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Tuesday, December 11, 2012
Chris Huff 12/11/12 01:12 PM,This article is provided by Behind The Mixer. A recent post on feedback prevention prompted a good question from Ryan, a reader. He said: “…there was one phrase that jumped out at me. Specifically, ‘Regarding floor monitors, vocalists should be very close to their floor monitor.’ I wanted to ask what the reasoning is behind this? I would think the further away the singer is, the more the sound is diffused; ergo, feedback is reduced.” One of the hard… View this story
Filed in: Church Sound • Feature • Blog • Microphone • Monitoring • Signal • Sound Reinforcement • Stage -
Monday, December 10, 2012
Barry Rudolph 12/10/12 08:00 PM,As guitarist Jeff Baxter once said to me during the “heat” of a Rod Stewart recording session: “We can do anything—the impossible just takes a little longer.” Along with talented musicians like Jeff, engineers, producers, and live mixers often are called upon to solve problems that are at first glance, flat impossible. To a technically challenged client, all the flashy and complicated gear, computers and the alacrity at which a pro uses them to produce nearly instant, seemingly magical results… View this story
Filed in: Recording • Feature • Poll • Analog • Digital • Education • Engineer • Loudspeaker • Monitoring • Signal • Studio • System -
Friday, July 13, 2012
PSW Staff 07/13/12 10:35 AM,Joe Tessone has joined Sensaphonics as the company’s new audio engineering consultant, a.k.a., the new “Sensaphonics Sound Guy,” where he will advise customers on the implementation of in-ear monitoring, handling questions ranging from the basic to the highly technical, helping ensure a positive IEM experience. Joe Tessone, 27, is a 2007 graduate of the Audio Arts and Acoustics program at Columbia College Chicago, with specialties in Audio Design and Production. In addition to his duties at Sensaphonics, he owns a… View this story
Filed in: AV • Live Sound • Recording • Church Sound • News • Training • AV • Business • Education • Manufacturer • Monitoring • Audio -
Monday, June 11, 2012
PSW Staff 06/11/12 03:02 PM,NetworkSound has announced the new MambaMIX32, a 32-channel monitor mix system designed for in-ear monitoring (IEM), with an iPad control surface. It gives each musician on stage control of their own monitor mix, with musicians able to create and store individual IEM mixes on their touch devicse using the free Mamba MIX32 app. Each Mamba MIX32 system provides eight band members with an independent stereo IEM mix of its 32 input channels. The Mamba MIX32 system can be expanded to… View this story
Filed in: AV • Live Sound • Church Sound • News • Product • Monitoring • Remote • Software • Wireless -
Wednesday, June 06, 2012
Mark Frink 06/06/12 02:43 PM,Coordination. TV broadcasts are the dominant feature of the local RF spectrum. Online resources like the Sennheiser Frequency Finder, which uses a ZIP code, and the FCC’s database to provide a list of local TV broadcast stations and their signal strength, helps users tune wireless systems to interference-free frequencies, removing much of the guesswork. Antenna. Most wireless in-ear monitoring transmitters come with a simple quarter-wave whip antenna, which is fine for single systems at close distances. Multiple systems benefit from… View this story
Filed in: Live Sound • Feature • Slideshow • Monitoring • Sound Reinforcement • Stage • Wireless -
Wednesday, May 09, 2012
Bruce A. Miller 05/09/12 04:41 PM,This article is provided by BAMaudioschool.com. I’m often heard saying that the recording engineer’s job is to create an environment conducive to musical creativity and then capture that creativity. Headphones are usually the only way that a musician will be able to hear themselves and (more importantly) how what they are playing works with the rest of the band. Every musician will (eventually) ask to hear themselves much louder than everyone else. This makes sense as it will allow… View this story
Filed in: Recording • Feature • Poll • Education • Monitoring • Studio • System • Audio -
Friday, April 13, 2012
PSW Staff 04/13/12 05:17 PM,Honoring the best of Canada’s music industry, the 2012 JUNO Awards in early April at Scotiabank Place in Ottawa utilized numerous Shure microphones, wireless systems and IEM systems for live performances, as well as host William Shatner and other applications. Transmission Squelch was charged with the operation of dozens of wireless systems utilized on the broadcast w. The wireless needs for this year’s show included 42 microphones, 28 in-ear monitoring systems, and 28 intercom systems, including 8 channels of Shure… View this story
Filed in: Live Sound • News • Poll • Microphone • Monitoring • Sound Reinforcement • Wireless -
Monday, April 09, 2012
PSW Staff 04/09/12 03:10 PM,A new software and firmware update is now available for the KRK Systems ERGO audio recording interface and room correction system designed to measure and analyze phase and frequency problems within a listening environment. To correct room issues, the internal digital signal processor analyzes and corrects room problems, improving the response at the listening position which results in mixes which translate far better to other playback systems. This latest version includes support for Apple Mac OSX Lion 10.7.3 and Microsoft… View this story
Filed in: Recording • News • Poll • Measurement • Processor • Software • Studio -
Friday, March 16, 2012
PSW Staff 03/16/12 04:26 PM,Sensaphonics has announced its support for the annual Auction 4 Audiology, a fundraiser for the American Academy of Audiology Foundation (AAAF). The auction features several autographed items of music memorabilia, the proceeds from which will fund research for hearing health in musicians. The Auction 4 Audiology takes place on the BiddingForGood.com website and will be open for bidding from March 19-31. The auction items include electric guitars signed by Aerosmith, Lady Antebellum, the Dave Matthews Band, Buddy Guy, and O.A.R.,… View this story
Filed in: AV • Live Sound • Recording • Church Sound • News • Poll • AV • Business • Manufacturer • Audio -
Friday, January 13, 2012
PSW Staff 01/13/12 10:45 AM,POSSE Audio has introduced the Personal On Stage Sound Environment (POSSE) system that interfaces with wireless earphone and instrument systems, allowing artists to independently set the level of their vocal microphone, instrument output, ambiance of the room and any auxiliary input(s). It will be on display at booth 3283 at the upcoming NAMM 2012 Show in Anaheim. It is supplied with a gooseneck condenser mic for unelectrified instruments as well as a built-in phantom power supply, and also includes a… View this story
Filed in: Live Sound • Recording • Church Sound • News • Poll • Product • Monitoring • Stage
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