Sign up for ProSoundWeb newsletters
Subscribe today!

Articles Tagged Analog

  • Tuesday, August 23, 2016
    image
    PSW Staff 08/23/16 08:30 AM,
    ARX announces the release of its 2nd Generation USB DI, the first with dual mode audio input interface - digital and analog - for two DIs in one. “ARX released our first USB DI back in 2007 and the unit has become an industry standard for USB - analog audio conversion” says ARX managing director, Colin Park. “Recently we’ve been looking at where and how ARX’s USB DIs are being used, and concluded that along with USB enabled devices, some… View this story
    Filed in: AVNewsProductAnalogAVDigitalInterconnect

  • Monday, August 22, 2016
    image
    PSW Staff 08/22/16 02:22 PM,
    When producer Greg Fidelman hunkered down to begin work on Metallica’s latest record, he knew that the (30) channels of vintage preamps the band had already in the studio would not be enough to simultaneously facilitate the multi-mic drum sound and detailed guitar micing setups he was envisioning for the sessions. He turned to BAE Audio preamplifiers to nearly double his available inputs, matching the sound of Metallica’s existing vintage gear with the added reliability of BAE’s modern construction and… View this story
    Filed in: RecordingNewsAnalogEngineerProcessorStudio

  • Monday, August 15, 2016
    analog digital conversion
    Dennis A. Bohn 08/15/16 12:53 PM,
    This article is provided by Rane Corporation.   Editor’s Note: This article originally appeared in 1997, but the principles are still valid today and worthy of repeating. Like everything else in the world, the audio industry has been radically and irrevocably changed by the digital revolution. No one has been spared. Arguments will ensue forever about whether the true nature of the real world is analog or digital; whether the fundamental essence, or dharma, of life is continuous (analog) or… View this story
    Filed in: AVFeatureBlogStudy HallAnalogAVDigitalEthernetInterconnectNetworkingProcessorSignal

  • Friday, August 12, 2016
    image
    PSW Staff 08/12/16 12:51 PM,
    Antelope Audio announces the arrival of its FET-A76 solid-state compressor to its latest hardware interfaces, as well as a further expansion of its EQ offerings with four new vintage hardware models. Each hardware-based model leverages Antelope’s proprietary Field Programmable Gate Array (FPGA) technology, and joins a growing range of signal processing offered by Antelope Audio with near-zero latency performance and the character of the original vintage gear. The FET-A76, VEQ-HLF, Helios 69, NEU-PEV and Lang PEQ2 add more essential tools… View this story
    Filed in: RecordingNewsProductAnalogAVDigitalDigital Audio WorkstationsProcessorStudio

  • Tuesday, July 26, 2016
    image
    PSW Staff 07/26/16 07:17 AM,
    Precision Sound Studios owner and engineer/producer Alex Sterling has created a technical and creative oasis on the Upper West Side of Manhattan, close to the City’s American Museum of Natural History, Central Park, and many cosmopolitan shops and restaurants nearby. As part of a recent re-fit and technical upgrade package, Sterling has installed a 48-channel Solid State Logic Duality δelta Pro Station SuperAnalogue console in the Precision Sound Control Room A. The Studio upgrade, specified by Sterling and implemented by… View this story
    Filed in: RecordingNewsAnalogConsolesDigitalDigital Audio WorkstationsInstallationStudio

  • Thursday, July 21, 2016
    image
    PSW Staff 07/21/16 06:46 AM,
    Located in the southern part of the Netherlands, Sandlane Recording Facilities was established in 2009 by Maarten de Peijper as a recording studio designed to feel “like a home away from home” with two control rooms, two live rooms, and a living space.  Equipment-wise, Sandlane is outfitted with an array of equipment from Tube-Tech, Retro, UREI, Drawmer, API, Chandler, Maselec, Empirical Labs, and vintage Neve modules – but the studio’s heavy lifting is now handled by a 32-channel Rupert Neve… View this story
    Filed in: RecordingNewsAnalogConsolesStudio

  • Wednesday, July 20, 2016
    image
    PSW Staff 07/20/16 08:05 AM,
    Originally a low-key haven for songwriters and producers, Parkhaus Studio has been a creative force in Köln, Germany for 10 years, becoming more commercial in recent times with acoustic and technology upgrades. Albert Gabriel, recording and mix engineer/chief tech at Parkhaus, moved in and extended the range of services on offer, bringing a Solid State Logic AWS 948 to the facility as part of his own move to a more analog outlook. He sees this as major step forward: “I… View this story
    Filed in: RecordingNewsAnalogConsolesDigital Audio WorkstationsStudio

  • Tuesday, July 19, 2016
    crossovers
    Dennis A. Bohn 07/19/16 11:16 AM,
    This article is provided by Rane Corporation.   In space, no one can hear you scream ... because there is no air or other medium for sound to travel. Sound needs a medium; an intervening substance through which it can travel from point to point; it must be carried on something. That something can be solid, liquid or gas. They can hear you scream underwater ... briefly. Water is a medium. Air is a medium. Nightclub walls are a medium.… View this story
    Filed in: AVFeatureBlogStudy HallAnalogAVDigitalLoudspeakerProcessorSignalSound Reinforcement

  • Monday, July 11, 2016
    image
    PSW Staff 07/11/16 09:11 AM,
    Schertler Group announces the release of ARTHUR (Format48) modular mixer, designed for studio or live use, which can be configured and built by the user. The mixer is created from a choice of different Class-A input and output modules - mic input, mic input ultra low noise, and mic input x4 units, yellow instrument input unit, stereo input unit, L/R master, aux master and external power-in units. These can be combined in any order and quantity to form both compact… View this story
    Filed in: AVNewsProductAnalogAVConsolesSound ReinforcementStageStudio

  • Thursday, June 30, 2016
    image
    Nigel Redmon 06/30/16 12:45 PM,
    This article is provided by EarLevel Engineering.   Here we lay the foundation. We’ll look at analog to digital conversion, and we’ll look at the spectrum of the resulting digital signal. We’ll use that knowledge to help understand the conversion process back to analog. Though we can build real-world converters that work as described, we’re not building practical converters here; we’re interested in the mathematical concepts involved and their relationships to digital signal processing. Analog To Digital Conversion The sampling… View this story
    Filed in: AVFeatureStudy HallAVDigitalDigital Audio WorkstationsEducationMeasurementSoftware



Audio Central