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Monday, June 10, 2013
PSW Staff
06/10/13 09:58 AM,
Brett Orrison, front of house engineer for The Black Angels, is utilizing Waves Live tools on the 2013 Indigo Meadow tour. Specifically, Orrison, who is a Waves Audio/Greg Price “Young Gun,” is traveling with a Waves MultiRack SoundGrid with two DSP servers, as well as an Allen and Heath iDR64 equipped with an M-Waves card and the iLive T112 surface. He uses a Dell Precision Laptop to steer the SoundGrid DSP servers while multi-track recording with PreSonus Studio One. “I’m…
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Friday, June 07, 2013
PSW Staff
06/07/13 01:24 PM,
Avid VENUE Profile mixing systems were exclusively used to mix the recent global concert “The Sound of Change Live” at London’s Twickenham Stadium that featured sets from a host of international stars including Beyoncé, Ellie Goulding, Florence + The Machine, Jennifer Lopez, John Legend and Rita Ora. The event marked the launch of a global campaign by Gucci to raise funds and awareness for girls’ and women’s empowerment. Live sound for the event, which offered three performance areas, was managed…
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Tuesday, June 04, 2013
Todd Lewis
06/04/13 06:31 PM,
With festival season upon us, I got to thinking that there are plenty of articles that tell us which knob to turn, which button to push, and other mechanical methods of our trade. So I’ve set out here to provide information on some of the other “not so obvious” aspects to keep in mind when working gigs this summer and fall. These are things that I’ve encountered in touring as well as here in “home territory” at local festival settings.…
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Bobby Owsinski
06/04/13 10:54 AM,
This article is provided by Bobby Owsinski. Bruce Swedien is truly the godfather of recording engineers, having recorded and mixed hits from everyone from Count Basie, Duke Ellington and Dizzy Gillespie to Barbra Streisand, Donna Summer and Michael Jackson. He’s a mentor of mentors, as so many of his teachings are now handed down to a generation now just learning (his interview in The Mixing Engineer’s Handbook is a standout). Bruce is also a collector of microphones and will…
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Monday, June 03, 2013
Paul Watson
06/03/13 05:23 PM,
Not many 16-year-olds are lucky enough to land their first job as a system tech on a Bon Jovi tour; however, Graham Burton was no ordinary teenager. Technically, in fact, his pro audio career actually began some four years earlier, when he landed a work experience role with local UK firm Richard Barker PA Services. That was 1989, and by the turn of the century, the British-born Burton had toured internationally as a monitor engineer, front of house engineer…
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Friday, May 31, 2013
Karl Winkler
05/31/13 05:31 PM,
Being the online forum lurker that I sometimes am, there are times when I’m struck by a pattern or trend that was never clear before (for whatever reason). It happened just a few weeks ago, and the context is relevant to what we do in our business of live sound. This particular discussion, on a music forum, was a thread about “the great tone we’ve spent years perfecting that is destroyed when it goes through a PA.” (You guessed it…
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Friday, May 24, 2013
Gary Zandstra
05/24/13 05:11 PM,
What is it about sound engineers and musicians getting along? In my experience, getting these two groups in sync is like putting angry cats in a room full of dogs. Sometimes there’s enough tension that it feels as though a fight is going to break out. While commissioning a sound system in another state, my friend Jeff saw the cats and dogs ready to brawl, and also picked up some new lingo that I’d like to share with you here.…
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Charles Szczepanek
05/24/13 03:01 PM,
This article is provided by the Pro Audio Files. Dusk had settled in, and I was on my way to the studio. Excitement ran through my veins like high-octane fuel through a well-tuned engine. I had been invited by a student at a local recording and audio production school to come in for a free recording session… Upon arriving at the studio… The engineer wasn’t anywhere to be found, nothing was set up, and I sat in a less-than-plush…
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Thursday, May 16, 2013
Bob Buontempo
05/16/13 04:41 PM,
To begin with, there are many things that you cannot do in a home studio. A competent recording of a live band - still the mainstay of the recording industry - is usually impossible in your bedroom. Fitting an orchestra in there is also challenging. And even though the topic of this piece is whether award-winning (i.e., Grammy) music can be conceived, recorded and mastered in a home studio, there’s nothing to indicate that any such recordings actually have been.…
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Thursday, May 09, 2013
Greg DeTogne
05/09/13 05:19 PM,
The Black Crowes have returned with this year’s Lay Down With Number 13 tour, emerging triumphantly fit and in full fighting form from an “indefinite” hiatus announced in April, 2010 that put performances on hold in the U.S. after the band played San Francisco’s Fillmore Auditorium later that year. Now, with the band’s fourth live album, Wiser for the Time, released in March of this year as a digital download and 4-record vinyl set, timing was never better for the…
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