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Articles Tagged Guitars

  • Monday, May 30, 2016
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    Bill Mueller 05/30/16 06:42 AM,
    Courtesy of Omega Studios.   Lusting after large diaphragm condenser (LDC) microphones has become a national pastime. Newbies devour the recording magazines and read about this artist and that artist recording to vintage U-47’s or Tele 251’s and believe that they need those same mics, (or too often a design copy from China) to get a “hit” record. However, the acoustic conditions that exist in the average home studio or even small pro studio do not lend themselves to the… View this story
    Filed in: RecordingFeatureEngineerMicrophoneStudio

  • Monday, May 09, 2016
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    Joe Gilder 05/09/16 05:30 AM,
    This article is provided by Home Studio Corner.   Once upon a time, Joe made a stupid mistake. I was recording a bunch of acoustic guitar tracks for an album project. I was super-excited. I had set aside an entire afternoon to knock out all the songs. Also, I had just gotten a brand new microphone, and was going to use it along with another mic to record the guitar in stereo. All was right with the world. I set… View this story
    Filed in: RecordingFeatureMicrophoneSignalStudio

  • Wednesday, May 04, 2016
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    PSW Staff 05/04/16 10:18 AM,
    Universal Audio announces the release of UAD Software v8.6, featuring the Fender ’55 Tweed Deluxe — the first 100% UA-developed guitar amplifier plugin — exclusively for Apollo interfaces and UAD-2 hardware. One of Leo Fender’s first and finest amp designs, the Fender Deluxe was introduced in 1946. After various circuit tweaks, Fender eventually landed on the now historic “wide-panel” 5E3 Deluxe in 1955. This amplifier’s touch-sensitivity has a dynamic range from clean and sweet, to overdriven raunch that’s made it… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Friday, April 15, 2016
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    PSW Staff 04/15/16 09:47 AM,
    Lightning Boy Audio (LBA) returns to the FX pedal business with the release of the new Op-2 Comp vacuum tube powered optical compressor pedal. Designed from the ground up to deliver studio quality compression in a stomp box format. Op-2 Comp offers a wide, well balanced frequency response, which makes it suitable for both electric guitar and bass. Unlike its predecessor, Opti-Mu Prime, Op-2 Comp dishes out a very clean sound with low noise. It manages to do this while… View this story
    Filed in: AVNewsProductAnalogProcessor

  • Wednesday, March 30, 2016
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    PSW Staff 03/30/16 07:41 AM,
    For the past eight years, the challenge of bringing Maroon 5’s studio sparkle and sheen to the live stage has been trusted to veteran front of house engineer Jim Ebdon, who is also well known for his many tours with Aerosmith, Annie Lennox and Matchbox Twenty. Recently, Ebdon has been carrying several products from A-Designs Audio, including a KGB-1tf instrument preamplifier, REDDI all-tube direct inject box and electrodyne 501 mic preamp (from sibling company Pete’s Place Audio), and been delighted… View this story
    Filed in: Live SoundNewsEngineerInterconnectManufacturerProcessorSound ReinforcementStage

  • Thursday, March 17, 2016
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    PSW Staff 03/17/16 10:53 AM,
    Radial Engineering announces that the MR5 is now shipping. The MR5 is a MIDI signal translator that allows you to use a MIDI controller to control the JX44, JX42 or any other Radial products that use the JR5 footswitch. The MR5 converts the MIDI data stream from the controller to the same data format used by the JR5, allowing the musician to handle instrument and amplifier switching with a sequencer, control pedal or any other MIDI control setup. The MR5’s… View this story
    Filed in: AVNewsProductAVProcessorStage

  • Wednesday, March 16, 2016
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    Scotty O'Toole 03/16/16 09:05 AM,
    Courtesy of Omega Studios.   H.P. Lovecraft’s short story, “Herbert West: Re-Animator”, tells of a medical student obsessed with “re-starting” the dead. Well, I sometimes look at being an audio engineer the same way. A “sound scientist” bringing “dead” tracks back to life. For anyone training to become a music producer, exploring different approaches to ‘getting that sound’ can make you a more versatile engineer. One technique that can be used to spice things up is what we call “re-amping”.… View this story
    Filed in: RecordingFeatureStudy HallAmplifierEngineerLoudspeakerMicrophoneProcessorStudio

  • Monday, March 07, 2016
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    PSW Staff 03/07/16 12:55 PM,
    Fishman has hired musical industry veteran Keith Chapman to the newly created post of product strategist. Formerly senior vice president of Research and Development for the Fender Musical instruments Corporation, Chapman will be responsible for product strategies at Fishman including enhancing new product development methodologies, new product conceptualization, advanced technology research, and assisting with artist relations. Chapman earned a Ph.D. in mechanical engineering from Clarkson University, has worked as an aerodynamics research faculty member at Arizona State University, and as… View this story
    Filed in: AVNewsAVBusinessManufacturer

  • Monday, February 29, 2016
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    Peter Janis 02/29/16 11:40 AM,
    The majority of electric guitar players will tell you that they much prefer the sound of “hard-wired” guitars versus going wireless. When you “radio” a signal, there is not only a sense of disconnect, but the tone never seems quite right. I noticed this years ago when testing a guitar splitter. One of our engineers sent me a prototype, and after a few minutes of testing, I called him up and said that it worked well but was not quite… View this story
    Filed in: Live SoundFeatureProductionAudioProcessorSignalStageWireless

  • Tuesday, February 23, 2016
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    James Cadwallader 02/23/16 12:09 PM,
    So I’m standing in the kitchenette at Imperative Studios, my hair still wet from the shower taken in the ladies’ bathroom, when in comes one of the studio interns - a really good kid at heart, but heavily steeped in the “overconfidence” of youth. He catches me retrieving my container of coffee beans from the freezer. A half-smile crosses his face as he declares with an air of absolute authority, “You know, coffee beans shouldn’t be put in the freezer.”… View this story
    Filed in: Live SoundFeatureConcertEducationEngineerMicrophoneSound ReinforcementStageSystemTechnician



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