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Articles Tagged Analog

  • Friday, December 02, 2016
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    Pat Brown 12/02/16 11:12 AM,
      It’s all about inputs and outputs (I/O). How do I get an audio signal from one to the other? The ongoing evolution of professional audio has produced a number of viable digital interfaces to complement legacy analog I/O practices. The choices may seem confusing at first, but when you break them down the strengths and weakness of each become apparent. In this overview, I will start with analog since it is familiar to most readers and serves as a… View this story
    Filed in: AVFeatureStudy HallTrainingAnalogAVDigitalEducationEngineerEthernetInstallationInterconnectMeasurementProcessorSignalSystemTechnician

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    Mike Sessler 12/02/16 07:34 AM,
    This article is provided by ChurchTechArts.   For the novice sound engineer, it can be pretty intimidating to walk up to a large analog or digital console and try to figure out the routing of audio signals. It wouldn’t be so bad if the only place the sound had to go was to the main loudspeakers in the room. Occasionally that’s the case, but most of the time, we’re also sending different mixes to monitors for musicians; to lobby and… View this story
    Filed in: Church SoundFeatureBlogStudy HallConsolesMixerProcessorSound Reinforcement

  • Thursday, December 01, 2016
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    PSW Staff 12/01/16 09:56 AM,
    API announces their partnership with Chinese distributor Beijing Pacific Budee Technology Development effective November 1, 2016. Budee was established in 2002 as an audio and video solutions company. The business focuses on music performances, AV integration, audio production, radio, television, fixed installation, consumer electronics, musical instruments and equipment and more. Budee’s product line will now include the analog sound of API. “API has a fantastic reputation for building high end consoles and other audio products,” says Budee director of Strategic… View this story
    Filed in: AVNewsAVBusiness

  • Tuesday, November 29, 2016
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    PSW Staff 11/29/16 09:32 AM,
    Synthax, the Americas distributor for RME, announces the introduction of the ADI-2 Pro AD/DA converter. The ADI-2 Pro is ideal for mastering and measurement applications, plus hi-res audio playback—making it well suited to studio applications as well as use in theaters and performing arts venues. Being plug & play compatible, the unit’s feature set makes the ADI-2 Pro easy to set up and use. Based on the connections being made, the ADI-2 Pro will automatically switch to AD/DA converter, USB… View this story
    Filed in: RecordingNewsProductAVDigitalDigital Audio WorkstationsInterconnectStudio

  • Monday, November 14, 2016
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    M. Erik Matlock 11/14/16 11:52 AM,
    Earlier this year at Prolight + Sound in Frankfurt, I saw an abundance of new products from every corner of our industry. There were a few that captured my attention and begged for me to rip the credit card out, slash my way through the crowd and claim some new treasures. Yeah, I still get a little emotional over new gear. When I met Drago from Schertler, we talked about the new products they were introducing. The guitar amp collection… View this story
    Filed in: AVFeatureOpinionProductReviewAnalogAVConsolesManufacturerMixerMonitoringSound ReinforcementStageStudio

  • Friday, November 11, 2016
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    PSW Staff 11/11/16 09:26 AM,
    United has been a long-term user of Merging Technologies’ Pyramix audio workstation and has recorded a multitude of live and sports events in the Netherlands. As a TV post-production facility, the preservation of audio quality has always been a high priority. The choice of console was obviously a critical matter for the United team. AMS Neve offered the perfect hybrid scenario. The Neve Genesys Black incorporates analog circuitry with control of the DAW. As a direct result of this sale,… View this story
    Filed in: RecordingNewsAnalogAVConsolesDigital Audio WorkstationsStudio

  • Thursday, November 03, 2016
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    Andy Coules 11/03/16 11:22 AM,
    As we bask in the all-enveloping glory of the digital age, it’s come to my attention that some intrepid live sound engineers are very occasionally coming across analog equipment as they travel to some of the dustier corners of the globe. While many of us are old enough to remember these beasts, not everyone has had the opportunity to operate these relics so I thought it might be a good idea to write a guide to the “ancient art” of… View this story
    Filed in: Live SoundFeatureStudy HallAnalogAVConsolesEducationEngineerProcessorSound ReinforcementStageSystem

  • Wednesday, October 26, 2016
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    Nigel Redmon 10/26/16 11:59 AM,
    This article is provided by EarLevel Engineering.   Most people who’ve looked at digital audio before know about the Nyquist theorem. If you sample an analog signal at a rate of at least twice its highest frequency component, you can convert it back to analog, passing through a low-pass filter, and get back the same thing you put in. Exactly. Perfectly. The Real World In the real world, though, many people argue that analog “sounds better.” How can this be,… View this story
    Filed in: RecordingFeatureStudy HallAnalogDigitalDigital Audio WorkstationsEducationEngineerMeasurementProcessorSignalSoftwareStudio

  • Wednesday, October 19, 2016
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    PSW Staff 10/19/16 08:05 AM,
    Waves Audio is now shipping the Greg Wells ToneCentric plugin, part of the Greg Wells Signature Series. Created in collaboration with multiple Grammy-nominated producer, musician and mixing engineer Greg Wells (Adele, OneRepublic, Katy Perry, Twenty One Pilots), who has songs on over 85 million units sold, Greg Wells ToneCentric is a musical harmonic enhancer based on Wells’ favorite pieces of analog gear. It is designed to add rich analog tone to individual tracks or entire mixes, in the studio or… View this story
    Filed in: RecordingNewsProductDigitalDigital Audio WorkstationsEngineerSoftwareStudio

  • Thursday, October 06, 2016
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    PSW Staff 10/06/16 09:34 AM,
    Just when we thought we’d seen the largest console to leave the Audient factory, the Concert Hall in Norway’s capital went and ordered an even bigger one. Delivered in September, the 48 channel ASP8024-HE Heritage Edition comes with all the trimmings, including patchbay, Dual Layer Control (DLC) and producers’ desk. With nine bays, it’s officially the largest Heritage Edition ever made. Luckily, Oslo’s Concert Hall is a big place. “We were looking for an analog console that doesn’t lie,” says… View this story
    Filed in: AVNewsAnalogConsolesInstallationSound ReinforcementStageStudio



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