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Articles Tagged Monitors

  • Thursday, August 18, 2011
    Gary D. Davis 08/18/11 12:19 PM,
    R-e/p: Tell us about redoing the control room for Village. GEORGE AUGSPURGER: From my standpoint, even before getting into the subtleties of those things that the client may like, there are a number of things you do in any control room. One is that you try to get the thing as nearly as possible to be bilaterally symmetrical. You’re stuck with two channel and four channel stereo, which are both oriented left and right, and to get any kind of… View this story
    Filed in: RecordingFeaturePollProductionAudioInstallationStudioSystem

  • Thursday, July 28, 2011
    studio monitors
    PSW Staff 07/28/11 11:27 AM, 0 Comments
    Melbourne’s Studio 52 is known for its exceptional sounding recordings and a long history of developing some of Australia’s finest young talent. The four-studio complex is based around Logic Audio with outboard equipment from TLA, Focusrite and TC Electronic, and recently ADAM Audio S3X-H monitors were permanently installed in Studio C, the home of producer and head engineer, Trevor Carter. Paul Wiggins, managing director of Studio 52 and Empire Records, points out, “When you’ve spent 25 years in the music… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudio

  • Wednesday, July 27, 2011
    studio monitors
    PSW Staff 07/27/11 12:53 PM, 0 Comments
    Founded in 1975, Chicago Recording Company (CRC) is the largest independent studio in the U.S., offering nine full post-production suites and a list of high profile clients including Kawasaki, SC Johnson, Sears, Miller, Coors and Philip Morris, and film credits running the gamut from “Black Swan” to Pixar’s “Toy Story” franchise. Maintaining that success requires an unerring commitment to consistency across the board, in terms of service, technical staff and the technology they employ day in, day out, says general… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudio

  • Wednesday, July 20, 2011
    digital consoles
    PSW Staff 07/20/11 04:38 PM, 0 Comments
    Showcasing a pair of emerging retro soul artists—Bruno Mars and Janelle Monae, along with opening acts, Plan B, Patrick Stump and Mayer Hawthorne—the two-month ‘Hooligans in Wondaland’ tour wound its way through sheds across North America in early summer. The Clair Global-supported outing was outfit with a double dose of DiGiCo SD8s—both equipped with DiGiCo/Waves SoundGrid bundle—plus two Digi-Racks (one stage 56 mic in/8 line out, and one local 8 mic in/40 line in/8 AES/EBU I/O, and 40 line out)… View this story
    Filed in: Live SoundNewsPollConcertConsolesDigitalMonitoringSound Reinforcement

  • jbl
    PSW Staff 07/20/11 03:43 PM, 2 Comments
    Recording industry veteran Rafa Sardina recorded and mixed tracks for Lady Gaga’s recent album, Born This Way, using JBL LSR28P studio monitors. Sardina is an 11-time Grammy-winning producer, mixer and recording engineer, whose credits include projects with Stevie Wonder, Michael Jackson, Shakira, Mariah Carey, Dr. Dre, Beyoncé, Sheryl Crow and Macy Gray. Sardina worked with producer Fernando Garibay on Born this Way at The Mix Room in Burbank, California. According to Sardina, JBL LSR studio monitors have become an integral… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudio

  • Wednesday, July 13, 2011
    PSW Staff 07/13/11 07:33 AM, 0 Comments
    Public broadcasting station WHYY in Philadelphia has recently completed the construction of a new, high-tech media annex - the Dorrance H. Hamilton Public Media Commons - designed to educate the regional community on utilizing digital technology.  The multifunctional space can fulfill multiple roles, from broadcast facility to lecture hall, classroom, or movie theater.  The venue adds 8,000 square feet to WHYY’s existing 60,000 square foot headquarters. The centerpiece is the Lincoln Financial Digital Education Studio, a flexible space that can… View this story
    Filed in: AVLive SoundNewsPollAVLoudspeakerMonitoringSound ReinforcementStage

  • image
    PSW Staff 07/13/11 07:01 AM, 0 Comments
    The new MicroWedge8 (MW8) and MicroWedge10 (MW10) are a small-format continuation of the EAW MicroWedge line of stage monitors. The MW8 and MW10 are suitable for applications that demand the high level of performance, audio quality, inherent feedback stability, smooth coverage and ergonomic design of the MW12 and MW15 without the need for MW12/MW15’s levels of power-handling and size. The MW8 is the smallest in the MW line of products, outfitted with an 8-inch woofer, while the MW10 hass a… View this story
    Filed in: AVLive SoundChurch SoundNewsPollProductAVLoudspeakerMonitoringStageAudio

  • Tuesday, June 14, 2011
    studio monitors
    Bobby Owsinski 06/14/11 04:25 AM, 0 Comments
    This article is provided by Bobby Owsinski.   It’s surprising that so many monitor speakers are chosen on the words of a review or word of mouth since they’re such a personal item. It’s more surprising still how little effort is sometimes put into listening to a speaker before purchase. Here’s an excerpt from Mixing And Mastering With T-Racks that provides some tips for choosing that most special piece of gear. 1) Don’t choose a monitor because someone else is… View this story
    Filed in: RecordingFeaturePollLoudspeakerMonitoringStudio

  • Friday, June 10, 2011
    personal mixing
    PSW Staff 06/10/11 02:16 PM, 1 Comment
    At 2011 InfoComm in Orlando (at booth 428), Movek will launch the IEX16L-A, a 16-channel input expander offers two 8-channel digital inputs utilizing the common ADAT format, allowing 16 audio channels to be streamed in 24-bit, 48kHz into a myMix system. The IEX16L-A has an additional 16 analog line-level channel inputs which can be switched in blocks of eight, allowing the flexibility to use either 16 digital, 8 analog and 8 digital, or all 16 channels in analog. As the… View this story
    Filed in: AVLive SoundRecordingChurch SoundNewsPollProductDigitalMonitoringNetworkingProcessor

  • Wednesday, June 08, 2011
    PSW Staff 06/08/11 10:30 AM, 1 Comment
    The PLM3A bundle is the perfect example of how three state-of-the-art elements have been successfully combined to become the ultimate audio monitoring chain. A set of Dynaudio Acoustics M3A 3-way monitors, a Lab.gruppen PLM 10000Q amplifier and cutting-edge Lake and TC Electronic processing is the third link, ensuring that any room can become the perfect listening facility. Dynaudio M3A monitors are equipped with extremely clean, dynamic, powerful and reliable speakers in which common problems such as cone break up, thermal… View this story
    Filed in: Live SoundRecordingChurch SoundNewsPollAmplifierLoudspeakerProcessorSignal