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Tuesday, June 11, 2013
PSW Staff
06/11/13 08:41 AM,
Clear-Com is launching the enhanced HelixNet Partyline intercom system at InfoComm 2013 in Orlando (booth 921). The new version will include a multi-system linking capability to deliver a cost-effective intercom solution for distributing many network digital partyline channels and program audio feeds to dozens of digital beltpacks. Enabling this capability are two new modules: the HLI-ET2 Ethernet module, for main station-to-main station networking over fiber or a LAN (Local Area Network), and the HLI-FBS fiber module for daisy-chaining fiber interfaces…
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PSW Staff
06/11/13 07:29 AM,
Manhattan Center Studios is extending its Riedel Communications intercom system to tie together all of its studios and performance halls, as well as a new client news network, Al Jazeera America, that will be completed this summer. Manhattan Center Studios is one of the largest Riedel intercom integrations in the Americas. “We believe that the Riedel intercom is on another level from its competition, and with every software release, it becomes both more powerful and easier to program,” says Marvin…
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Thursday, June 06, 2013
PSW Staff
06/06/13 11:34 AM,
Producer Max Gilkes has upgraded his Brighton, England-based mastering and post production facility 1 Sonic with SADiE 6 software for mastering and a Prism Sound Orpheus FireWire audio interface. Gilkes, who founded 1 Sonic eight years ago, says the support offered by Prism Sound was a key factor in his decision to invest in the company’s products. “I was previously using Peak as a playlist editor and doing most other things on Pro Tools,” he explains. “But as it was…
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Friday, May 31, 2013
PSW Staff
05/31/13 02:57 PM,
Focusrite RedNet audio I/O technology is being implemented for the front-of-house rig for The Killers world tour, where specifically, a RedNet 1 eight-channel A-D/D-A and RedNet 4 eight-channel mic preamp perform a number of duties for systems engineer Philip Reynolds. Reynolds made the decision to use RedNet in order to maintain the audio within the digital domain — A-D conversion takes place side-stage as soon as the mics plug into the stagebox — for as long as possible before conversion…
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Bill Whitlock
05/31/13 12:56 PM,
The idea that “dirty” power causes audio system noise problems has a nearly irresistible intuitive appeal - and there are dozens of companies ready to cash in on this widespread but mistaken belief. For example, here is a quote from a well-known manufacturer of power conditioning products: “Today’s residential systems contractors face unprecedented challenges where high resolution, trouble-free operation is required. From inducing AC ground loops, video hum bars, static bursts, damage from AC line surges and variable audio and…
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Friday, May 10, 2013
Chris Huff
05/10/13 01:47 PM,
This article is provided by Behind The Mixer. iPads are turning up in the audio booth as a sound source. Much like my article on using different types of smartphones as audio sources, iPads are something you need to consider. Let’s look a how to get the audio out. The iPad uses a common 3.5 mm stereo headphone plug, so connecting via the 3.5 mm plug is the easiest route to go. The back of your mixer/console is filled…
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Thursday, April 11, 2013
PSW Staff
04/11/13 08:29 AM,
Universal Audio has announced the Apollo 16 audio interface, providing 16 x16 analog I/O in a FireWire/Thunderbolt-ready interface package that also includes onboard UAD-2 QUAD processing. It also offers professional DB-25 connectivity and multi-unit cascading for up to 32 x 32 analog I/O. “Building on the success of the original Apollo interface, the Apollo 16 is our flagship audio converter,” says Bill Putnam Jr., Universal Audio founder and CEO. “Its sound quality and scalability make it ideal for pairing with…
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Tuesday, April 09, 2013
PSW Staff
04/09/13 03:11 PM,
SPL (Sound Performance Lab) has introduced the new Madison 16+16 channel studio I/O and Crimson USB audio interface and controller at this week’s Prolight+Sound 2013 show in Frankfurt. Crimson combines a USB interface with high-quality pre-amps and a separate, fully-featured monitor controller, creating a cost-effective, portable package. Play, playback, record, convert, control, and listen with a single device. The 24-bit/192 kHz-capable Crimson is housed in a desktop footprint yet offers 30 I/O channels (10 recording and 20 playback), +/-18-volt operational…
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Monday, April 08, 2013
Craig Leerman
04/08/13 03:31 PM,
While digital gets most of the press, analog still does much of the work when it comes to signal transport. A well-designed and organized cabling system not only saves time during load-in/out, but also makes troubleshooting easier. Setting up a labeling system is simple and saves a lot of time in the long run. The first thing to do is take stock of what you have. While some sound companies like to keep all XLR cables the same length, most…
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PSW Staff
04/08/13 01:20 PM,
General Cable has launched the new line of Gepco HydroBloc water-resistant cables, which are UL rated and in compliance with the TIA-455-82-B Water Penetration Test and thus are well suited for indoor/outdoor applications and for use in wet locations inside conduit. HydroBloc cables feature an advanced water-blocked construction, a sunlight- and moisture-resistant jacket and a ripcord for ease of stripping for audio/control versions. The advanced water-block construction of HydroBloc cables starts with a 2-ply water-blocking tape for superior protection. In…
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