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Articles Tagged Effects

  • Monday, July 18, 2016
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    PSW Staff 07/18/16 07:55 AM,
    PreSonus has released the Convology Vintage Reverbs Add-ons library for Studio One 3, the latest in a series of Add-on products that enhance PreSonus’ DAW. Formatted to work with Studio One 3 Professional’s Open AIR convolution reverb, these 36 reverb effects have been meticulously modeled from many hard-to-find plate reverbs, spring reverbs, and digital reverb processors. The Vintage Reverbs library combines three collections, which are also available individually: Vintage Digital Reverbs, Vintage Plate Reverbs, and Vintage Spring Reverbs. All sounds… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftware

  • Tuesday, July 12, 2016
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    PSW Staff 07/12/16 12:38 PM,
    Point Source Audio (PSA) announces that its SERIES8 lavaliers will be on center stage of visual artist and Emmy winner Jennifer Wen Ma’s Chinese opera Paradise Interrupted set to open at the Lincoln Center Festival, July 13, 2016. In a dream, a woman meets her lover and searches for an unattainable ideal as a vast garden grows from an empty stage, only to disappear as her dream ends. This highly ambitious East meets West opera requires the central character—the talented… View this story
    Filed in: Live SoundNewsMicrophoneProcessorSoftwareSound ReinforcementStageWireless

  • Friday, June 24, 2016
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    PSW Staff 06/24/16 07:49 AM,
    Antelope Audio [Summer NAMM booth 343] has announced updates and additions to its collection of authentic digital recreations of classic vintage recording gear. The hardware-powered FX contained in Vintage Pack 2.0, which leverage Antelope’s proprietary FPGA engine, brings an even wider set of production tools to users of Antelope’s Orion Studio, Zen Tour and Goliath Thunderbolt interfaces. The [AP550A] places the sound of this studio preamp and EQ at your fingertips with 3-band EQ, switchable filters and optional shelving behavior… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorSoftwareStudio

  • Thursday, June 23, 2016
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    PSW Staff 06/23/16 12:46 PM,
    Yamaha has unveiled the latest models in the company’s EMX series powered mixer lineup, which incorporate new professional features as well as an updated look and interface. Since its debut 30 years ago, the EMX Series has provided users having little or no live sound reinforcement experience with a compact mixer requiring minimum setup and connections. Like their predecessors, each of the new models – the EMX2, EMX5 and EMX7 – integrates a mixer, power amplifiers and digital effects into… View this story
    Filed in: AVNewsProductAmplifierAVMixerSound Reinforcement

  • Wednesday, June 22, 2016
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    PSW Staff 06/22/16 11:44 AM,
    A discussion that began in the REP Recording Forum here on ProSoundWeb that’s packed with relevant/useful points and references. Question by kifaru I’ve been brought a song to record that has a part in it that requires a chorus to sing part of it. The performer told me that what he had in mind for the part was a sound like the choral parts in Bohemian Rhapsody by Queen. I’m really not sure how to achieve this sound and the… View this story
    Filed in: RecordingFeatureForumOpinionStudy HallConsolesEngineerMicrophoneProcessorSoftwareStudio

  • Monday, June 20, 2016
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    PSW Staff 06/20/16 12:30 PM,
    After their ‘difficult second album’ hit the number one spot in the UK, US, and Canada, you could say that The Lumineers have officially gone global with Cleopatra. The two-time Grammy-nominated folk trio from Colorado are currently selling out venues across the US and Europe. Mixing monitors from the side of the stage is Brad Galvin, with his DiGiCo SD5 console. The Lumineers are Wesley Schultz, Neyla Pekarek, and Jeremiah Caleb Fraites. Playing intimate, fan-friendly venues has, says Galvin, been… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalMonitoringProcessorSound ReinforcementStage

  • Thursday, June 16, 2016
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    PSW Staff 06/16/16 09:41 AM,
    Pro Sound Effects has announced year-round open enrollment for its Freelancer Program. PSE created the Freelancer Program to support freelance sound designers, editors and independent media creators worldwide. Freelancers who apply and qualify become members with year-round access to savings of up to 60% on PSE sound effects libraries and software. The Hybrid Sound Effects Library , NYC Ambisonics, iZotope’s Iris 2, Soundminer, and SoundMorph’s Wave Warper are among 14 PSE-curated sound effects libraries and software programs currently available to… View this story
    Filed in: RecordingNewsBusinessEngineerSoftwareStudio

  • Wednesday, June 01, 2016
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    Bobby Owsinski 06/01/16 05:55 AM,
    This article is provided by Bobby Owsinski.   When signal processing is timed to the pulse of the track, everything in the mix sounds a lot smoother. This applies to compressors, delays, modulators, and especially reverbs. One of the questions I get a lot is, “How do you time your reverb to the track?” There’s a step by step tutorial in my Audio Mixing Bootcamp book that I’ve excepted from the Adding Reverb chapter of the book below. By the… View this story
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerProcessorSoftwareStudio

  • Wednesday, May 18, 2016
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    PSW Staff 05/18/16 03:03 PM,
    Peavey Electronics announces the immediate availability of the XR-AT powered mixer. The XR-AT powered mixer incorporates a nine-channel mixer and 1,000 Watts of power (1,500 Watts peak) into a unique, portable design. The mixer also includes Antares Auto-Tune pitch correction technology. This technology can literally help anyone sing in key and is used on professional recordings and live performances throughout the world. Ideal for use in small to medium sized venues, the feature-packed XR-AT comes equipped with on-board digital effects… View this story
    Filed in: AVNewsProductAmplifierAVMixerMonitoringProcessorSound Reinforcement

  • Friday, May 06, 2016
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    Barry Rudolph 05/06/16 06:13 AM,
    Many studios built in the 1970’s were designed not to have any acoustic influence on the recorded sound produced in them. This was accomplished by over-deadening walls, floors and ceilings so no sound waves (leakage) would reflect and add (or subtract) from the instrument’s original sound waves. Bass traps were purpose-built for controlling sound from electric bass amps, small isolated (and dead sounding) drum booths were mandatory and heavy gobos or baffles were used around all musicians separating them and… View this story
    Filed in: RecordingFeatureBlogStudy HallDigital Audio WorkstationsInstallationMeasurementSignalStudioSystem



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