Sign up for ProSoundWeb newsletters
Subscribe today!

Articles Tagged Live Sound

  • Friday, February 05, 2016
    image
    PSW Staff 02/05/16 09:51 AM,
    At this year’s annual NAMM Show, the “TEC Tracks” sessions made their debut, featuring more than 70 sessions including music technology master classes, live interviews and panel discussions with a variety of musicians, producers, designers and industry professionals. Lectrosonics Digital Hybrid Wireless Technology was on hand to meet the challenges in this environment, including LMa Transmitters, HH Handheld Microphones and Venue Receivers. Taking place throughout each day for four continuous days in three different rooms with sessions happening concurrently, the… View this story
    Filed in: AVNewsAVDigitalManufacturerMicrophoneSound ReinforcementStageWireless

  • Monday, February 01, 2016
    image
    David Scheirman 02/01/16 06:25 PM,
    From the April 1983 issue of the late, great Recording Engineer/Producer (RE/P) magazine, David Scheirman takes a look inside the Willie Nelson & Family tour of 1983. It is perhaps safe to say that the Willie Nelson organization has been spending more production dollars for sound and lighting than most other country-oriented acts. Nelson’s house mix engineer, Mike Garvey, of Dallas, Texas, explains hie part in the decision-making process when it came down to choosing a sound system for the… View this story
    Filed in: Live SoundFeatureStudy HallAmplifierAnalogConsolesEthernetLoudspeakerMicrophoneMonitoringProcessorSound ReinforcementStageSubwoofer

  • image
    Bobby Owsinski 02/01/16 01:54 PM,
    This article is provided by Bobby Owsinski.   Most every time I go to a concert I come with the same feeling - why did it sound so bad? I’ve posted the following a few years ago, but it’s still holds true things never seems to get much better. Concert sound reinforcement equipment is better than ever, yet we’re frequently burdened with a mess of auditory goo that just sucks the enjoyment from a live event. Unfortunately this happens much… View this story
    Filed in: Live SoundFeatureBlogStudy HallConcertEngineerSound Reinforcement

  • Wednesday, January 20, 2016
    image
    M. Erik Matlock 01/20/16 11:52 AM,
    As referenced in the article “When the show hits the fan,” there was a gig we pulled off without any of our gear. That’s right. The truck never showed up. In that same article, I explained the dark art of staying calm and resolving issues without inciting panic in those who carry the check books. For this particular adventure, the job of driving hundreds of thousands of dollars worth of our precious equipment from Georgia to Texas was given to… View this story
    Filed in: AVFeatureStudy HallAVConcertEngineerLoudspeakerSound Reinforcement

  • Monday, January 18, 2016
    prosoundweb
    Karl Winkler 01/18/16 01:58 PM,
    When first starting down the audio path, I eagerly read every scrap of information I could get my hands on about how the “pros” approached their craft. What kind of gear were they using? What techniques? What was the “secret sauce”? In the late 1980s, I was much more interested in recording and had not yet seen the light about live sound reinforcement. And in those days, the Lord-Alge brothers were a big deal in the recording world. While Home… View this story
    Filed in: Live SoundRecordingFeatureBlogOpinionBusinessEngineerMicrophoneSignalSound ReinforcementStudio

  • image
    PSW Staff 01/18/16 07:32 AM,
    Swedish PA company, Parashoot, has completed a European tour with Norwegian singer songwriter, Ane Brun, using Allen & Heath’s new dLive system to manage front of house and monitors. Parashoot’s recently purchased dLive system, comprising the flagship S7000 Control Surface and DM64 MixRack, was immediately deployed on the tour, mixing both front of house and monitors on the same console. “I have been using iLive endlessly over the last 5 years, and on the last two Ane Brun tours, culminating… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalMixerMonitoringProcessorSound Reinforcement

  • Wednesday, January 13, 2016
    image
    PSW Staff 01/13/16 07:58 AM,
    Musician and comedian Reggie Watts articulates his mission to educate people about why sound matters and explains the transformative effect a new Meyer Sound system has brought to his band’s performances at the El Cid nightclub in Los Angeles. “With high-quality sound, musicians don’t play as loud. They feel more relaxed, and they play better music. This allows them and the audience to feed off one another.” - Reggie Watts, Musician and Comedian Reggie Watts is an innovative, multi-talented musician… View this story
    Filed in: Live SoundNewsAVBusinessConcertLoudspeakerMonitoringSound ReinforcementStage

  • image
    Chez Stock 01/13/16 07:04 AM,
    This article is provided by SoundGirls.org   While continuing the journey to find my niche in this industry, I’m being exposed to many new things. One of which is booking a front of house gig with a band that is supporting a well-known band doing underplay shows around the U.S. Working with a support band is new to me – previously I’ve only worked with the headliner, mixing or as a system tech. I took this gig with a whole… View this story
    Filed in: Live SoundFeatureBlogConcertConsolesDigitalEngineerMixerMonitoringSoftwareSound ReinforcementStage

  • Monday, January 11, 2016
    image
    PSW Staff 01/11/16 07:14 AM,
    Hundreds of artists from nearly every imaginable musical genre will perform on five NAMM Show stages and at dozens of industry events during the 2016 NAMM Show in Anaheim, January 21-24. Live music will set the stage for product debuts from more than 5,000 brands throughout the four-day music industry event. Star-studded awards shows, iconic speakers, legendary musicians and music-making opportunities provide the soundtrack to a NAMM Show the industry will be talking about for years to come. “The annual… View this story
    Filed in: AVNewsAVConcertManufacturer

  • Tuesday, January 05, 2016
    image
    John Calder 01/05/16 06:52 AM,
    Courtesy of Acoustic Geometry.   During the first listen-through of an object-theater exhibit project (Home Place Minnesota) for the Minnesota History Center, one of the exhibit’s curators, a highly-nervous new staff member, asked me whether the fiddle used to record the background music for a Finnish immigrant story was a genuine Finnish violin (though the voice talent wasn’t a Finn). I replied “Of course.” Curator mollified, onward and upward with the arts. The fiddle could have been made anywhere, woulda… View this story
    Filed in: AVFeatureBlogStudy HallAVEngineerSound ReinforcementStageStudio



Audio Central