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Articles Tagged Church Sound

  • Monday, May 23, 2016
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    PSW Staff 05/23/16 08:59 AM,
    Located in Jupiter, Florida, Grace Immanuel Bible Church holds two identical worship services each Sunday with a smaller service Sunday evening in its 650-seat sanctuary.  Services feature a blend of traditional and modern worship music for all ages and cultures with several vocalists and a variety of instruments and percussion.  To support its worship services and special programs, Grace Immanuel recently acquired an Allen & Heath S7000 digital mixer with a DM64 MixRack and DX32 Expander. Dan Kreider, Grace Immanuel’s… View this story
    Filed in: Church SoundNewsConsolesDigitalInstallationSound Reinforcement

  • Friday, May 20, 2016
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    Gary Zandstra 05/20/16 06:08 AM,
    This article is provided by Gary Zandstra.com.   I was at an event recently where the mix was, shall we say, less than spectacular. But it also wasn’t horrible. Let’s just say it was a little above bad and a little less than O.K. In reality it was mainly one thing that was really grating on my nerves: every time the lead singer would really get into his mic, some level distortion would occur.  I wanted to get up and… View this story
    Filed in: Church SoundFeatureProductionAudioBusinessEngineerMixerSound ReinforcementTechnician

  • Thursday, May 19, 2016
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    Mike Sessler 05/19/16 06:07 AM,
    This article is provided by ChurchTechArts.   How many times have you heard this phrase: “If we had a digital sound board, we could save so much time on sound checks and it would sound the same every week.” Or this one: “We have a digital board, so why does my monitor mix change every week?” Or my personal favorite: “Are the sound guys not saving the settings each week, because it’s so different every weekend…” These questions and comments… View this story
    Filed in: Church SoundFeatureBlogOpinionAnalogConsolesDigitalMixer

  • Monday, May 16, 2016
    church sound
    Mike Sokol 05/16/16 06:13 AM,
    Provided by Live Sound Advice.   If terms such as gain structure, impedance matching and headroom are unfamiliar, or worse, give you a headache, don’t worry, you’re not alone. Most church sound techs would rather have their gear work perfectly right out of the box than have to tweak it into compliance. Nevertheless, when it comes to setting up and operating a sound system, a working knowledge of gain structure (and a few related concepts) will help you get the… View this story
    Filed in: Church SoundFeatureBlogStudy HallAmplifierConsolesMeasurementMixerProcessorSignalSound ReinforcementSystem

  • Friday, May 13, 2016
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    PSW Staff 05/13/16 05:54 AM,
    As part of a major AV refurbishment, Bethany Salatiga Church has become one of the first Indonesian houses of worship to install Allen & Heath’s dLive digital mixing system, along with a ME personal monitoring system. Located in the city of Salatiga in Semarang, Indonesia, the large capacity church needed a system to manage front of house and monitors in the main sanctuary, which hosts several different traditional, modern and youth services each day, as well as broadcast feeds for… View this story
    Filed in: Church SoundNewsConsolesDigitalInstallationMixerMonitoringSound Reinforcement

  • Wednesday, May 11, 2016
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    Curt Taipale 05/11/16 06:34 AM,
    This article is provided by Church Soundcheck.com.   There are many things which shouldn’t happen during a worship service, yet still do. However, unless we’re cognizant of them sometimes it’s hard to prevent them. So I decided to create a list of those things that just shouldn’t happen in a worship service. Some of these may seem so silly, so expected, so taken for granted that they’re almost not worth saying. But you’d be surprised how many times I’ve seen… View this story
    Filed in: Church SoundFeatureBlogStudy HallConsolesEducationEngineerMixerSignalSound ReinforcementSystemTechnician

  • Thursday, May 05, 2016
    worship audio
    Mike Sessler 05/05/16 05:48 AM,
    This article is provided by ChurchTechArts.   Editor’s Note: This story originally ran in 2012, but represents a subject worthy of repeating regularly . A while back, Chris Huff wrote an interesting post about how musicians see sound techs. It’s a good, enlightening and sometimes hard read. I recommend it. One of the comments that really got me was this one: Do you give suggestions to the sound tech? —All the time and he always dismisses everything anyone says. That… View this story
    Filed in: Church SoundFeatureProductProductionAudioBusinessEngineerSystemTechnician

  • Wednesday, May 04, 2016
    shure microphone world
    Tim Vear 05/04/16 12:12 PM,
    Lavalier Microphones The desired sound source for a lavalier microphone is a speaking (or occasionally singing) voice. Undesired sources include other speaking voices, clothing or movement noise, ambient sound, and loudspeakers. Balanced low-impedance output is preferred as usual. Adequate sensitivity can be achieved by both dynamic and condenser types, due to the relatively close placement of the microphone. However, a condenser is generally preferred. The physical design is optimized for body-worn use. This may be done by means of a… View this story
    Filed in: AVFeatureStudy HallMicrophoneSound ReinforcementStageTechnician

  • Tuesday, May 03, 2016
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    Andrew Stone 05/03/16 06:02 AM,
    This article is provided by Church On The Move.   What’s your priority when mixing? Is it to prove your mixing abilities or to legitimately serve the people in the room? I’m writing this in the middle of a busy weekend, because I’m giving my audio mix a bit more love at the moment strictly based around a complaint email I received this past week. While this wasn’t a typical email with someone wanting to vent their frustrations about volume,… View this story
    Filed in: Church SoundFeatureBlogStudy HallEngineerSound Reinforcement

  • Monday, May 02, 2016
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    PSW Staff 05/02/16 02:37 PM,
    The Crossroads Church in Red Deer, Alberta, Canada, has installed Allen & Heath mixers throughout its six room facility, ranging from the compact Qu range to the larger iLive digital systems. The rooms have various capacity and serve many different purposes. Supplied and installed by Parklands, Audio, an iLive-176 at front of house with dual iDR10 MixRacks and an iLive-T112 for monitors were selected for the main 1150-capacity Sanctuary. “Crossroads needed a future-proof mixer that was flexible for the next… View this story
    Filed in: Church SoundNewsConsolesDigitalInstallationMixerNetworkingSound ReinforcementStageStudio



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