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Articles Tagged Daw

  • Thursday, June 30, 2016
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    PSW Staff 06/30/16 08:54 AM,
    Avid announces a new Dante Option Card for Avid’s flagship VENUE | S6L live sound system. Available now, the VENUE | DNT-192 Dante Option Card enables engineers to integrate VENUE | S6L with Dante-enabled devices and existing Dante networks. The 16-channel audio interface card delivers Dante connectivity and communication to VENUE | S6L systems, and preserves the full quality and integrity of original sound sources. “We’re excited that the Dante card for the Avid VENUE | S6L is now shipping,”… View this story
    Filed in: AVNewsProductAVConsolesDigitalDigital Audio WorkstationsEthernetNetworkingSoftware

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    PSW Staff 06/30/16 08:42 AM,
    Universal Audio announces that the new line of UAD-2 Satellite USB DSP Accelerators is now available worldwide. UAD-2 Satellite USB DSP Accelerators allow professional producers and engineers to supercharge their Windows-based workstations and run larger mixes filled with DSP-intensive plugins. These desktop-friendly units provide full access to UAD Powered Plugins, including exclusive plugins from Studer, Ampex, Lexicon, Neve, Manley, SSL, and more. Available in QUAD or OCTO models with a choice of four or eight SHARC processors, UAD-2 Satellite USB… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsProcessorStudio

  • Wednesday, June 29, 2016
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    Daniel Keller 06/29/16 11:46 AM,
    Courtesy of Universal Audio.   You’ve prepared for this recording for months. Your guitarist has spent hours, even days, agonizing over the tone for her solo. Your singer has wrestled over and over again with what now amounts to an awesome vocal. Your drummer’s locked in to the click track tighter than a proverbial gnat’s posterior. And yet, somehow, something’s still not right. The tracks just don’t pop the way they do in your imagination. While you’ve been working hard… View this story
    Filed in: RecordingFeatureStudy HallDigital Audio WorkstationsMicrophoneMixerSignalSoftwareStudio

  • Thursday, June 23, 2016
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    PSW Staff 06/23/16 12:20 PM,
    The recently upgraded V-Control Pro 2 system from Neyrinck now supports 16 and 32-fader control of most audio media applications including Cubase, Digital Performer, Live, Logic Pro X, Mackie Control, MIO Console, Premiere Pro, Pro Tools, Reaper, Reason, Studio One, and Tracktion. Music and audio post creatives can take control of their sessions with a 32-fader touch-sensitive mixing console packed with features to speed up and enhance writing, practicing, recording and mixing. The V-Console app works with multiple iPads and… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsMixerSoftwareStudio

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    PSW Staff 06/23/16 09:13 AM,
    Smalltown America Studio (STA) in Derry, showcases acts from across the UK and Ireland with its series of ‘Live @ STA’ events. “The bands play live on the floor in our 1600sq foott live room,” confirms studio engineer, Caolán Austin. “We run our lines through our (Audient) ASP8024 then to ProTools; we send the mixed feed from the desk to an encoder box and stream the audio and video on our website. People can watch at home if they can’t… View this story
    Filed in: RecordingNewsAnalogConsolesDigitalDigital Audio WorkstationsStudio

  • Friday, June 17, 2016
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    PSW Staff 06/17/16 07:30 AM,
    Harrison announces the next release of their Mixbus and Mixbus32C DAW software Ver 3.4 and a new Mixbus XT-TG tom-tom gate plugin, both of which will be available during summer NAMM at the end of June. A new feature in v3.4 is a polarity maximizer, which automatically calculates the best polarity settings for each individual channel strip of a multi mic recording such as a drum kit or large orchestra to maximize the overall SPL output without adversely affecting stereo… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftwareStudio

  • Monday, June 13, 2016
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    Bobby Owsinski 06/13/16 11:40 AM,
    This article is provided by Bobby Owsinski.   Mix engineers are called on to do so much more than ever before. Tweaking the track timing used to be done way before the mixing stage, but mixers find themselves doing it more and more. Here are some tips for tweaking track timing in you DAW from the new Advanced chapter in the 3rd edition of The Mixing Engineer’s Handbook.———————————— No matter how great the players on the session are, there’s always… View this story
    Filed in: RecordingFeatureBlogStudy HallDigitalDigital Audio WorkstationsEngineerSoftwareStudio

  • Friday, June 10, 2016
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    j. hall 06/10/16 10:21 AM,
    It seems to me that over the course of many years and many technological “advances,” we have once again come to an age-old question: where is the line of acceptability? As recording techniques, and production ethics change as quickly as we receive DAW updates and debug programs, I think we need to pause for a bit of reflection. It is, of course, a well-accepted theory that you can’t properly embrace the future until you understand the past. So, let’s take… View this story
    Filed in: RecordingFeatureOpinionStudy HallBusinessDigitalDigital Audio WorkstationsEducationEngineerStudio

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    PSW Staff 06/10/16 07:24 AM,
    New PreSonus StudioLive AR USB hybrid mixers are musician’s mixers, packed with analog connections and digital tools. The series includes three models: the 18-channel StudioLive AR16 USB, 14-channel StudioLive AR12 USB, and 8-channel StudioLive AR8 USB. StudioLive AR USB mixers are equipped with a USB 2.0 audio interface that can capture all input channels, plus the main mix, to a Mac or Windows PC, with 24-bit, 96 kHz quality. As with all PreSonus mixers and interfaces, StudioLive AR USB mixers… View this story
    Filed in: AVNewsProductAVConsolesDigitalDigital Audio WorkstationsMixerProcessorSoftwareSound ReinforcementStage

  • Monday, June 06, 2016
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    PSW Staff 06/06/16 07:29 AM,
    Rob Papen has released PRISMA - a free plugin for users of Rob Papen software that allows the stacking of up to four Rob Papen instruments, complete with their respective settings, into a single ‘prismatic’ sound source that can produce limitless creative combinations. Each instrument can be opened individually, edited and combined with any other stacked Rob Papen software instruments to create a whole new spectrum of sounds. PRISMA´s four built-in FX allow users to bypass the individual instruments´ effects… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsSoftware



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