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Articles Tagged Microphone World

  • Friday, February 05, 2016
    prosoundweb
    Al Keltz 02/05/16 10:55 AM,
    Election cycles are getting longer and longer, and more campaigns are on the road for extended periods of time while cable and Internet news outlets hunger for content to fill their 24-hour news formats. This has resulted in an increased demand to sound companies and AV rental houses for providing press conference feeds. If you don’t have at least one press mult in inventory and available, you may be missing out on increased revenue opportunities. A Menu For Feeding The… View this story
    Filed in: AVLive SoundFeatureBlogStudy HallAVInterconnectMixerSignalSound Reinforcement

  • Tuesday, February 02, 2016
    image
    Barry Rudolph 02/02/16 12:44 PM,
    Rhythm section tracking is the most important recording session in the production cycle of a record. The recording engineer captures the feel and sound of the musicians as they interpret the song and support the artist’s performance. The rhythm track’s sound is a component of the production style and identifies the record’s musical genre. I liken the track to the foundation of a house: you can’t build very high on a weak base! Subsequent overdubbed sweetening is just “window dressing”… View this story
    Filed in: RecordingFeatureBlogStudy HallEngineerMicrophoneMixerProcessorSignalStudio

  • Monday, January 18, 2016
    drum miking
    Daniel Keller 01/18/16 05:04 PM,
    Courtesy of Universal Audio.   Ask 10 recording engineers about recording drums and you’re likely to get more than 20 opinions. Few instruments combine subtle nuance and brute force the way a good drummer can, and capturing that sound has been the subject of hundreds of articles and thousands of conversations. So many different aspects affect the sound of a drum mix, starting with the player. Different skins, different shells, the type of sticks, the kick-drum beater all influence the… View this story
    Filed in: RecordingFeatureBlogStudy HallMicrophoneMixerProcessorSignalStudio

  • Thursday, January 07, 2016
    wireless systems
    Ike Zimbel 01/07/16 12:04 PM,
    When deploying wireless, whether it’s a single system or several, and whether it’s for a tour, a one-off, a broadcast, at a church or wherever, it’s important to keep track of a whole range of parameters besides the most obvious one of frequency selection. Why? The two main reasons are consistency and preparation. In other words, making sure that anything that needs to be replaced, from a single piece to the entire system, is checked and vetted as well as… View this story
    Filed in: Live SoundFeatureBlogStudy HallMicrophoneMonitoringProcessorSignalSoftwareSound ReinforcementWireless

  • Thursday, December 10, 2015
    mic preamps
    Dennis A. Bohn 12/10/15 08:43 AM,
    This article is provided by Rane Corporation.   Selecting the right preamplifier for a given microphone, or conversely, selecting the right mic for a given preamp, involves two major factors along with several minor ones. First, the two big ones: 1) Input headroom. Do you have enough? 2) Noise. What will the preamp add to your mic? You need to determine whether the mic, under worst-case conditions, is going to overload the preamp input stage, and also whether the preamp… View this story
    Filed in: AVFeatureBlogStudy HallAVMicrophoneProcessorSignalSound ReinforcementStudio

  • Tuesday, December 08, 2015
    microphones
    Craig Leerman 12/08/15 06:55 AM,
    A lot of my work is with conferences and corporate meetings. The approach is slightly different in comparison to traditional music gigs, particularly when it comes to microphones. Wireless lavalier and headworn/earset microphones are common in “corporates,” visually discreet while allowing presenters to move about the stage and use their hands to demonstrate products or operate controls of computers and AV equipment. When the feed is going to a PA system, lavalier mics with a directional pattern should be used… View this story
    Filed in: AVLive SoundFeatureBlogStudy HallAVInterconnectMicrophoneSignalSound Reinforcement

  • Monday, November 30, 2015
    studio vocals
    Barry Rudolph 11/30/15 07:01 AM,
    PSW Top 20 presented by Renkus-Heinz   Someone once said: “A good music producer worries about the most important things” and a strong argument can be made that the most important things in pop music production are the vocals. The singer is charged with artistically conveying the song’s lyric over a music track production that (hopefully) propels the song’s meaning and emotion across to the listener in an accessible and entertaining way. Obviously the singer/artist/song are one of the main… View this story
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsEducationMicrophoneStudio

  • Tuesday, November 24, 2015
    church sound
    PSW Staff 11/24/15 07:05 AM,
    The reshaping of entertainment production wireless operations in the U.S. is currently underway, and it will impact all wireless microphone, in-ear monitoring and intercom system users – including those working in church sound – in the near future. The shrinking UHF band, where the vast majority of wireless systems currently operate, will get even smaller with the 2016 commencement of the 600 MHz incentive auction to allow the mass introduction of white space devices. Almost all of the remaining UHF… View this story
    Filed in: Church SoundFeatureStudy HallMeasurementMicrophoneProcessorSignalWireless

  • Wednesday, November 11, 2015
    image
    Bruce Swedien 11/11/15 07:17 AM,
    This excerpt is the first in a series from Bruce Swedien’s book Make Mine Music by Hal Leonard Microphone Design Technology And Microphone Technique Along with this development of a more live sound and hi-fi in the popular recorded music of the early 1950’s, a great deal of experimentation and improvement in microphone placement and technique was going on at the same time. Much energy and effort were put into the development of innovative microphone design. American microphone design technology… View this story
    Filed in: RecordingFeatureProductionAudioAnalogEducationMicrophoneStudio

  • Tuesday, November 10, 2015
    prosoundweb
    Ike Zimbel 11/10/15 11:25 AM,
    It’s 9 am and I’ve just tumbled off the bus into today’s venue, a.k.a., “The Naming Rights Arena,” another stop on the five-month, 59-city Rock This Country tour by Shania Twain that I’m working with VER Tour Sound. The first hour is spent helping the rest of the audio crew as we tip the first of two trailers (mostly PA). About an hour later, the second trailer is empty as well, and I’m able get to focus on my “real”… View this story
    Filed in: Live SoundFeatureBlogStudy HallConcertEngineerMeasurementMicrophoneSoftwareSound ReinforcementTechnicianWireless



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