Articles Tagged Distortion

  • Wednesday, February 25, 2009
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    James Cadwallader 02/25/09 11:44 AM, 20 Comments
    It’s time for me to come out of the closet: I’m a dyed-in-the-wool unity gain structure freak.  There, I said it and I sure do feel better. Catharsis is a good thing.  Now, for those of you who aren’t sure what the heck I’m talking about, I’ll explain, and maybe get a few of you over to the dark side with me. First some clarification. Gain in sound parlance is the act of adding to (positive), subtracting from (negative), or… View this story
    Filed in: Live SoundFeatureOpinionAmplifierConsolesProcessorSignalSound ReinforcementSystem

  • Monday, February 23, 2009
    switchcraft sc800
    PSW Staff 02/23/09 03:04 PM, 0 Comments
    The new Switchcraft SC800 instrument direct box converts the outputs of high impedance line level audio devices and musical instruments to low impedance, balanced and isolated mic level signals that can be connected to audio consoles, microphone preamplifiers, effects processors, and other equipment with three-pin XLR inputs. SC800 Technical Specifications: All measurements were taken with a 25 Ohm source into a 1 kOhm load measured on XLR output. Common Mode Rejection Greater than 100 dB at 60 Hz Input Impedance… View this story
    Filed in: Live SoundProductInterconnectStage

  • Thursday, February 19, 2009
    krk r6
    PSW Staff 02/19/09 04:39 PM, 0 Comments
    KRK Systems has announced the availability of the R6 passive studio monitor, which incorporates design cues from KRK’s best selling Rokit line, including radically radiused edges along the front of the cabinet. A key design component of the new R6 is the molded front baffle that virtually eliminates diffraction distortion caused by standard flat baffles. Further, this curved front baffle was engineered to minimize diffraction of high-frequencies, resulting in a sweet spot that is significantly larger than products with square… View this story
    Filed in: RecordingProductMonitoringStudio

  • Tuesday, February 03, 2009
    dave dermont
    Dave Dermont 02/03/09 10:03 AM, 3 Comments
    It’s Super Bowl time, and all the experts on the ProSoundWeb forums are telling us how they just know what parts of the halftime show were ‘live’ and what were pre-recorded tracks. Or whatever. Pre-recorded tracks can make what is already a technical nightmare a bit less terrifying to those involved. As long as it’s the same person live and on the recording, what’s the big deal? Oh yeah, just because the video is out of sync with the audio… View this story
    Filed in: Live SoundBlogLizard's LoungeOpinionBusinessConcertSound Reinforcement

  • Thursday, January 22, 2009
    tc voicelive
    PSW Staff 01/22/09 10:12 AM, 1 Comment
    TC-Helicon has debuted the VoiceLive 2, an easy-to-use and powerful floor processor designed to offer singers smooth studio tone, rich harmonies and ear-catching effects. VoiceLive 2 offers many advancements including new NaturalPlayTM harmonies with up to eight harmony voices controlled from a guitar, MIDI keyboard or MP3 player. Simultaneous stompbox-style or preset foot-switching allows vocalists to easily engage and layer the six effect blocks, which include a new, more lush reverb, tap tempo delay, natural doubling, T-Pain-like pitch shifting, distortion… View this story
    Filed in: Live SoundRecordingProductProcessor

  • Wednesday, January 21, 2009
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    PSW Staff 01/21/09 12:48 PM, 0 Comments
    At the Winter NAMM ‘09 show, Focusrite unveiled is new Liquid Saffire 56 as well as two Focusrite FX Plug-in Suites. The Liquid Saffire 56 is the company’s new flagship Firewire interface, marrying Focusrite’s celebrated Liquid technology with its new generation of Firewire interfaces (led by the critically acclaimed Saffire Pro40). Two of the eight mic pre’s use the third generation of Liquid pre amps, building on technology used in the Liquid Channel and Liquid 4Pre. This means that as… View this story
    Filed in: RecordingProductDigital Audio WorkstationsDigitalProcessorStudio