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Articles Tagged Mixer

  • Tuesday, May 19, 2015
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    PSW Staff 05/19/15 11:30 AM,
    This article is provided by Behind The Mixer.   Constructing a new sound booth in an existing sanctuary is not an easy task. My church completed construction on a new sound booth in our sanctuary several years ago, and I decided to outline our experiences. Remember Line-Of-Sight This is probably the most important piece of information you should know—sound booth operators should hear what the congregation hears. A booth located out of direct line-of-sight of the main speakers will only… View this story
    Filed in: Church SoundFeaturePollProductionAudioEducationMixerSound ReinforcementSystem

  • Wednesday, May 13, 2015
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    PSW Staff 05/13/15 07:57 AM,
    The new Yamaha TF series digital consoles are now shipping. Concurrent with their availability, Yamaha debuts the TF StageMix, a free iPad app that provides wireless remote control of TF digital mixing console functions via a graphical interface. The software makes setups faster and lets engineers adjust monitor mixes from the vantage point of the performers onstage or the listener out in the audience using a touch interface that directly controls mixing parameters, including channel strip, noise gate, compression and… View this story
    Filed in: AVLive SoundNewsAVDigitalManufacturerMixerProcessorSoftwareSound ReinforcementStage

  • Friday, April 24, 2015
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    PSW Staff 04/24/15 07:40 AM,
    RCF is set to launch its first digital wi-fi mixer. Designed as a practical fader-free portable self- contained enclosure the M18 features an on-board WiFi access-point with integrated internal antenna, enabling all the functions to be controlled wirelessly. The new tablet mixer also sports a full suite of plug-in algorithms and effects, including several equalizer types and classic emulations of guitar and bass amplifiers, as developed by the well-known plug-in developer Overloud. This product is a tool for musicians and… View this story
    Filed in: AVDigitalManufacturerMixerProcessorRemoteSound ReinforcementStage

  • Wednesday, April 15, 2015
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    PSW Staff 04/15/15 02:04 PM,
    Allen & Heath has announced the introduction of the Xone:43C, a sister product to the new Xone:43, which is supported by DJ software, Serato DJ, and provides the gateway to digital DJing and DVS performance with the addition of a 16 channel internal soundcard and X:LINK to connect compatible Xone:K Series MIDI Controllers. The 96kHz 24bit 16 channel USB soundcard enables replay and recording from any chosen DJ software, offering users the benefits of digital DJing using the controls of… View this story
    Filed in: AVDigitalMixerProcessorSoftware

  • Friday, April 10, 2015
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    PSW Staff 04/10/15 12:26 PM,
    Solid State Logic, manufacturer of tools for audio professionals is proud to announce the release of the LMC+ Module for the 500 format modular rack platform. The LMC+ Module is a new version of the SSL Listen Mic Compressor. This processor from the SL 4000E console was preferred by many producers throughout the 1980s. Originally designed to prevent overloading the return feed from a studio communications mic, its fixed attack and release curves were suitable for use on ambient drums… View this story
    Filed in: AVRecordingAVConsolesManufacturerMixerSignalStudio

  • Wednesday, April 08, 2015
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    PSW Staff 04/08/15 08:27 AM,
    Finger Lakes Community College in Canandaigua, NY is expanding their studio. Professor Robert Potter, the recording studio manager/technical specialist, says they couldn’t have done it without API. The faculty at Finger Lakes selected the API Vision console to “best outfit” the studio. “What we didn’t need was another large format heartbreak with a bunch of knobs and faders,” Potter stated. “We decided on the Vision because it’s easy to operate, with a kind of smooth sonic signature that makes folks… View this story
    Filed in: RecordingConsolesDigitalInstallationMixerStudio

  • Tuesday, April 07, 2015
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    PSW Staff 04/07/15 09:59 AM,
    On Wednesday, May 13, 2015 at the Cinespace Chicago Film Studios Ballroom on the west side of downtown Chicago, DPA Microphones, Lectrosonics and Sound Devices will host the Sound Summit, Chicago. The second of many being planned throughout the U.S. as an informal mixing and discussion event for the audio community. These three manufacturers of professional location audio capture, with products commonly used in the field, including DPA’s d:screet 4061 and 4071 Miniature Microphones, d:screet Necklace Microphone and d:dicate 4017B… View this story
    Filed in: AVRecordingDigital Audio WorkstationsManufacturerMicrophoneMixerRemoteStudioWireless

  • Wednesday, April 01, 2015
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    PSW Staff 04/01/15 02:26 PM,
    Allen & Heath has launched the Xone:43, a 4 + 1 channel analog DJ mixer offering Xone filters, X:FX routing, 3-band EQ, VCA faders, and adjustable crossfader. At the heart of the mixer is the analog Voltage Control Filter (VCF) system offering HPF, BPF, LPF, frequency sweep and ‘mild to wild’ resonance control. The X:FX feature provides a single control per channel over the send/return to work with external FX units. X:FX can also be routed to the Xone filter… View this story
    Filed in: AVAnalogManufacturerMixer

  • Wednesday, March 18, 2015
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    PSW Staff 03/18/15 02:19 PM,
    High school football is serious in Valdosta, Georgia, with the Lowndes High School Vikings regularly filling the 12,000-plus seat Martin Stadium. To support the team and improve the game day experience for fans, the school recently raised funds for a new Jumbotron and, to go with it, a modern collegiate-grade sound reinforcement system. Ashly Audio NE Series signal processing and KLR-Series amplifiers support the new system, which provides extensive auto-mixing capabilities and, via a simple Ashly wall-mounted fader bank, intuitive… View this story
    Filed in: AVNewsAmplifierAVInstallationMixerPowerProcessorSound Reinforcement

  • Tuesday, November 25, 2014
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    Ted Morgan 11/25/14 02:35 PM,
    It’s a Monday afternoon and I get a phone call from a local production company to work a press event the following day at a local race track (local being an hour and half away). I accept the gig and the next day hop on my bike (the motor-driven type) and go to the track, and specifically, the large circus-type tent where the event is being staged. No equipment truck in sight, of course. A quick phone call to my… View this story
    Filed in: Live SoundFeatureOpinionPollProductionAudioConsolesInterconnectLoudspeakerMicrophoneSignalSound ReinforcementSystemTechnician