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Thursday, May 09, 2013
Michael Hill 05/09/13 03:19 PM,Provided by Sennheiser. Ever have problems with stage volume that’s just too loud? Combating sound issues from performers who can’t hear themselves play - much less think - can be tough. How many times have you pulled down the master faders to (-) infinity at front of house, and the sound coming off the stage was still so loud you knew you were going to get a visit from the head deacon or usher before the first chorus? Or how… View this story
Filed in: Church Sound • Feature • Blog • Study Hall • Consoles • Engineer • Mixer • Monitoring • Sound Reinforcement • Technician -
Tuesday, May 07, 2013
PSW Staff 05/07/13 01:55 PM,IsoAcoustics has announced that the new ISO-L8R130 isolation-enhancing stand, designed for small studio monitors as well as desktop and bookshelf loudspeakers, is now shipping. The new ISO-L8R130 shares all the features found in the company’s ISO-L8R155 and ISO-L8R200 stands, including patented “floating” architecture for audio image stabilizing. The new stand measures 5.1 inches wide and 6 inches deep, and comes with tubing to configure it to 2.5 inches or 7.5 inches in height. It also includes two sets of adjustor… View this story
Filed in: AV • Live Sound • Recording • Church Sound • News • Product • Loudspeaker • Monitoring • Studio -
Monday, April 29, 2013
Teri Hogan 04/29/13 03:51 PM,A concert sound system is, in reality, two completely separate sound systems, joined at the hip by a split snake. Each system requires a skilled engineer, but the skill-sets between the two differ vastly. The thing that baffles me is how ill regarded the position of monitor engineer is among my brethren. It can be easily argued and defended that the monitor engineer works twice as hard as everyone else on the crew, unless he/she is lucky enough to have… View this story
Filed in: Live Sound • Feature • Blog • Study Hall • Concert • Engineer • Monitoring • Sound Reinforcement • Stage • Technician -
Thursday, April 18, 2013
PSW Staff 04/18/13 09:55 AM,The success RCF has enjoyed with its Ayra range of active nearfield and personal monitors has led to the introduction of the new ultra-compact Ayra Four. This follows the same design template as the popular Ayra Five, Ayra Six and Ayra Eight — but in a smaller package. The Ayra series is optimized to deliver the best quality for a variety of applications where clear and loud sound is required. It is also ideal for multimedia gaming and as a… View this story
Filed in: Recording • News • Product • Loudspeaker • Monitoring • Studio -
PSW Staff 04/18/13 07:45 AM,Called Sing Inspiration!, the two day festival organized by iGospel is an inspirational music project providing vocal and music tutoring, songwriting, audio production and event management training predominantly for children. The 2013 event featured a London-based 500-strong mass choir and various other mass soul and gospel choirs from across the UK, Europe and USA, all backed by the renowned igmusic band, with special guest appearances by Jaz Ellington (star of BBC’s The Voice), Israel J Allen, and MOBO award winning… View this story
Filed in: Live Sound • Church Sound • News • Consoles • Digital • Monitoring • Sound Reinforcement -
Thursday, April 11, 2013
PSW Staff 04/11/13 03:14 PM,Genelec is debuting new M Series bi-amplified active studio monitors at Prolight+Sound 2013 in Frankfurt (Booth 8, Stand H25). The first two models being introduced are the M030 and the M040 bi-amplified active monitors, which employ a Natural Composite Enclosure (NCE) manufactured for Genelec in Finland from wood fiber and recyclable material. The M030 and M040 use Genelec enclosure design heritage, featuring rounded edges and gently curved front and sides to provide minimized cabinet edge diffraction and superb imaging. Both… View this story
Filed in: Recording • News • Product • Loudspeaker • Monitoring • Studio -
Wednesday, March 20, 2013
PSW Staff 03/20/13 10:05 AM,Back from its acclaimed 2012 run, the highly-anticipated tribute concert One Night With Janis Joplin began a four-week stint at the Pasadena Playhouse last weekend with a brand new monitor system from VUE Audiotechnik. One Night with Janis Joplin takes audiences on a musical journey through the influences that shaped one of rock ‘n’ roll’s most enduring legends. Mary Bridget Davies fronts an ensemble of top-tier musicians to deliver a powerful and often haunting interpretation of Joplin’s signature sound. “This… View this story
Filed in: Live Sound • News • Concert • Loudspeaker • Monitoring • Sound Reinforcement • System -
Wednesday, March 06, 2013
Mike Sessler 03/06/13 03:13 PM,This article is provided by ChurchTechArts. I know a lot of churches that mix monitors from front of house. For most of my church career, that’s been the case. To be sure, having a dedicated monitor position, console and engineer is a lot easier, but it’s not practical for most of us. And while we’d all love to have all our musicians and vocalists on in-ears, wedges still are a fact of life for many churches. For most of… View this story
Filed in: Church Sound • Feature • Blog • Study Hall • Loudspeaker • Mixer • Monitoring • Signal • Sound Reinforcement -
Wednesday, February 20, 2013
PSW Staff 02/20/13 05:03 PM,ADAM Audio is now shipping new F Series professional studio monitors with signature tweeter technology, offered at the most accessible prices in the company’s history. The new F Series consists of the F5 and F7 nearfield monitors and SubF dedicated subwoofer. Both the F5 and F7 employ the company’s new ART tweeter that provides performance similar to ADAM’s X-ART tweeter in a smaller size to fit the new form factor with the same clarity and unique resolution as its predecessor,… View this story
Filed in: Recording • News • Product • Loudspeaker • Monitoring • Studio • Subwoofer -
Monday, February 11, 2013
Brian Belcher 02/11/13 03:43 PM,Stage volume, stage volume, stage volume. I think if I have said it once, I have said it a million times. But about four months ago, while in a rehearsal, I had been preaching in-ears, in-ears, in-ears, and then BANG it hit me. Sometimes they do play better without the in-ears! I want to be able to do the best possible mix, but sometimes, as audio engineers we can stifle the creativeness and enthusiasm on stage by the constraints that… View this story
Filed in: Live Sound • Feature • Blog • Production • Audio • Analog • Digital • Loudspeaker • Mixer • Monitoring • Signal • Sound Reinforcement • System
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