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Articles Tagged Analog

  • Thursday, July 21, 2016
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    PSW Staff 07/21/16 06:46 AM,
    Located in the southern part of the Netherlands, Sandlane Recording Facilities was established in 2009 by Maarten de Peijper as a recording studio designed to feel “like a home away from home” with two control rooms, two live rooms, and a living space.  Equipment-wise, Sandlane is outfitted with an array of equipment from Tube-Tech, Retro, UREI, Drawmer, API, Chandler, Maselec, Empirical Labs, and vintage Neve modules – but the studio’s heavy lifting is now handled by a 32-channel Rupert Neve… View this story
    Filed in: RecordingNewsAnalogConsolesStudio

  • Wednesday, July 20, 2016
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    PSW Staff 07/20/16 08:05 AM,
    Originally a low-key haven for songwriters and producers, Parkhaus Studio has been a creative force in Köln, Germany for 10 years, becoming more commercial in recent times with acoustic and technology upgrades. Albert Gabriel, recording and mix engineer/chief tech at Parkhaus, moved in and extended the range of services on offer, bringing a Solid State Logic AWS 948 to the facility as part of his own move to a more analog outlook. He sees this as major step forward: “I… View this story
    Filed in: RecordingNewsAnalogConsolesDigital Audio WorkstationsStudio

  • Tuesday, July 19, 2016
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    Dennis A. Bohn 07/19/16 11:16 AM,
    This article is provided by Rane Corporation.   In space, no one can hear you scream ... because there is no air or other medium for sound to travel. Sound needs a medium; an intervening substance through which it can travel from point to point; it must be carried on something. That something can be solid, liquid or gas. They can hear you scream underwater ... briefly. Water is a medium. Air is a medium. Nightclub walls are a medium.… View this story
    Filed in: AVFeatureBlogStudy HallAnalogAVDigitalLoudspeakerProcessorSignalSound Reinforcement

  • Monday, July 11, 2016
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    PSW Staff 07/11/16 09:11 AM,
    Schertler Group announces the release of ARTHUR (Format48) modular mixer, designed for studio or live use, which can be configured and built by the user. The mixer is created from a choice of different Class-A input and output modules - mic input, mic input ultra low noise, and mic input x4 units, yellow instrument input unit, stereo input unit, L/R master, aux master and external power-in units. These can be combined in any order and quantity to form both compact… View this story
    Filed in: AVNewsProductAnalogAVConsolesSound ReinforcementStageStudio

  • Thursday, June 30, 2016
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    Nigel Redmon 06/30/16 12:45 PM,
    This article is provided by EarLevel Engineering.   Here we lay the foundation. We’ll look at analog to digital conversion, and we’ll look at the spectrum of the resulting digital signal. We’ll use that knowledge to help understand the conversion process back to analog. Though we can build real-world converters that work as described, we’re not building practical converters here; we’re interested in the mathematical concepts involved and their relationships to digital signal processing. Analog To Digital Conversion The sampling… View this story
    Filed in: AVFeatureStudy HallAVDigitalDigital Audio WorkstationsEducationMeasurementSoftware

  • Tuesday, June 28, 2016
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    PSW Staff 06/28/16 09:19 AM,
    “My background is in the studio so I can appreciate good workmanship,” says Suffolk New College Music Technology Course leader, Craig Shimmon, who’s very pleased with the arrival of the new Audient ASP4816 desk. “The other lecturers have commented on the superior build quality and the clean preamps; the layout is a dream to teach with,” he adds. Installed as part of an upgrade to the studio at the college, the analog mixing console forms an integral part of the… View this story
    Filed in: RecordingNewsAnalogConsolesEducationStudio

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    Joe Gilder 06/28/16 06:04 AM,
    This article is provided by Home Studio Corner.   I know it may be hard to believe, but I too used to believe this was true. I had simply never given it much thought. Maybe you’re in the same boat? The issue was, I made the mistake of confusing headroom with dynamic range. Put simply, when I looked at the master fader, if there was a lot of room between the loudest peak of my mix and 0 dBFS (clipping,… View this story
    Filed in: RecordingFeatureProductionAudioDigitalMeasurementMixerMonitoringSignalSoftwareStudioSystem

  • Monday, June 27, 2016
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    PSW Staff 06/27/16 12:36 PM,
    Estudio Sacramento, founded by Daniel Saiz, has been operating as a commercial recording studio for 20 years. Saiz still owns and runs the facility and has recently installed a 48-channel Solid State Logic Duality δelta SuperAnalogue console. “It is like an injection of adrenaline for my business,” says Saiz. “I’m receiving a lot of calls just because I have changed the desk… The clients love it.” Saiz recalls that when he first started the studio, it was rare for a… View this story
    Filed in: RecordingNewsConsolesStudio

  • Thursday, June 23, 2016
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    PSW Staff 06/23/16 09:13 AM,
    Smalltown America Studio (STA) in Derry, showcases acts from across the UK and Ireland with its series of ‘Live @ STA’ events. “The bands play live on the floor in our 1600sq foott live room,” confirms studio engineer, Caolán Austin. “We run our lines through our (Audient) ASP8024 then to ProTools; we send the mixed feed from the desk to an encoder box and stream the audio and video on our website. People can watch at home if they can’t… View this story
    Filed in: RecordingNewsAnalogConsolesDigitalDigital Audio WorkstationsStudio

  • Friday, June 10, 2016
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    j. hall 06/10/16 10:21 AM,
    It seems to me that over the course of many years and many technological “advances,” we have once again come to an age-old question: where is the line of acceptability? As recording techniques, and production ethics change as quickly as we receive DAW updates and debug programs, I think we need to pause for a bit of reflection. It is, of course, a well-accepted theory that you can’t properly embrace the future until you understand the past. So, let’s take… View this story
    Filed in: RecordingFeatureOpinionStudy HallBusinessDigitalDigital Audio WorkstationsEducationEngineerStudio



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