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Articles Tagged Mixing

  • Thursday, October 13, 2016
    recording
    Daniel Keller 10/13/16 06:54 AM,
    Courtesy of Universal Audio.   Most recording musicians, engineers and producers are well aware what a difference mastering can make to our mixes. And as we’ve discussed in previous columns (such as Audio Mastering Basics: Taking Your Music That Extra Step), mastering is an art form in itself, and is best placed in the hands of a specialist. But even expert mastering engineers can only accomplish so much, and it’s largely dependent on the raw materials they’re given to work… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerMixerProcessorSignalSoftwareStudio

  • Wednesday, October 12, 2016
    image
    PSW Staff 10/12/16 12:28 PM,
    Editor’s Note: Here’s an interesting thread from the PSW Live Audio Board (LAB) forums. It’s lightly edited for grammar and formatting. Enjoy. Posted by Brian Ever since digital consoles came out along with their attendant editing programs, everyone has joked about how one day we’ll be mixing shows from our house. Well, this week I took a large step in that direction by mixing a show in London from a comfortable seat in Washington DC. I should say this was… View this story
    Filed in: AVFeatureForumAVConcertDigitalMixerMonitoringSound ReinforcementStageSystem

  • Monday, October 10, 2016
    church sound
    Chris Huff 10/10/16 06:30 AM,
    This article is provided by Behind The Mixer.   One button that still looks pristine. No fingerprints. No worn finish. It doesn’t even have a name. Working in audio, it’s easy finding my way into a foreign sound booth. It could be it’s my station for an event or it might be that I’ve been invited in by the sound tech on duty.  Over the years, I’ve noticed one button that’s often not used. It’s the fixed-point high-pass filter button… View this story
    Filed in: Church SoundFeatureBlogStudy HallAVConsolesSound ReinforcementStage

  • Wednesday, October 05, 2016
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    PSW Staff 10/05/16 09:26 AM,
    Softube announces the availability of version 2.3.76 of its plugins installer with a fix for Windows 10 users and a long line of minor bug fixes, but best of all, two new utility modules are available free of charge to existing and future Modular owners. Dual X-Fade is a two-channel, CV-controllable crossfade module that lets you create new and interesting textures by blending two separate mono signals. For example, patch in two different waveforms from an oscillator — such as… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftwareStudio

  • Monday, October 03, 2016
    church sound
    Gary Zandstra 10/03/16 02:25 PM,
    This article is provided by Gary Zandstra.com.   Sitting in the tech booth during a service on a recent Sunday, I had an “a-ha” moment. Not a big one, but still a good lesson. We had traded worship bands for the day with our sister church. Our band was playing at their place, and vice versa. One of our front of house people, Justin, traveled with the band to do the mixing. Just as our service began, I received a… View this story
    Filed in: Church SoundFeatureBlogStudy HallConsolesEngineerMeasurementMixerProcessorSignalSound Reinforcement

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    PSW Staff 10/03/16 08:05 AM,
    Electronic musician Lee Potter, known by his stage name Cut La Roc, used a Prism Sound Lyra audio interface to mix his latest release, The Preacher, featuring The Reverend Doctor Bone. Cut La Roc, who is signed to the UK label Rocstar Recordings, puts together most of his production ideas at his own studio in Colchester, Essex. “My studio is my main workstation and most tracks get created and finished here,” he says. “The addition of a Prism Sound Lyra… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsSoftwareStudio

  • image
    Bobby Owsinski 10/03/16 06:44 AM,
    This article is provided by Bobby Owsinski.   Christine L. recently sent in the following question: “Where do headphones fit in the mix for you, or do you listen just to the speakers? I’ve been in studios where they have 3 sets of speakers—small, medium and large—and the producer or mixer (if it’s someone else) listen on all three. But I’m a headphone person. Wonder what your opinion of that is?” I’m a firm believer that you can get great… View this story
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsEngineerMixerMonitoringStudio

  • Friday, September 30, 2016
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    Chris Huff 09/30/16 06:35 AM,
    This article is provided by Behind The Mixer.   Honestly, there are times when I arrive early at church, toss in a CD, and simply enjoy setting up the stage. Routine, yes. Exciting, no. But, enjoyable nonetheless. Some of my speed comes from years of experience and some of it comes from knowing how I can set it up in the least amount of time necessary. Want to set the stage as quickly and accurately and safely as possible? Let’s… View this story
    Filed in: Church SoundFeatureStudy HallTrainingSound ReinforcementStage

  • Thursday, September 29, 2016
    image
    Joe Gilder 09/29/16 10:45 AM,
    This article is provided by Home Studio Corner.   You may have noticed I’ve been growing quite the beard over the last month or so. I let it go on as long as I could, but it’s time to say goodbye for now. Like most dudes, I couldn’t just shave it off without having a little fun, so I’ve been walking around the house today looking like this. (see image below) Pam is THRILLED with it, by the way. Why… View this story
    Filed in: RecordingFeatureBlogStudy HallEducationEngineerStudio

  • Monday, September 26, 2016
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    PSW Staff 09/26/16 07:03 AM,
    Coast Mastering‘s Piper Payne was mentored by pros like Bob Katz, Thor Legvold, and Michael Romanowski, Payne has earned a notable reputation for superb ears, supported by her deep experience in many musical genres. She works in a precision acoustical environment, with a meticulously selected signal chain of exotic audio gear including products from Manley Labs. “With mastering, you cannot skimp on quality,” Payne insists. “You don’t get into this business to get rich; we’re in it to make quality… View this story
    Filed in: RecordingNewsAnalogEngineerProcessorStudio



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