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Articles Tagged Effects

  • Tuesday, September 10, 2013
    radial engineering
    PSW Staff 09/10/13 01:09 PM,
    Radial Engineering has announced the Voco-Loco, a combination microphone preamp and effects loop insert that enables a lead vocalist, brass instrumentalist or harmonica player to incorporate guitar effects pedals into their signal path.  Just like an electric guitarist adds effects for soloing such as delay, reverb or distortion, this option is now available to anyone’s performance by engaging a simple footswitch. The design begins with a high-performance preamp section that delivers over 60 dB of gain, more than enough to… View this story
    Filed in: Live SoundRecordingChurch SoundNewsProductInterconnectProcessorStageStudio

  • Friday, June 28, 2013
    PSW Staff 06/28/13 08:31 AM,
    Eventide is now shipping its newest addition to its stompbox line, the H9 Harmonizer. The H9 delivers Eventide’s acclaimed sound and can run all of Eventide’s stompbox effects. It features a simple, one-knob user interface and also connects wirelessly via Bluetooth to iPods, iPhones and iPads for creating and managing presets, live control and in-app algorithm purchases. “The H9 is designed to pack all that you need by way of delay, modulation, pitch, and reverb effects, ninety-nine factory presets, and… View this story
    Filed in: Live SoundNewsProductConcertProcessorSound ReinforcementStage

  • Tuesday, December 11, 2012
    PSW Staff 12/11/12 10:43 AM,
    DigiTech is now shipping its iStomp Programmable Pedal, pre-loaded with 10 of its most popular e-pedals and now features an updated Stomp Shop app where guitarists are able to try any pedal for free for up to five minutes. “When we introduced the iStomp we led a new product category that changed the way guitarists and musicians thought about creating their tone,”  explains Scott Klimt, marketing manager for DigiTech. “With each new e-pedal introduction we have expanded their capabilities and… View this story
    Filed in: Live SoundRecordingChurch SoundNewsProductDigitalInterconnectProcessorSoftware

  • Wednesday, November 21, 2012
    Brian Ingoldsby 11/21/12 07:54 AM,
    By using basic four track equipment, three very desirable and unusual variations of echo effects can be created. Duplication of these effects using other methods requires the use of additional tracks, more equipment and more time. The first effect, which is called (Signal Trace “A” in the diagram below) is a thing we call “angle echo.” This effect will produce a repeated signal, and is used to enhance any background, vocal or percussive effect. It is extremely useful for enriching… View this story
    Filed in: RecordingFeatureStudy HallAnalogConsolesInterconnectProcessorStudio

  • Tuesday, April 24, 2012
    live sound effects
    Tim Andras 04/24/12 03:07 PM,
    On rare days off from running sound, I get the opportunity to go to several local clubs to check out the work of other mix engineers. This is really cool because I pick up tips that can help my own work, in addition to experiencing a wide range of gear. One thing in particular that I pay close attention to is effects, and I find that in most every case, some type of effect is applied on almost every instrument… View this story
    Filed in: Live SoundFeaturePollAnalogDigitalProcessorSound ReinforcementStageAudio

  • Monday, December 12, 2011
    Tim Vear 12/12/11 01:30 PM,
    An important consideration in microphone use is acoustic interference, which can occur whenever delayed versions of the same sound are mixed together, acoustically or electrically. With mics, this may happen in several ways: mics of reverse polarity picking up the same sound, multiple mics picking up the same sound from different distances, a single mic picking up multiple reflections of the same sound, or any combination of these. The results are similar in each case, and include audible peaks and… View this story
    Filed in: Church SoundFeaturePollStudy HallEducationEngineerMicrophoneStudioSystemAudio

  • Wednesday, June 08, 2011
    church sound
    Chris Huff 06/08/11 04:33 PM, 0 Comments
    This article is provided by Behind The Mixer.   Reverb is a beautiful effect that gives us the ability to bring a fuller sound to an instrument.  Reverb can be used to spatially place an instrument in a mix such as sitting in the background.  We can also kill our mix with reverb if we use too much or we use the wrong type of reverb.  Here are three standard types of reverb and how they can be used… First,… View this story
    Filed in: Church SoundFeaturePollMixerProcessorSound ReinforcementAudio

  • Thursday, May 12, 2011
    PSW Staff 05/12/11 06:58 AM, 0 Comments
    Pendulum Audio has announced the introduction of the DS-500 De-esser at the 130th AES Convention in London. The DS-500 is the second Pendulum product designed specifically for the 500 series format. The DS-500 is a single channel, non-tube version of the De-esser in the Pendulum Quartet Tube Recording Channel. It uses the same highly selective inductive detector and opto-inductive notch filter as the the de-esser in the Quartet, so it has the same characteristics, and very fast response. By pairing… View this story
    Filed in: RecordingNewsPollProductAnalogProcessorSignalStudioSystemAudio

  • Thursday, April 28, 2011
    PSW Staff 04/28/11 10:00 AM, 0 Comments
    API is proud to announce their appearance at both Palm India Expo and Broadcast Asia this June. API’s participation in these popular trade shows is part of the company’s continued efforts to better reach customers in the Asia Pacific region. “With excellent distribution partners throughout the region, API is committed to a long term presence in both the Asia Pacific and India,” said Gordon Smart, managing director. “We’re excited that clients from Japan, China, Indonesia, Thailand and India are now… View this story
    Filed in: RecordingNewsPollAnalogDigitalManufacturerMixerProcessorStudioSystemAudio

  • Tuesday, March 22, 2011
    PSW Staff 03/22/11 07:26 AM, 0 Comments
    EastWest has announced their distribution of Modern Pop, the Multi-format Sound Library, in the US market. Modern Pop combines the distinctive style of modern electronic music with different types of pop music, lounge, chillout and new age. The defining characteristic of Modern Pop are its rhythmic elements, such as percussion loops, drum loops and special grooves, as well as its harmonic elements, such as melodies and chords, which are at times soft and gentle, at other times dynamic and powerful.… View this story
    Filed in: RecordingNewsPollProductDigitalDigital Audio WorkstationsProcessorSignalSoftwareStudioSystemAudio