-
Monday, December 12, 2011
Tim Vear
12/12/11 02:30 PM,
An important consideration in microphone use is acoustic interference, which can occur whenever delayed versions of the same sound are mixed together, acoustically or electrically. With mics, this may happen in several ways: mics of reverse polarity picking up the same sound, multiple mics picking up the same sound from different distances, a single mic picking up multiple reflections of the same sound, or any combination of these. The results are similar in each case, and include audible peaks and…
View this story
Filed in:
Church Sound •
Feature •
Poll •
Study Hall •
Audio •
Education •
Engineer •
Microphone •
Studio •
System
-
Tuesday, March 15, 2011
Chuck McGregor
03/15/11 01:55 PM,
0 Comments
Polarity and Phase - two terms are often used as if they mean the same thing. They are not. POLARITY: In electricity this is a simple reversal of the plus and minus voltage. It doesn’t matter whether it is DC or AC voltage. For DC, Turn a battery around in a flashlight and you have inverted or, more commonly stated, reversed the polarity of the voltage going to the light bulb. For AC, interchange the two wires at the input…
View this story
Filed in:
AV •
Feature •
Poll •
Study Hall •
AV •
Audio •
Education •
Loudspeaker •
Signal
-
Thursday, December 23, 2010
Mike Sokol
12/23/10 08:30 AM,
0 Comments
Provided by HOW To Church Sound Workshops. Few things can affect the quality of a sound as speakers being out of polarity. You can lose bass response, cancel your vocals and cause general phase mayhem in your sound system. There are may ways to determine polarity, however here’s a cheap and easy solution to test for proper wiring inside your speaker cabinets before you install them up on the wall and without running any audio signal through them. See…
View this story
Filed in:
Church Sound •
Feature •
Poll •
Audio •
Education •
Installation •
Interconnect •
Signal •
Sound Reinforcement •
System
-
Friday, November 19, 2010
Barry Rudolph
11/19/10 01:40 PM,
0 Comments
For recording electric guitars, I’ve been using a “trick” lately with the figure-of-eight Royer R121 ribbon microphone. I like this method because it increases the “coupling” of the low-end frequencies and air of the speakers to the mic, and I also find it great for loud clean sounds and cruncher rhythm parts, especially low-tuned guitar parts where you want as much “sturm und drang” as possible. I line up dual 4 x 12 Marshall cabinets directly facing each other as…
View this story
Filed in:
Recording •
Feature •
Poll •
Analog •
Audio •
Microphone •
Studio •
System
-
Tuesday, August 24, 2010
Dave Rat
08/24/10 10:15 AM,
0 Comments
From Dave Rat of Rat Sound, this video explains how to properly optimize your analog consoles gain structure.
Rat Sound Website
View this story
Filed in:
Live Sound •
Feature •
Poll •
Video •
Analog •
Audio •
Consoles •
Mixer •
Signal •
Sound Reinforcement •
System
-
Friday, July 02, 2010
Dave Rat
07/02/10 09:22 AM,
1 Comment
From Dave Rat of Rat Sound, this 3 part series showcases the techniques previously discussed in his article Not So Mysterious: Using Polarity As Another Tool For Optimizing Drum Sound.
Part 1 of the video is embedded below, as well as links to part 2 and Part 3.
View Part 1, Part 2, or Part 3.
View this story
Filed in:
Live Sound •
Feature •
Poll •
Audio •
Measurement •
Microphone •
Signal •
Sound Reinforcement •
System •
Technician
-
Wednesday, August 12, 2009
Bennett Prescott
08/12/09 03:56 PM,
1 Comment
I’ve been trying to get my ugly mitts on a Soundcraft Vi6 since I first saw one at AES two years ago. Tom Der had one to spare this summer and shipped it down to Asbury Park, NJ where Jason Dermer’s company, TSL, will be putting it through its paces. Since I do a lot of work with Jason, I got assigned the duty of figuring out how the brightly lit control surface works, getting it set up, mixing the…
View this story
Filed in:
Live Sound •
Blog •
Road Test •
Audio •
Concert •
Consoles •
Digital •
Sound Reinforcement
-
Friday, May 22, 2009
PSW Staff
05/22/09 09:42 AM,
0 Comments
At the upcoming 2009 InfoComm show in Orlando, Ashly Audio is introducing two new loudspeaker processors to its line of Protea DSP products. The Protea 4.8SP four-input/eight-output and Protea 3.6SP three-input/six-output 1RU digital signal processors offer an extremely intuitive user interface, plus PC control software, and comprehensive DSP, including crossover, equalization, delay and limiter functions. Gain, delay and six filters (each a choice of parametric, low- or high-shelf) may be applied to every input, each of which employs 24-bit, 48…
View this story
Filed in:
Live Sound •
Product •
Installation •
Networking •
Processor •
Sound Reinforcement
-
Thursday, April 02, 2009
PSW Staff
04/02/09 09:42 AM,
0 Comments
JBL Professional has introduced two new additions to its PRX Series, including the PRX512Mi multipurpose powered loudspeaker and the PRX718S high-performance powered subwoofer. These additions bring the total number of models in the PRX Series to seven. The PRX512Mi is a 12-inch, two-way, truly multipurpose, self-powered loudspeaker system, with a frequency range of 46 Hz to 20 kHz. It includes a 12-inch Differential Drive woofer, a neodymium compression driver mounted to a 70- x 70-degree horn, all driven by a…
View this story
Filed in:
Live Sound •
Product •
Amplifier •
Loudspeaker •
Sound Reinforcement
Page 1 of 1 pages
