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Articles Tagged Iem

  • Thursday, June 16, 2016
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    PSW Staff 06/16/16 01:05 PM,
    As musical director, bandleader, and announcer for The Late Late Show on CBS, Reggie Watts is a busy guy with a lot to keep track of on stage. To monitor his band, “Karen,” while interacting with host James Corden and taking direction from the control room, he uses Sensaphonics 3D AARO Active Ambient IEM system on stage. The patented system uses microphones embedded in custom soft silicone earphones to add controlled ambience to the in-ear mix, which includes the band… View this story
    Filed in: Live SoundNewsAVMicrophoneMonitoringSound ReinforcementStageWireless

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    PSW Staff 06/16/16 09:26 AM,
    With the forthcoming changes in spectrum allocation in the USA and Canada, Sennheiser is anticipating future customer needs with the release of a new frequency variant of its evolution wireless ew 100 G3 and ew 300 IEM G3 series. To accommodate the increasing demand for mobile broadband services in North America, the US Federal Communications Commission (FCC) and the Department of Industry of Canada (IC) have agreed on a future reallocation of spectrum in the UHF band. The 600 MHz… View this story
    Filed in: AVNewsProductAVMicrophoneMonitoringSound ReinforcementWireless

  • Wednesday, June 01, 2016
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    PSW Staff 06/01/16 02:48 PM,
    Sensaphonics held its first gold Circle seminar session of 2015 in Chicago recently. Designed to help audiologists better serve musicians and sound engineers, the two-day Gold Circle seminar features practical and technical class instruction at Sensaphonics headquarters, then concludes with a hands-on demo featuring a live band to teach the basics of live sound and in-ear monitors. “As audiologists, it’s important that we do more than just take ear impressions. That’s what the Gold Circle seminar is all about,” says… View this story
    Filed in: AVNewsAVBusinessManufacturerMonitoringSound Reinforcement

  • Wednesday, May 04, 2016
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    PSW Staff 05/04/16 11:45 AM,
    KLANG:technologies, now distributed in the US by Group One Limited, announces the introduction of a new operating system, KOS V2.1, for its KLANG:fabrik and KLANG:vier. Immediately available for free download, the latest firmware brings a host of new features and improvements to the company’s 3D in-ear monitor mixing systems. “In addition to offering an increase of 50 percent more input channel processing capabilities, our new software supports snapshots and showfile exchange through KLANG:app, plus a new workflow for channel configuration… View this story
    Filed in: AVNewsProductAVDigitalMonitoringSoftwareSound ReinforcementStage

  • Monday, April 25, 2016
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    PSW Staff 04/25/16 05:42 AM,
    Jeff Bridges is an Academy Award winning actor with a passion for music.  A talented song-writer, Bridges tours with his group, “The Abiders”, named after a famous line in his movie, “The Big Lebowski.” Tour manager, Sven Holcomb and front of house engineer Tyson Leonard have selected the Allen & Heath GLD-80 digital mixer and ME-1 personal monitors to support the band. Holcomb and Leonard had previously specified front of house and monitor mixers and monitor loudspeakers with a touring… View this story
    Filed in: Live SoundNewsAVConsolesDigitalMonitoringSound ReinforcementStage

  • Thursday, April 21, 2016
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    PSW Staff 04/21/16 06:30 AM,
    Two Allen & Heath dLive digital mixing systems managed the recent two-month run of Green Day’s stage show, American Idiot, at Cirkus Theatre in Stockholm, Sweden. Parashoot PA was appointed to manage the sound, selecting S7000 Control Surface and DM64 MixRack at both front of house and monitors, and a ME system for personal monitors, from its hire stock. “I wasn’t sure at first when the producer asked me to design and engineer the show as we are a touring… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMonitoringNetworkingProcessorSound ReinforcementStageWireless

  • Wednesday, April 13, 2016
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    PSW Staff 04/13/16 08:00 AM,
    In 2015, rock veterans and 39-year touring pros Toto released their latest studio album, XIV. Since then, they have been steadily touring the world in support of the release. For the very first time, keyboardist David Paich has been taking the stage with in-ear monitors – the Sensaphonics 3D AARO Active Ambient system. Keyboard tech Jordan Rippe is also using the 3D system throughout the show. Of course, nearly every major tour relies on IEMs, but like many old-school rockers,… View this story
    Filed in: Live SoundNewsAVManufacturerMonitoringSound ReinforcementStageWireless

  • Friday, April 01, 2016
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    PSW Staff 04/01/16 09:11 AM,
    Sensaphonics has introduced a new way to make in-ear monitoring safer – the Excess Audio Reduction system, or EARbags. When secured to any set of IEMs, headphones, or earbuds, these patent-pending protective devices monitor for dangerous spikes in the ambient sound around the user. When threatening audio impulses are detected, the EARbags instantly deploy a sound-blocking pillow of protection around the ears. Designed to provide hearing protection for users of poorly isolating devices like acrylic IEMs and universal-fit earbuds, Sensaphonics… View this story
    Filed in: AVNewsProductAVBusinessMonitoringSound Reinforcement

  • Wednesday, March 30, 2016
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    Chris Huff 03/30/16 09:53 AM,
    This article is provided by Behind The Mixer.   Personal monitoring systems, aka IEM systems, come in all shapes and sizes but which is best for a particular band?  There are five levels of these systems which drive product selection and a few brands have been highlighted. Level 1: Basic IEM System This is as simple as it gets. The Rolls PM351 has been the go-to minimalistic monitor system for years. Each unit works by plugging the musician’s microphone or… View this story
    Filed in: AVFeatureStudy HallAVMixerMonitoringSound ReinforcementStageStudio

  • Friday, March 25, 2016
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    PSW Staff 03/25/16 08:09 AM,
    A Soundcraft by Harman Si Performer 3 console was the ideal digital live sound mixer for British recording artist Gabrielle Aplin’s small venue tour throughout the UK. Its compact form allowed the console to easily fit in smaller venues that ranged in capacity from 200 to 900 people, along with an eight-piece band, and still deliver pristine sound quality. Independent sound engineer Darryl Walsh worked with Aplin on her tour and helped select the new Soundcraft console after it was… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalEngineerMixerSound ReinforcementStage



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