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Articles Tagged Digital

  • Thursday, July 14, 2016
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    PSW Staff 07/14/16 07:31 AM,
    When you make a change to a touring audio rig that is seen by some as a compromise but will mean less space and weight on the truck—and it actually improves the overall audio quality—that’s a good day for an audio engineer. That is exactly what James Shaw has found on his current Rat Sound-reinforced tour with Ben Harper & The Innocent Criminals connecting a pair of DiGiCo consoles while sharing mic pres and using the manufacturer’s Gain Tracking feature.… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalInterconnectMonitoringNetworkingProcessorSound ReinforcementStage

  • Wednesday, July 13, 2016
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    PSW Staff 07/13/16 11:42 AM,
    Synthax, the Americas distributor for RME, introduces the new RME Fireface UFX+ Interface with Thunderbolt and USB 3 connectivity—the company’s new flagship audio production tool. With the inclusion of DURec (Direct USB Recording), and RME’s low latency hardware and driver designs, the Fireface UFX+ is packed with features not found on its older sibling, including MADI I/O (now with 188 channels of I/O), a more powerful DSP, USB 3.0, Thunderbolt technology, and a new optional remote control. The Fireface UFX+… View this story
    Filed in: RecordingNewsProductDigitalManufacturerProcessorStudio

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    PSW Staff 07/13/16 09:07 AM,
    Situated in Matsumoto City, Livehouse ALECX in Japan has been hosting a variety of local musicians and touring artists since 2002. The live music venue recently upgraded its front of house system with Allen & Heath’s dLive digital mixing system including a DM48 MixRack and dLive D5000 control surface.   “The fresh looks of the S5000 surface, combined with the more powerful, higher resolution sound quality of the system made it the perfect choice for Livehouse. As soon as dLive… View this story
    Filed in: AVNewsAVConsolesDigitalInstallationSound ReinforcementStage

  • Tuesday, July 12, 2016
    prosoundweb
    Pat Brown 07/12/16 07:50 AM,
      Editor’s Note: Be sure to check out Pat’s related articles on this topic, including Examining FIR Filtering In Sound Reinforcement Systems and Creating & Applying FIR Filters. We live in an age of “bigger is better.” During a recent SynAudCon Forum thread, I suggested that this philosophy is not necessarily true for the length of an FIR filter. As of this writing, the typical filter length supported by DSP is 1024 taps, with some as high as 4096 taps.… View this story
    Filed in: AVFeatureStudy HallDigitalEducationEngineerMeasurementSound Reinforcement

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    PSW Staff 07/12/16 06:50 AM,
    At IBC2016, Digigram will present IP solutions that help broadcasters around the world to improve their productivity, flexibility, and program quality. Digigram’s team will show the latest in IP audio codecs, codec fleet management, and monitoring in the cloud, as well as audio-over-IP (AoIP) sound cards for IP studio migration and IP middleware licensing for smart AoIP streaming, processing, and encoding systems. Digigram will also showcase its new AQORD 4K Ultra HD (UHD) HEVC end-to-end video-over-IP solution. Digigram is making… View this story
    Filed in: AVNewsProductAVDigitalManufacturerSoftwareSystem

  • Monday, July 11, 2016
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    PSW Staff 07/11/16 12:52 PM,
    Antelope Audio announced that its Zen Tour and Goliath multi-channel interfaces are both shipping and available through the company’s dealer networks around the world. Zen Tour is a portable recording interface, with (8) analog inputs and (16) analog outputs in a compact tabletop form factor. Meanwhile, Goliath offers (36) analog inputs and (32) analog outputs, (16) Class-A microphone preamplifiers as well as supporting Thunderbolt, custom USB and MADI. Both units feature Antelope’s proprietary FPGA effects engine and come pre-loaded with… View this story
    Filed in: AVNewsProductAVDigitalDigital Audio WorkstationsProcessorSoftware

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    PSW Staff 07/11/16 08:51 AM,
    Yamaha digital audio consoles were used on 17 stages with 12 stages featuring them at both front of house and monitors during the 37th Montreal Jazz Festival (MJF) June 29-July 9. With upward of two million attendees and over 500 concerts, sound system provider Solotech and Yamaha Professional Audio (an official sponsor) were once again called upon to provide a selection of Yamaha digital consoles including two of the new RIVAGE PM10 digital audio consoles, used at the TD Stage,… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalSound ReinforcementStage

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    PSW Staff 07/11/16 07:15 AM,
    Australian event and PA company, DURT Pty Ltd, chose Allen & Heath‘s Qu and ME systems to manage sound reinforcement for the recent National Mountain Bike Championships in Victoria. “The location for a major mountain bike event can be the size of 10 football fields, there will be several concurrent events, each with their own audio requirements, plus briefing, meeting and conference areas which require audio but also minimal background noise. The trails can be upwards of 8 square kilometers,… View this story
    Filed in: AVNewsAVConsolesDigitalMonitoringSound Reinforcement

  • Friday, July 08, 2016
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    PSW Staff 07/08/16 08:34 AM,
    Allen & Heath’s dLive digital mixing system was selected for Rick Wakeman’s headline performance at the Stone Free festival held recently in the O2 Arena in London. Stone Free is a major new festival, featuring two days of classic rock music from leading artists, including Alice Cooper, The Darkness, Marillion, Therapy? and Steve Hackett. Rick Wakeman’s headline appearance comprised the debut live performance of the revised album ‘King Arthur and the Knights of the Round Table’, which has not been… View this story
    Filed in: Live SoundNewsConcertConsolesDigitalSound ReinforcementStage

  • Wednesday, July 06, 2016
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    PSW Staff 07/06/16 11:04 AM,
    DEE Sound & Light recently invested in a Solid State Logic L500 Plus live digital console and a stock of ML 32.32 Stageboxes for its Dee-Digital dry-hire business. Since then the console - the first L500 in Belgium - has been busy covering a number of large tours around Europe thanks to the increasing numbers of front of house and monitor engineers opting for SSL. “We invest in the high end,” comments André Schneider, founder and MD of DEE Sound… View this story
    Filed in: AVNewsAVBusinessConsolesDigitalSound Reinforcement



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