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Articles Tagged Interfaces

  • Friday, August 26, 2016
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    PSW Staff 08/26/16 12:24 PM,
    M-Audio announces the immediate availability of its M-Track C-Series 2X2 and 2X2M audio interfaces. The M-Track 2X2 and 2X2M give musicians the ability to produce 24-bit/192kHz studio-quality computer-based recordings.  Boasting a pro-grade metal chassis with a large machined-aluminium central volume knob, the M-Track 2X2 and 2X2M feature M-Audio’s new and exclusive Crystal low-noise preamps and A/D converters. Each ¼-inch instrument input features a specially designed gain and impedance stage to provide accurate representation of a guitar or bass plugged directly… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsMonitoringStudio

  • Tuesday, August 23, 2016
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    PSW Staff 08/23/16 08:13 AM,
    Artistic, psychedelic rock foursome, Bo Ningen has recently added an Audient iD22 USB audio interface to their recording setup. Lead singer, Taigen Kawabe’s initial reaction to the new arrival was surprise at “the clarity and honest sounds from the iD22,” later adding, “I would say the mic preamp surprised me the most. It’s super-clear and can capture such a wide range of frequency.” A wide frequency range is certainly what these musical racketeers need, with Taigen confirming that the band… View this story
    Filed in: RecordingNewsDigitalStudio

  • Thursday, August 18, 2016
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    PSW Staff 08/18/16 06:31 AM,
    Bass player Aaron Patrick cited the Audient USB audio interface iD22 as “...an integral part of the process for the upcoming new record”, referring to the eighth album to be recorded by American band, All That Remains. Total worldwide album sales have exceeded a million to date, and this latest one is being produced by twice Grammy-nominated producer, Howard Benson (All American Rejects, My Chemical Romance, Kelly Clarkson). “I’ve used other interfaces before but this is hands-down my favorite. When… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsProcessorStudio

  • Wednesday, August 17, 2016
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    PSW Staff 08/17/16 01:06 PM,
    Just one week after investing in a Prism Sound Atlas audio interface, Australian pianist, sound engineer and film director Paul Carasco says the unit produced enough income to pay for itself. “No other piece of gear has generated anywhere near the income in relation to its cost as my Prism Sound Atlas,” he says. “My guiltiest pleasure is knowing that, with Prism Sound interfaces, no matter where I go or what I am recording I can have complete confidence. Prism… View this story
    Filed in: AVNewsAVDigitalProcessorStageStudio

  • Monday, August 15, 2016
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    PSW Staff 08/15/16 02:26 PM,
    TASCAM has introduced the new MiNiSTUDIO-series personal audio interfaces. The MiNiSTUDIO Personal US-32 is an affordable solution for Internet broadcasting. The MiNiSTUDIO Creator US-42 has all the podcasting features of the MiNiSTUDIO Personal and adds a number of features for more advanced audio and video production. Both TASCAM MiNiSTUDIOs provide recording up to 24-bit, 96 kHz resolution with Windows and Mac computers. The interfaces connect via USB 2.0 and can be USB bus-powered. You can also connect them to iOS… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsMixerStudio

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    PSW Staff 08/15/16 09:50 AM,
    M3 (Music Mix Mobile) was recently tasked with capturing the broadcast audio of a duet featuring Billy Joel and Tony Bennett for an upcoming NBC Special celebrating Mr. Bennett’s 90th birthday. Due to severe space limitations and time constraints, M3 co-founder and engineer-in-charge Joel Singer put together a compact recording system made up of a Waves Audio DiGiGrid MGB interface and an Apple 15-inch MacBook Pro with Thunderbolt SSD drive, and Waves Tracks Live.  Joel and Bennett performed the classic… View this story
    Filed in: RecordingNewsConcertDigitalDigital Audio WorkstationsSoftwareStage

  • Friday, August 12, 2016
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    PSW Staff 08/12/16 09:50 AM,
    Producer and composer Talvin Singh has resolved his long-standing issues with analog to digital conversion by investing in a Prism Sound Atlas audio interface. “This unit has changed my life,” he says. “I’ve spent years trying to find an interface that didn’t color the sound of the instruments I’m recording and finally I have something that I’m happy with. It has succeeded in bringing my whole studio together and I feel like I can breathe again.” An accomplished Tabla player… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsEngineerProcessorStudio

  • Monday, August 08, 2016
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    PSW Staff 08/08/16 01:38 PM,
    Shure has announced that the new Microflex Advance Ceiling (MXA910) and Table (MXA310) Array microphones are now shipping. The line of networked ceiling and table array microphones, audio interfaces, and control software for A/V conferencing are designed to integrate into meeting space aesthetics. With the ability to flush-mount the MXA910 alongside standard ceiling tiles, and the new “toroid” polar pattern in the MXA310, the microphones offer a package of technologies to help deliver optimum performance. Microflex Advance also presents an… View this story
    Filed in: AVLive SoundChurch SoundNewsProductAVEthernetInterconnectMicrophoneNetworkingSoftwareSound Reinforcement

  • Thursday, July 28, 2016
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    PSW Staff 07/28/16 07:51 AM,
    Producer Ian Sherwin has invested in a Prism Sound Atlas Audio Interface, which he is currently using to record tracks for the third album from Grammy Award-winning English synth pop act La Roux. Sherwin, who has a project studio in West London, has made Atlas the backbone of his current recording set up and says he is delighted with the audio quality he is achieving. “My first impressions of Atlas were really quite stunning,” he says. “The difference when A/Bing… View this story
    Filed in: RecordingNewsDigitalDigital Audio WorkstationsStudio

  • Tuesday, July 26, 2016
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    PSW Staff 07/26/16 09:04 AM,
    Allen & Heath has introduced several key additions to its flagship dLive digital mixing system, with the launch of the IP6 and IP8 fully-configurable and networkable remote controllers, and the Waves V3 and gigaACE audio networking cards. The IP6 and IP8 are next generation remote controllers for dLive, widening the system’s flexibility in installations and live sound. They interface with the dLive mixing system via standard TCP/IP connections and can be networked with other controllers, computers and third party devices… View this story
    Filed in: AVNewsProductAVConsolesDigitalNetworkingProcessorSound ReinforcementStage



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