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Articles Tagged Console

  • Wednesday, April 15, 2015
    PSW Staff 04/15/15 01:28 PM,
    Stage Tec has announced the release of a new control card for its Nexus audio routing system: based on the ARM architecture, the processor of the XACI Nexus Advanced Control Interface is designed to handle complex control operations inside a Nexus system. The original XCI will remain in the line-up. Among its advantages, the Nexus audio router is capable of handling control operations all by itself. So far, this required installing an XCI card. With its ARM-based Cortex A9 processor,… View this story
    Filed in: AVAVDigitalDigital Audio WorkstationsInterconnectNetworkingProcessorStudio

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    PSW Staff 04/15/15 08:01 AM,
    PreSonus introduces the StudioLive CS18AI mix controller, a versatile, scalable, modular control surface for StudioLive RM-series rack-mount, Active Integration digital mixers and PreSonus’ Studio One DAW. Networking with StudioLive RM32AI and RM16AI mixers via AVB Ethernet and PreSonus UCNET technology, the StudioLive CS18AI offers touch-sensitive motorized faders and enables hardware control of all mixer features, managing up to 64 channels. The new controller also makes it easier to do virtual soundcheck, live recording, and studio mixdown with PreSonus’ Studio One… View this story
    Filed in: RecordingConsolesDigitalDigital Audio WorkstationsMixerSignalStudio

  • Wednesday, April 08, 2015
    PSW Staff 04/08/15 08:27 AM,
    Finger Lakes Community College in Canandaigua, NY is expanding their studio. Professor Robert Potter, the recording studio manager/technical specialist, says they couldn’t have done it without API. The faculty at Finger Lakes selected the API Vision console to “best outfit” the studio. “What we didn’t need was another large format heartbreak with a bunch of knobs and faders,” Potter stated. “We decided on the Vision because it’s easy to operate, with a kind of smooth sonic signature that makes folks… View this story
    Filed in: RecordingConsolesDigitalInstallationMixerStudio

  • Friday, March 27, 2015
    PSW Staff 03/27/15 03:17 PM,
    Waves Audio will be hosting a series of events around the U.S. featuring and demonstrating DiGiGrid audio interfaces. DiGiGrid was developed by Waves together with DiGiCo. Each event will feature a high-profile Waves artist and product specialist on-hand to demonstrate the features and practical applications of DiGiGrid in a real-world music production workflow. Refreshments will also be provided, and there will be a live Q&A session with the Waves artist after the demo.  Waves DiGiGrid U.S. tour dates: WHEN: April… View this story
    Filed in: Live SoundRecordingNewsConsolesDigitalSoftwareSound ReinforcementStage

  • Thursday, March 19, 2015
    PSW Staff 03/19/15 10:11 AM,
    Allen & Heath’s iLive digital system and GL2800 analog mixer were installed in Korea’s new Incheon Asiad stadium, built to host the 17th Asian Games. Taking 3 years to construct, the gigantic stadium is capable of holding up to 62,000 people and was used for the Games main sporting events, as well as events before the Games, such as Korean Pop (K-POP) concerts. As many as 13,000 athletes from 45 countries competed. The organizer was looking for a stable but… View this story
    Filed in: AVNewsAnalogConsolesDigitalInstallationSound Reinforcement

  • Wednesday, February 18, 2015
    PSW Staff 02/18/15 11:08 AM,
    ESPN’s CFP Megacast, a record-breaking simulcast of the inaugural College Football Playoff National Championship across multiple ESPN networks and services, included a natural sound feed to ESPN Classic produced using a DiGiCo SD9 digital audio mixing console. The audio for ESPN Classic’s telecast - including performances by the Oregon and Ohio State marching bands, Aloe Blacc singing “America the Beautiful,” and Lady Antebellum performing “The Star-Spangled Banner” - was drawn from more than 100 microphones positioned throughout the AT&T Stadium… View this story
    Filed in: Live SoundNewsConsolesDigitalEngineerSound Reinforcement

  • Wednesday, February 04, 2015
    PSW Staff 02/04/15 02:13 PM,
    Destin, Florida, already a destination getaway, is now even better thanks to the efforts of Ocean Reef Resorts owner and recording artist Chris Taylor, who recently added a private studio to the Miramar Beach location. He and his wife, Gileah, wanted a place to record music and experiment with sound without leaving their beach-side home and they knew API could help them create such a unique space. The idea was especially attractive because it eliminated the need for them to… View this story
    Filed in: RecordingNewsAnalogConsolesStudio

  • Monday, February 02, 2015
    PSW Staff 02/02/15 04:03 PM,
    The response to their first Yamaha CL5 digital audio console has been tremendous, so Event Pro, Inc. (Hastings, MN), recently made the decision to purchase a second through Metro Sound & Lighting (St. Paul, MN). Event Pro company owner, Neal Wallace, sights high demand, sound quality, and great support from Yamaha Commercial Audio Systems, as key reasons for the purchase. Event Pro, Inc. is no stranger to Yamaha having an array of the company’s consoles in its stable. “The ‘two… View this story
    Filed in: Live SoundNewsBusinessConcertConsolesDigitalSound ReinforcementStage

  • Friday, December 19, 2014
    PSW Staff 12/19/14 03:26 PM,
    A recent Yamaha NUAGE demo took place at Solotech in Quebec City, increasing awareness of the new advanced digital audio production system to the Canadian market, and educating its clients about the new system. Held in October, the “NUAGE Demo Week” included Yamaha Commercial Audio Systems team member Michel Trépanier and Marcel Maurceri and François Thibault, Solotech Studio Specialist, who conducted approximately a dozen of demos and presentations to clients. “The clients really enjoyed the event and were amazed by… View this story
    Filed in: RecordingNewsConsolesDigitalStudio

  • Tuesday, November 25, 2014
    Ted Morgan 11/25/14 02:35 PM,
    It’s a Monday afternoon and I get a phone call from a local production company to work a press event the following day at a local race track (local being an hour and half away). I accept the gig and the next day hop on my bike (the motor-driven type) and go to the track, and specifically, the large circus-type tent where the event is being staged. No equipment truck in sight, of course. A quick phone call to my… View this story
    Filed in: Live SoundFeatureOpinionPollProductionAudioConsolesInterconnectLoudspeakerMicrophoneSignalSound ReinforcementSystemTechnician