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Articles Tagged Modules

  • Friday, June 12, 2015
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    PSW Staff 06/12/15 12:05 PM,
    The new BAE Audio B15 multi-band equalizer, which ships this month and is priced at $1,000, is designed to deliver sonic attributes of the 312 circuit in an economically efficient and compact 500 series package. The new B15 EQ is an all-discrete design, outfitted with three bands with five (5) selectable frequencies per band. Created to BAE Audio’s discriminating vintage specifications, the build includes Jensen transformers at the input ande output stage, Elma gold plated rotary switches, and a 15-way… View this story
    Filed in: RecordingNewsAnalogConsolesManufacturerProcessorSignalStudio

  • Tuesday, May 05, 2015
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    PSW Staff 05/05/15 10:09 AM,
    Building on its tradition of creating vintage preamplifiers faithful to the original design specifications, BAE Audio announces the newest family member among its 1073 series: the 1073MPL. The 1073MPL is the result of more than two years of research and development, making the sound of the 1073 available in a small package. The new 1073MPL delivers the same class A sound that BAE preamplifiers are known for, all in a compact and cost effective 500 series package. For equipment manufacturers,… View this story
    Filed in: RecordingNewsAnalogConsolesProcessorSignalStudio

  • Friday, April 10, 2015
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    PSW Staff 04/10/15 12:26 PM,
    Solid State Logic, manufacturer of tools for audio professionals is proud to announce the release of the LMC+ Module for the 500 format modular rack platform. The LMC+ Module is a new version of the SSL Listen Mic Compressor. This processor from the SL 4000E console was preferred by many producers throughout the 1980s. Originally designed to prevent overloading the return feed from a studio communications mic, its fixed attack and release curves were suitable for use on ambient drums… View this story
    Filed in: AVRecordingAVConsolesManufacturerMixerSignalStudio

  • Wednesday, April 08, 2015
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    PSW Staff 04/08/15 08:54 AM,
    Radial 500 series power racks are now outfitted with nylon guides that make it easier to push in and align a Radial module without fear of misalignment or damaging the card edge connectors. These work with all Radial modules along with manufacturers that have followed the free WhosDOC specification. The nylon guides are mounted on the Easy-Glide trays inside the racks which can be removed should a user wish to use non-standard sized modules. Radial western regional manager Mark Gummer:… View this story
    Filed in: AVLive SoundRecordingManufacturerProcessorSignalStudio

  • Monday, April 06, 2015
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    PSW Staff 04/06/15 09:07 AM,
    Audio interface developer Cymatic Audio announces that it is planning to release the uTrack24 MADI Module, a user-installable MADI (Multichannel Audio Digital Interface) option card for its 19-inch rack-mountable uTrack24 24-track recorder, player, and interface… Cymatic Audio’s uTrack24 24-track recorder, player, and interface handles recording and audio playback without computer constraints. It records directly onto USB media plugged into the front panel. 24 three-colour LEDs show the level of each channel while the same LEDs can be used as a… View this story
    Filed in: AVLive SoundRecordingAnalogAVDigitalDigital Audio WorkstationsProcessorSignalStudio

  • Monday, January 26, 2015
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    PSW Staff 01/26/15 01:28 PM,
    Solid State Logic has announced the release of the VHD Pre Module for the 500 format modular rack platform, making the VHD-based preamp technology from the large-format Duality console more widely available for studios of all sizes. VHD Pre is a versatile recording and processing device that delivers SSL SuperAnalogue-grade recordings, and it also offers a switchable VHD mode. SSL’s patented Variable Harmonic Drive (VHD) system uses a 100 percent analog signal path to generate rich harmonic distortion. As VHD… View this story
    Filed in: Live SoundRecordingNewsProductAnalogInterconnectProcessorStudio

  • Monday, January 27, 2014
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    PSW Staff 01/27/14 02:48 PM,
    API introduced two new members of its acclaimed 500-series modular signal processing line at the 2014 NAMM Show: the 505 DI direct input and the 565 filter bank. Both modules possess API’s legendary sound and fit all 500-series chassis, including the API Lunchbox and the API 1608 small-format analog console. The 505 DI includes gain control, adjustable tone control, a bright switch, a 20dB pad, switchable 100/400k Ohm load impedance, and Thru connectivity. Like the console-based API 205L, the 505… View this story
    Filed in: RecordingNewsProductStudio

  • aphex
    PSW Staff 01/27/14 08:52 AM,
    Aphex has announced two new additions to its 500 Series module line, the CX 500 and Project 500. The new CX 500 is based on the Aphex CX-1 compressor/gate unit – one of the first 500 Series modules from the early 80s. It provides the company’s patented EasyRider compressor and logic-assisted gate, a Jensen output transformer, and multi-function meter for gain reduction, gating and output level. The new Project 500 is a module-sized version of Aphex’s Project Channel rack unit.… View this story
    Filed in: Live SoundRecordingNewsProductDigital Audio WorkstationsInterconnectProcessorSignalStudio

  • Monday, January 21, 2013
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    PSW Staff 01/21/13 02:51 PM,
    For the 2013 NAMM show, Rupert Neve Designs is announcing two new 500 Series modules: the 511 Mic Pre with Silk, and the 542 True Tape Emulator with Texture. As two of the only 500 Series modules actually designed by Mr. Rupert Neve, the 511 and 542 combine the classic tone and versatility expected from a Rupert Neve design with the form factor and value of the 500 Series format. 511 Mic Pre with Silk With a truly legendary preamp… View this story
    Filed in: RecordingChurch SoundNewsProductConsolesManufacturerStudio

  • Friday, June 03, 2011
    radial
    PSW Staff 06/03/11 03:34 PM, 0 Comments
    Radial Engineering Ltd. has announced a revised version of the EXTC 500 Series module. The EXTC is a unique device that takes a balanced signal and converts it to a guitar level effects loop and then re-converts it back to a balanced level for processing. This allows the more creative engineers to incorporate an unlimited range of guitar effects into their productions with an efficient and easy to use device. Designed to fit inside both the traditional API style 500… View this story
    Filed in: Live SoundRecordingNewsPollProductDigital Audio WorkstationsProcessorStudio





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