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Articles Tagged Monitoring

  • Friday, November 04, 2016
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    PSW Staff 11/04/16 08:46 AM,
    Christian Life Assembly in Camp Hill, Pennsylvania has a modern A/V system featuring multiple video screens and a new Allen & Heath dLive S7000 surface with a DM64 MixRack and DX32 expander, an IP8 remote controller and sixteen ME-1 personal mixers.  Acquired from Emmaus Media & Design of Harrisburg, PA, the dLive replaces an eleven-year-old digital mixer that was damaged in a lightning strike. Emmaus’ Tim James says the church considered other digital mixers but he recommended the dLive based… View this story
    Filed in: Church SoundNewsConsolesDigitalInstallationMixerMonitoringSound ReinforcementStage

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    Mike Sokol 11/04/16 06:45 AM,
    Provided by Live Sound Advice.   The first installment of this series (here) drew some pretty interesting feedback. One reader called me a “Nazi” who was trying to interfere with his tone, adding that he would never turn down his guitar amp. On the other hand, a pretty well-known producer/engineer told me I was exactly on-point, and that some notable touring acts are beginning to implement the sort of monitoring techniques that I first began working with nearly 40 years… View this story
    Filed in: Live SoundFeatureStudy HallConcertEducationEngineerLoudspeakerMonitoringSound ReinforcementStage

  • Wednesday, November 02, 2016
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    PSW Staff 11/02/16 02:45 PM,
    For a young monitor engineer working with several touring artists, one of the keys to success is having a trustworthy pair of IEMs. A 28-year old hailing from Ireland, Conor Dillon is currently on the road with ex-Boyzone singer Ronan Keating, and has also mixed monitors for recent tours by OMD (Orchestral Manoeuvres in the Dark) and FFS (Franz Ferdinand + Sparks). It was during the FFS tour last year that Dillon has found his reference standard for in-ears: Sensaphonics… View this story
    Filed in: Live SoundNewsConcertEngineerManufacturerMonitoringSound ReinforcementStage

  • Tuesday, November 01, 2016
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    PSW Staff 11/01/16 08:47 AM,
    For more than ten years, Artist Home has provided a community-oriented platform for musical artists in the Pacific Northwest, creating one-of-a-kind festivals and other music-oriented shows, some of them impromptu. They even create mini-events within larger events. Many of these events are relatively small-say, 300 attendees or so-and the Mackie Reach all-in-one professional PA system has proven to be a perfect enabler. “We’ve become known as the anti-festival and the anti-big experience,” laughs Artist Home’s Kevin Sur, “but relatively unknown… View this story
    Filed in: Live SoundNewsConcertLoudspeakerMonitoringSoftwareSound Reinforcement

  • Monday, October 31, 2016
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    Bobby Owsinski 10/31/16 06:33 AM,
    This article is provided by Bobby Owsinski.   It’s surprising that so many monitors (loudspeakers that is) are purchased just from a review or word of mouth, since they’re such a personal item. Here’s an excerpt from my Studio Builder’s Handbook (written with Dennis Moody) that covers some things to think about before you purchase your next set of speakers. 1) Don’t choose a monitor because someone else is using them. Just because your favorite mixer uses a set of… View this story
    Filed in: RecordingFeatureBlogStudy HallEducationEngineerLoudspeakerMonitoringStudio

  • Thursday, October 27, 2016
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    PSW Staff 10/27/16 06:34 AM,
    Kangnam Joongang Baptist Church in Seoul recently celebrated its 40th anniversary, and marked the occasion with an upgrade to its mixing system, selecting Allen & Heath’s dLive and ME digital systems to manage front of house and monitors. The church’s dLive system comprises a S5000 control surface at front of house with a DM48 MixRack installed on stage. “The S5000’s user interface is superb - I can reach every function in just one or two touches, and I can reach… View this story
    Filed in: Church SoundNewsConsolesDigitalInstallationMixerMonitoringSound ReinforcementStageWireless



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