SmackDown and WWE Total Divas, are delivered to 650 million homes in over 150 countries and translated into 30 languages. WWE live and televised entertainment encompasses terrestrial, cable and satellite broadcast and Pay-Per-View, along with the recently-launched over-the-top (OTT) WWE Network. The C10 HD is… View this story
    Filed in: Live SoundRecordingNewsAVConsolesDigitalMixerProcessorStudio

  • Friday, July 11, 2014
    directout
    PSW Staff 07/11/14 10:39 AM,
    Park Road Post Production, a premier post production facility based in Wellington, New Zealand, has recently invested in a new MADI solution from DirectOut Technologies to improve workflow in the mix area. Owned by Academy Award-winning film director Peter Jackson, best known for having directed and produced ‘The Hobbit’ and ‘The Lord of the Rings’ trilogy, Park Road was established as a one-stop shop with integrated picture and sound departments all under one roof. The facility forms part of a… View this story
    Filed in: Live SoundRecordingNewsDigitalDigital Audio WorkstationsInterconnectNetworkingSignalStudio

  • Thursday, June 19, 2014
    recording
    Jeffrey P. Fisher 06/19/14 07:33 AM,
    This article is provided by the Fisher Creative Group.   Dialog is the primary sound element around which all other post audio revolves. Unfortunately, a common problem we often encounter is how to prevent music and other sound elements from stepping all over the dialog track so you can understand all the words. Here’s the secret: You must create a space for the voice track, a kind of hole in the soundtrack, reserved for speech with the music, sound effects,… View this story
    Filed in: RecordingFeatureBlogStudy HallConsolesEngineerMixerProcessorSignalSoftwareStudio

  • Thursday, May 15, 2014
    avid
    PSW Staff 05/15/14 02:39 PM,
    Audio post-production house Kill The Messenger – the exclusive audio producer for the Ultimate Fighting Championship (UFC) – has chosen an Avid S5 Fusion digital mixing console for its flagship Santa Monica facility. The hybrid console and control surface enables the facility to meet the demands of fast-turnaround live sports production and diversify into the growing market of TV, web, and mobile projects. Kill The Messenger will use the S5 Fusion for long-form episodic mixes for UFC events, as well… View this story
    Filed in: RecordingNewsConsolesDigitalDigital Audio WorkstationsMixerSoftwareStudio

  • Monday, May 12, 2014
    ssl
    PSW Staff 05/12/14 08:39 AM,
    Multi-suite post production facility Creative Sound in Paris is delivering its services with three Solid State Logic C300 HD master studio systems and one C10 HD. The studio and its team have won numerous awards at Cannes and other European film festivals for European cinema projects and has an extensive history of creating French language versions of international films, including such recent projects as The King’s Speech, Diana, Homefront and August: Osage County, as well as the upcoming releases Selfie… View this story
    Filed in: RecordingNewsConsolesDigital Audio WorkstationsMixerStudio

  • Friday, March 21, 2014
    image
    PSW Staff 03/21/14 11:01 AM,
    The Don Juans, loosely based on the opera Don Giovanni, is a comedy about sex and love and infidelity by Oscar-winning Czech director Jiri Menzel. Both location and post production audio was handled by Radim Hladík who relied heavily upon Lectrosonics Digital Hybrid Wireless technology. Based in Prague, Radim Hladík is a location sound engineer, sound editor, mixer, and sound designer. He was tasked with a myriad of audio production responsibilities on The Don Juans, including ADR, Foley, sound design,… View this story
    Filed in: RecordingNewsMicrophoneSound ReinforcementWireless

  • Tuesday, January 07, 2014
    middle atlantic
    PSW Staff 01/07/14 12:42 PM,
    Fully recovered and thriving after a flood that devastated the facility two years ago, The Editing Company is celebrating 34 years of growth with well over 30,000 successfully completed projects. The audio/video production and post facility was the first video production facility in Houston to offer the 1-inch video format, digital Betacam, D2 video, and AVID non-linear editing capability. When the facility reopened in a new location after the flood, they upgraded all of their equipment with the latest digital… View this story
    Filed in: AVRecordingChurch SoundNewsAVConsolesInstallationStudio

  • Friday, June 21, 2013
    image
    PSW Staff 06/21/13 07:18 AM,
    Scrub, a division of HHB Communications, has supplied Molinare’s Film and TV Post Production facilities with a 32-Fader Avid S5 Fusion Control Surface and Pro Tools upgrades for its newly revamped Dubbing Theatre A in Soho, London. The refurbishment of Molinare’s Dubbing Theatre A makes it Soho’s only audio post production facility to offer a Pro Tools-based Euphonix DSP system. In addition to the S5 control surface, the theatre has been upgraded to Avid’s powerful Pro Tools HDX and version… View this story
    Filed in: RecordingNewsConsolesDigitalDigital Audio WorkstationsSoftwareStudio

  • Tuesday, April 30, 2013
    image
    PSW Staff 04/30/13 02:01 PM,
    When creative media and design firm Ambient Digital Media, a Post Modern Group company, built out a new audio post production facility recently, there was only one choice for the studio furniture: an Argosy Console Inc.  Mirage D-Command desk. The new room—the first in-house audio post suite to be built by Ambient—is being used for mixing, editing and QC of a range of projects, from broadcast television work through voice recording to value-added materials for Blu-ray Disc and DVD releases.… View this story
    Filed in: RecordingNewsBusinessStudio

  • Monday, April 29, 2013
    image
    PSW Staff 04/29/13 11:10 AM,
    Engineer Vinnie Alibrandi has found a new use for his DiGiCo SD11 console in the post-production world. The 19-inch rackmountable mixer, which has typically ended up on small tour riders and install gigs where small but powerful were the major requirements, proved to be the perfect solution for Alibrandi to handle mastering duties in the studio. Alibrandi, who is a Post Production Engineer at the Capitol Christian Music Group, also engineers at FOH at Nashville’s HopePark Church on the weekends.… View this story
    Filed in: RecordingNewsConsolesMixerStudio