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Articles Tagged Interconnect

  • Thursday, September 08, 2016
    image
    PSW Staff 09/08/16 07:19 AM,
    Artel Video Systems, a provider of IP- and fiber-based media transport solutions supporting global telecommunications, broadcast, and related markets, and Harman Professional Solutions’ Studer announce that Artel’s new InfinityLink broadcast media transport solution has been successfully deployed to transport Studer A-Link audio data streams across fiber infrastructures. The InfinityLink product line will make its debut at IBC2016 on Artel’s stand, 10.B20. Found in Studer’s Vista V and Vista X digital consoles, A-Link, utilizing Artel’s InfinityLink, now provides a flexible, cost-efficient,… View this story
    Filed in: AVNewsProductAVConsolesDigitalInterconnectNetworking

  • Tuesday, August 30, 2016
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    PSW Staff 08/30/16 07:24 AM,
    Energy Transformation Systems has introduced the Rebalancer (PA819), a passive self-contained digital audio problem solver. If you have trouble with hum, buzz or a higher than normal noise floor, this could be due to twisted pairs which are unbalanced or even ‘”slightly” unbalanced. The Rebalancer (PA819) resolves many of these issues. A badly balanced input signal emerges from the other side as an improved, balanced signal, improved common mode rejection, lower noise and lower EMI/RFI. Many classic old devices (limiters,… View this story
    Filed in: AVNewsProductAnalogAVDigitalInterconnectSignalSound ReinforcementStageStudio

  • di boxes
    Peter Janis 08/30/16 06:36 AM,
    What type of direct (DI) box works best for bass guitar? The answer is easy: it depends. In fact, more than anything else, it depends on the type of bass that the DI is going to be used with. When it comes to signal flow, there are two types of bass guitars: passive and active. The first electric basses, i.e., the original Fender Precision, were passive, and in fact still are today. They employed magnetic pickups to generate the signal… View this story
    Filed in: Live SoundFeatureBlogStudy HallInterconnectSignalSound ReinforcementStage

  • Tuesday, August 23, 2016
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    PSW Staff 08/23/16 08:30 AM,
    ARX announces the release of its 2nd Generation USB DI, the first with dual mode audio input interface - digital and analog - for two DIs in one. “ARX released our first USB DI back in 2007 and the unit has become an industry standard for USB - analog audio conversion” says ARX managing director, Colin Park. “Recently we’ve been looking at where and how ARX’s USB DIs are being used, and concluded that along with USB enabled devices, some… View this story
    Filed in: AVNewsProductAnalogAVDigitalInterconnect

  • image
    PSW Staff 08/23/16 06:27 AM,
    Energy Transformation Systems (ETS) introduces its new AES/EBU digital audio adapters. Model PA851 (Female XLR) and model PA850 (Male XLR) allow transmission of AES/EBU digital audio signals up to 100 meters over Cat5 UTP The exclusive ETS digital audio adapter (PA850 Series) is impedance-matched, balanced and isolated to provide AES/EBU signals over Cat5 or better unshielded twisted pair wiring. Testing has shown the signal performance over UTP is equal to that of 110 ohm single shielded twisted pair wire even… View this story
    Filed in: AVNewsProductAVDigitalInstallationInterconnectSystem

  • Thursday, August 18, 2016
    microphone cables
    PSW Staff 08/18/16 01:12 PM,
    What is impedance? Impedance is the AC (alternating current) version of the DC (direct current) term resistance, which is the opposition to electron current flow in a circuit and is expressed in ohms. Impedance (often abbreviated as “Z”) includes capactive reactance and inductive reactance in addition to simple DC resistance. Reactance depends upon the frequency of the signal flowing in the circuit. Capactive reactance increases as frequency decreases: inductive reactance increases as frequency increases. Because of this frequency dependence, impedance… View this story
    Filed in: AVFeatureBlogStudy HallAVInterconnectMicrophoneSignal

  • Monday, August 15, 2016
    analog digital conversion
    Dennis A. Bohn 08/15/16 12:53 PM,
    This article is provided by Rane Corporation.   Editor’s Note: This article originally appeared in 1997, but the principles are still valid today and worthy of repeating. Like everything else in the world, the audio industry has been radically and irrevocably changed by the digital revolution. No one has been spared. Arguments will ensue forever about whether the true nature of the real world is analog or digital; whether the fundamental essence, or dharma, of life is continuous (analog) or… View this story
    Filed in: AVFeatureBlogStudy HallAnalogAVDigitalEthernetInterconnectNetworkingProcessorSignal

  • Friday, August 12, 2016
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    Gary Zandstra 08/12/16 06:31 AM,
    This article is provided by Gary Zandstra.com.   Operating the sound system from the mix position during a Sunday worship service, “it” all began when the first note from our grand piano was distorted. Hmm… We’d checked the piano channel and sound prior to the service, and all was fine. My first reaction to the distortion now being produced was to reduce the gain on that console channel, thinking perhaps the piano player was “nailing” the keys very hard. Yet… View this story
    Filed in: Church SoundFeatureStudy HallInterconnectSound ReinforcementStage

  • Monday, August 08, 2016
    synthax
    PSW Staff 08/08/16 10:19 AM,
    On the last leg of Ellie Goulding’s recent tour of Europe, next coming to North America, the sound team upgraded the keyboard and playback rigs with technology from Ferrofish and RME, which are both distributed by Synthax. Specifically, Will Sanderson, the tour’s MIDI, playback and keyboards technician, decided to deploy the new Ferrofish A32 AD/DA converter for the show’s keyboard and playback rig and the RME MADIface XT 394-Channel, 192 kHz USB 3.0 audio interface. “The aim was to design… View this story
    Filed in: AVLive SoundNewsAnalogAVConcertDigitalInterconnectNetworkingSignalSound ReinforcementTechnician

  • Tuesday, August 02, 2016
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    PSW Staff 08/02/16 09:23 AM,
    A-Designs Audio has introduced Mix Factory, a new concept and approach to “out-of-the-box” summing for engineers and musicians looking to enhance their current sound and workflow. “Our new Mix Factory isn’t just any old summing unit,” says A-Designs Audio’s Peter Montessi. “It delivers analog warmth with the depth and imaging needed to make your mixes truly stand out from the crowd.” Based on a concept developed by producer/engineer/mixer Tony Shepperd and brought to life by designer Paul Wolff, Mix Factory… View this story
    Filed in: Live SoundRecordingNewsProductAnalogInterconnectMixerProcessorSignalStudio



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