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Articles Tagged Effects

  • Monday, May 11, 2015
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    PSW Staff 05/11/15 12:50 PM,
    Waves introduces the H-Reverb, an FIR reverb based on innovative Finite Impulse Response reverberation technology, providing richer, deeper reverb tails. The FIR engine that powers H-Reverb lets you shape and customize the reverb decay envelope beyond the standard linear forms, resulting in gated, real reverse, and dense reverb tails that don’t muddy up the mix. Taking things one step further, H-Reverb incorporates Waves’ advanced analog modeling along with a drive control, offering signal behavior that until now was found exclusively… View this story
    Filed in: Live SoundRecordingChurch SoundNewsAVDigitalDigital Audio WorkstationsEngineerProcessorSignalSoftwareSound ReinforcementStageStudio

  • Wednesday, May 06, 2015
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    PSW Staff 05/06/15 07:57 AM,
    Following the launch of the L-Pad mixer line last year, RCF has expanded the line with the introduction of the L-Pad 16CX USB 16-channel and L-Pad 24CX USB 24-channel models. With these new mixers, RCF has taken a different approach to the small format analog mixer market segment in style and feature set – both products packaged in a metal chassis, adding features including compressors and a library of internal effects, and providing USB access. “These two mixers are aimed… View this story
    Filed in: AVLive SoundNewsProductAVDigitalManufacturerMixerProcessorSound Reinforcement

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    PSW Staff 05/06/15 07:01 AM,
    Gordon Hempton, the Emmy-winning nature recordist, today announced a partnership with Pro Sound Effects, the next level sound effects library, to include his entire Quiet Planet nature recordings catalog in the Pro Sound Effects library and related multi-user licensing options. Hempton has spent three decades searching the globe to record nature at its most pristine and has released over 42 hours of recordings under Quiet Planet. The Pro Sound Effects Master Library 2.0 will now feature an additional 42 GB… View this story
    Filed in: RecordingNewsAVDigitalDigital Audio WorkstationsSoftwareStudio

  • Wednesday, April 15, 2015
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    PSW Staff 04/15/15 09:24 AM,
    Mackie announces the launch of ProFXv2 Series Professional Effects Mixers. The redesigned ProFXv2 series features an all-new preamp design and effects engine for live sound applications. The series has been expanded with two new models, the 4-channel ProFX4v2 and the 30-channel ProFX30v2, opening up the ProFX toolkit to a wider range of applications. “With ProFXv2, we’ve not only expanded the lineup, we’ve invested heavily in elevating the sonic performance of the series. ProFXv2 mixers sound amazing and, as always, are… View this story
    Filed in: AVLive SoundConsolesDigitalMixerProcessorSignalSound ReinforcementStage

  • Monday, April 13, 2015
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    PSW Staff 04/13/15 10:13 AM,
    At NAB 2015, Pro Sound Effects sound library company, releases its Master Library 2.0. The 2.0 upgrade brings over 30,000 new sound effects, an online access feature, annual updates and new subscription pricing options. Now totaling 2.1 Terabytes and 175,000 sound effects, Master Library 2.0 is PSE’s most comprehensive library for professional media production. The Master Library is delivered on a custom USB 3.0 hard drive and now includes access to PSE’s Online Library, allowing users to audition and download… View this story
    Filed in: RecordingDigitalDigital Audio WorkstationsSoftwareStudio

  • Wednesday, April 08, 2015
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    PSW Staff 04/08/15 12:22 PM,
    Tascam has introduced the DP-24SD, a 24-track Digital Portastudio. The latest model records to solid-state media – economical and expandable SD Cards. Eight XLR mic inputs with phantom power provide enough preamps to record a full band, and each input has available compression and limiting during recording. A color LCD display, channel control strip, and a range of effects for musicians. Built into the DP-24SD are three types of effects. Up to eight dynamics effects can be routed to any or… View this story
    Filed in: RecordingDigitalDigital Audio WorkstationsManufacturerProcessorStudio

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    PSW Staff 04/08/15 10:19 AM,
    Allen & Heath has launched new Chrome Edition models of its GLD series mixers, with new features and FX. GLD Chrome firmware adds Auto Mic Mixing capability and further additions to the processing suite, including new FX and channel-based compressor emulations. The Chrome Edition GLD-80 and GLD-112 mixers have been redesigned with a new metallic color scheme, while the AR84 and AR2412 AudioRacks have received a black finish. The automatic mic mixer (AMM) can be configured to work across all… View this story
    Filed in: AVLive SoundAVConsolesDigitalManufacturerMixerProcessorSound Reinforcement

  • Tuesday, April 07, 2015
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    PSW Staff 04/07/15 07:24 AM,
    Eventide announced an update of its H3000 Factory plug-in for AAX, VST, and AU that delivers improved performance and has been re-factored to better emulate the DSP processing of the rack-mount hardware. H3000 Factory is a re-creation of several algorithms from the H3000 that combine pitch, delay, modulation, and filtering in a modular interface. For the month of April, it’s available at a discount. “The H3000 Factory plug-in now sounds closer to the original than ever before.” said Ray Maxwell,… View this story
    Filed in: RecordingDigitalDigital Audio WorkstationsEngineerManufacturerProcessorSignalSoftwareStudio

  • Tuesday, March 31, 2015
    recording
    Bobby Owsinski 03/31/15 02:12 PM,
    This article is provided by Bobby Owsinski.   Having trouble figuring how to use your effects during mixing? Here’e a set of rules that can help you choose the best effects for each track more efficiently, courtesy of The Mixing Engineer’s Handbook. Rule 1: As A General Rule Of Thumb, Try To Picture The Performer In An Acoustic Space And Then Realistically Recreate That Space Around Them. This method usually saves some time over simply experimenting with different effects presets… View this story
    Filed in: RecordingFeatureBlogStudy HallConsolesEngineerMixerProcessorSignalStudio

  • Tuesday, February 17, 2015
    rep recording phasing
    Jerry Ferree 02/17/15 08:31 AM,
    From the archives of the late, great Recording Engineer/Producer (RE/P) magazine, this feature offers an interesting look back at techniques for recording electronic instruments. The article dates back to September, 1970. (Volume 1, Number 1). The text is presented unaltered, along with all original graphics. Everyone who listens to pop music has at some time heard that weird swishing effect swooping down through a drum solo or a vocal group making them sound rather like a long-distance short wave broadcast.… View this story
    Filed in: RecordingFeatureBlogStudy HallAnalogEducationProcessorStudio





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