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Articles Tagged Monitors

  • Monday, October 17, 2011
    church sound
    Mike Sessler 10/17/11 07:57 AM, 1 Comment
    It’s important to adopt strategies for remaining sane while mixing monitors in churches. I touched upon some of those strategies in a previous article, where the focus was on how to group multiple musicians together to obtain positive results, how to stay organized, and how to run a sound check. All of the above assumes you’re mixing monitor wedges for the stage. Wedges work well in some circumstances, but have many downsides. Being loudspeakers, they obviously add to the mix… View this story
    Filed in: Church SoundFeaturePollMixerMonitoringStage

  • Monday, September 26, 2011
    studio monitors
    PSW Staff 09/26/11 08:15 AM, 0 Comments
    ADAM Audio is launching the new A77X monitor for the U.S. market at the upcoming 131st AES Convention, joining the company’s AX-Series, which ranges from the ultra-compact and A3X to the high performance A5X, A7X and A8X systems. All models feature the new X-ART tweeter in addition to woofers that have been completely re-engineered with larger voice coils and more powerful amplifiers for greater linear excursion and more output. A 5-year warranty is provided for all models. The new A77X… View this story
    Filed in: RecordingNewsPollProductLoudspeakerMonitoringStudio

  • Thursday, September 08, 2011
    PSW Staff 09/08/11 03:58 AM, 0 Comments
    Shure Incorporated has announced that the new PSM 1000 personal monitor system – a dual-channel, networkable, professional monitoring system – is now shipping. “The Shure PSM 1000 personal monitor system outperforms other in-ear monitor systems in many ways,” says Matt Engstrom, category director for monitoring products at Shure. “With best-in-class audio and RF performance, networking connectivity, and a diversity bodypack receiver, PSM 1000 delivers on the demanding requirements of sound professionals.” PSM 1000 System: —Wide 72 megahertz tuning bandwidth allows… View this story
    Filed in: AVLive SoundChurch SoundNewsPollProductMonitoringSystemWireless

  • Friday, September 02, 2011
    church sound
    Mike Sessler 09/02/11 01:57 PM, 3 Comments
    This article is provided by ChurchTechArts.   This isn’t the first time I’ve built a snake like this, nor is it the first time I’ve written about it. But we’ve made a few updates, so I thought I’d write a new article on them. This particular snake in question is what we use for our percussion or winds player, though sometimes it gets dragged over to the guitar position depending on the weekend. The design goals were thus: create a… View this story
    Filed in: Church SoundFeaturePollInterconnectMonitoringStage

  • Thursday, August 18, 2011
    Gary D. Davis 08/18/11 12:19 PM,
    R-e/p: Tell us about redoing the control room for Village. GEORGE AUGSPURGER: From my standpoint, even before getting into the subtleties of those things that the client may like, there are a number of things you do in any control room. One is that you try to get the thing as nearly as possible to be bilaterally symmetrical. You’re stuck with two channel and four channel stereo, which are both oriented left and right, and to get any kind of… View this story
    Filed in: RecordingFeaturePollProductionAudioInstallationStudioSystem

  • Thursday, July 28, 2011
    studio monitors
    PSW Staff 07/28/11 11:27 AM, 0 Comments
    Melbourne’s Studio 52 is known for its exceptional sounding recordings and a long history of developing some of Australia’s finest young talent. The four-studio complex is based around Logic Audio with outboard equipment from TLA, Focusrite and TC Electronic, and recently ADAM Audio S3X-H monitors were permanently installed in Studio C, the home of producer and head engineer, Trevor Carter. Paul Wiggins, managing director of Studio 52 and Empire Records, points out, “When you’ve spent 25 years in the music… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudio

  • Wednesday, July 27, 2011
    studio monitors
    PSW Staff 07/27/11 12:53 PM, 0 Comments
    Founded in 1975, Chicago Recording Company (CRC) is the largest independent studio in the U.S., offering nine full post-production suites and a list of high profile clients including Kawasaki, SC Johnson, Sears, Miller, Coors and Philip Morris, and film credits running the gamut from “Black Swan” to Pixar’s “Toy Story” franchise. Maintaining that success requires an unerring commitment to consistency across the board, in terms of service, technical staff and the technology they employ day in, day out, says general… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudio

  • Wednesday, July 20, 2011
    digital consoles
    PSW Staff 07/20/11 04:38 PM, 0 Comments
    Showcasing a pair of emerging retro soul artists—Bruno Mars and Janelle Monae, along with opening acts, Plan B, Patrick Stump and Mayer Hawthorne—the two-month ‘Hooligans in Wondaland’ tour wound its way through sheds across North America in early summer. The Clair Global-supported outing was outfit with a double dose of DiGiCo SD8s—both equipped with DiGiCo/Waves SoundGrid bundle—plus two Digi-Racks (one stage 56 mic in/8 line out, and one local 8 mic in/40 line in/8 AES/EBU I/O, and 40 line out)… View this story
    Filed in: Live SoundNewsPollConcertConsolesDigitalMonitoringSound Reinforcement

  • jbl
    PSW Staff 07/20/11 03:43 PM, 2 Comments
    Recording industry veteran Rafa Sardina recorded and mixed tracks for Lady Gaga’s recent album, Born This Way, using JBL LSR28P studio monitors. Sardina is an 11-time Grammy-winning producer, mixer and recording engineer, whose credits include projects with Stevie Wonder, Michael Jackson, Shakira, Mariah Carey, Dr. Dre, Beyoncé, Sheryl Crow and Macy Gray. Sardina worked with producer Fernando Garibay on Born this Way at The Mix Room in Burbank, California. According to Sardina, JBL LSR studio monitors have become an integral… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudio

  • Wednesday, July 13, 2011
    PSW Staff 07/13/11 07:33 AM, 0 Comments
    Public broadcasting station WHYY in Philadelphia has recently completed the construction of a new, high-tech media annex - the Dorrance H. Hamilton Public Media Commons - designed to educate the regional community on utilizing digital technology.  The multifunctional space can fulfill multiple roles, from broadcast facility to lecture hall, classroom, or movie theater.  The venue adds 8,000 square feet to WHYY’s existing 60,000 square foot headquarters. The centerpiece is the Lincoln Financial Digital Education Studio, a flexible space that can… View this story
    Filed in: AVLive SoundNewsPollAVLoudspeakerMonitoringSound ReinforcementStage

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