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Articles Tagged Monitors

  • Tuesday, July 03, 2012
    live sound
    Karl Winkler 07/03/12 02:08 PM,
    After a few years away, recently I’ve returned to working with live sound in the field, at the request of a classical musician friend who talked me into it for a series of concerts with his contemporary group. We’re talking a modern version of classical music style – think Steve Reich and Nathan Davis – using traditional instruments combined with electronics in a variety of ways. Some of it has effects, some of it has pre-recorded material that the musicians… View this story
    Filed in: Live SoundFeatureBlogConcertEngineerMonitoringSound ReinforcementTechnician

  • Monday, July 02, 2012
    image
    PSW Staff 07/02/12 08:23 AM,
    Nady has introduced their latest in-ear monitor system, the PEM-1000. This state-of-the-art system allows you to hear your monitor mix clearly anywhere on stage (no matter how loud the music is), and offers all the advantages of wireless in-ear monitoring/mobility—clear focused audio, feedback protection, and the elimination of heavy, hard-to-transport floor monitors.  The PEM-1000 features 100 pre-set user selectable UHF frequencies for interference-free performance; up to 8 systems can operate simultaneously.  The system consists of one PEM-1000T transmitter and one… View this story
    Filed in: Live SoundChurch SoundNewsPollMonitoringSound ReinforcementWirelessAudio

  • Tuesday, June 19, 2012
    image
    PSW Staff 06/19/12 06:24 AM,
    Dynaudio Professional introduces the DBM50 – the perfect active desktop monitor featuring a 7.1” woofer and a 1.1” soft dome tweeter. Designed for desktop use, the monitors offer a perfectly angled front, a waveguide around the tweeter and an optional level controller that does not compromise the level interrelationship between speakers. Each and every DBM50 is handcrafted in Denmark with attention to even the tiniest detail. More than 20 years of expertise in speaker design, development and manufacturing guarantees a… View this story
    Filed in: RecordingNewsPollLoudspeakerMonitoringStudioAudio

  • Saturday, June 16, 2012
    harman
    PSW Staff 06/16/12 04:41 PM,
    At InfoComm 2012, dbx Professional introduced the new PMC personal monitor controller, a remote control located near the performer that lets them easily set up and control their own personal mix of up to 16 channels of audio. “Our personal monitor controller gives performers real-time control over their individual mixes, right from their position on stage,” notes Noel Larson, market manager for Portable PA, Tour and Recording. “As anyone who’s performed live knows, your on-stage needs are always changing. With… View this story
    Filed in: AVLive SoundChurch SoundNewsProductAVMixerMonitoringStage

  • Tuesday, June 12, 2012
    image
    PSW Staff 06/12/12 05:02 AM,
    Vive Latino is Mexico’s biggest music festival. It is a three-day event that usually features 100 bands on multiple stages at Foro Sol, a large stadium in Mexico City. This year’s festival lineup included a wide range of talent, including Café Tacuba, Molotov, ZOÉ, Foster the People, and Fatboy Slim. To ensure flawless audio, this year’s festival relied heavily on the latest Shure wireless systems, including the new Axient Wireless Microphone System and the PSM 1000 and PSM 900 personal… View this story
    Filed in: Live SoundNewsPollConcertMicrophoneSoftwareWirelessAudio

  • Tuesday, May 22, 2012
    image
    PSW Staff 05/22/12 05:43 AM,
    Musician and producer Kenny “Babyface” Edmonds recently took possession of his new Fostex PMO.4n self powered studio monitors in the colors white, black, purple, red and yellow. The PMO.4n’s are a recent update of the PMO.4 studio monitors introduced back in 2005. The compact design of the PMO.4n enclosure allows for convenient mobility allowing Kenny to feed his creative thirst by facilitating a mobile working environment. “I’m often inspired creatively by new or varied work environments which the small Fostex… View this story
    Filed in: RecordingNewsPollAVLoudspeakerMonitoringStudioAudio

  • Monday, May 14, 2012
    church sound
    Mike Sessler 05/14/12 08:38 AM,
    This article is provided by ChurchTechArts.   Let me start off by saying that Tim Corder has done a great job of writing about monitor mixing. He has several posts tailored for various musicians and even went so far as to include audio examples. If you haven’t already read them, you should. Tim wrote about building IEM mixes for Electric, Bass, Drums, Keys, and Lead Vocal. Check it out when you have a few minutes. With that said, I was… View this story
    Filed in: Church SoundFeaturePollStudy HallMonitoringSound ReinforcementStage

  • Tuesday, May 08, 2012
    image
    PSW Staff 05/08/12 03:35 PM,
    In just a few years, Joe Trapanese has earned a reputation as a successful composer, arranger, orchestrator and music producer for film, television, multimedia, live theater and concerts. “Theater work informs my music for film, TV and multimedia, much as the different work I do as a composer, arranger, orchestrator and producer influences each of those roles,” Trapanese states. “The work intermingles and makes everything better. A lot of what I do is problem solving and dealing with clients, and… View this story
    Filed in: RecordingNewsPollEngineerLoudspeakerManufacturerStudioAudio

  • Friday, April 27, 2012
    image
    Chris Huff 04/27/12 10:13 AM,
    This article is provided by Behind The Mixer.   Evaluating your monitor settings is a crucial step during the sound check and during the church service.  Consider these three signs your monitor mix is bad or had gone bad. 1. A musician isn’t playing in time or looks lost. This will happen if you didn’t get the right monitor mix during the sound check. It can also happen if they can’t hear the monitor due to the addition of the… View this story
    Filed in: Church SoundFeaturePollStudy HallLoudspeakerMixerMonitoringStage

  • Tuesday, April 17, 2012
    recording
    Bobby Owsinski 04/17/12 07:36 AM,
    This article is provided by Bobby Owsinski.   Christine Lavin recently sent in the following question: “Where do headphones fit in the mix for you, or do you listen just to the speakers? I’ve been in studios where they have 3 sets of speakers—small medium and large—and the producer or mixer (if it’s someone else) listen on all three. But I’m a headphone person. Wonder what your opinion of that is?” I’m a firm believer that you can get great… View this story
    Filed in: RecordingFeaturePollStudy HallDigital Audio WorkstationsMixerStudio



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