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Articles Tagged Analog

  • Wednesday, January 11, 2017
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    Bruce A. Miller 01/11/17 08:04 AM,
    This article is provided by BAMaudioschool.com.   Once upon a time, there was no recorded music.  To hear music you needed to go to a live performance. Eventually sheet music was printed and available to buy. If you liked the song, you bought the sheet music … if you were lucky enough to have an instrument and could play you could actually hear the song. The piano (or other musical instrument) was an important part of home entertainment. In the… View this story
    Filed in: RecordingFeatureStudy HallAnalogDigitalEducationEngineerMicrophoneMixerSoftwareStudio

  • Wednesday, January 04, 2017
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    PSW Staff 01/04/17 08:59 AM,
    This year’s NAMM Show offers musicians and engineers an opportunity to meet Arthur – Schertler’s new modular mixer, which has its official North American premiere in Anaheim. Designed for both live and studio use, Arthur is created from a choice of different Class-A input and output modules - mic input, mic input ultra low noise and mic input x4 units, yellow instrument input unit, stereo input unit, L/R master, aux master and external power-in units. These can be specified and… View this story
    Filed in: AVNewsProductAnalogConsolesManufacturerMixerSound ReinforcementStageStudio

  • Tuesday, January 03, 2017
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    PSW Staff 01/03/17 08:31 AM,
    RCF announces the new E Series of analog mixing desks with specifically designed mix preamps, dynamic compressors, semi-parametric four-band EQ, stereo USB port for recording or playback, USB power port to feed external devices, foot switch input to control effects, long-throw faders and onboard Z.Core DSP effects. “In terms of analog, these mixers are top of the range, and their high quality effects are designed to be the best in this class,” states director of RCF’s Digital Audio Division Umberto… View this story
    Filed in: AVNewsProductAnalogAVConsolesMixerProcessorSound Reinforcement

  • Tuesday, December 20, 2016
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    Karl Winkler 12/20/16 04:14 PM,
    Technology in professional audio (and technology in general) has changed so much and so quickly that it’s become difficult to get up to speed and stay up to date. The learning curve for some aspects of what we do is quite steep and appears to be accelerating. Analog consoles are challenging enough, but the number-crunching digital beasts are even more complex. We hardly used wireless 20 years ago, now it’s everywhere. Outboard effects have become plugins, and what were once… View this story
    Filed in: Live SoundFeatureStudy HallAnalogBusinessConcertConsolesDigitalEducationEngineerSound ReinforcementWireless

  • Friday, December 16, 2016
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    Adam Stamper 12/16/16 07:55 AM,
    Courtesy of Omega Studios.   I think everyone can agree that digital audio is here to stay.  Even those who frowned upon digital in its earlier days have now mostly accepted its reality and have come to welcome its benefits.  Digital has quickly become the driving force behind most of the latest advancements in the field of audio engineering today. It has changed the workflows, the budgets and the music itself.  As a younger engineer I am very much a… View this story
    Filed in: RecordingFeatureStudy HallAnalogDigitalDigital Audio WorkstationsEducationEngineerStudio

  • Wednesday, December 14, 2016
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    PSW Staff 12/14/16 09:34 AM,
    The vision of Tegeler Audio Manufaktur founder Michael Krusch has become a reality: The Schwerkraftmaschine is here. Built on an analog tube signal path and remote-controllable by plugin, this compressor allows both classic and completely new compression combinations. “At Tegeler Audio Manufaktur, we design our products first and foremost with sound and musicality in mind,” says Michael Krusch. “The Schwerkraftmaschine makes the difference between ‘well mixed’ and ‘sounds perfect’.” For the Schwerkraftmaschine, the German manufacturer went with the analog tube… View this story
    Filed in: RecordingNewsProductAnalogProcessorStudio

  • Friday, December 02, 2016
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    Pat Brown 12/02/16 11:12 AM,
      It’s all about inputs and outputs (I/O). How do I get an audio signal from one to the other? The ongoing evolution of professional audio has produced a number of viable digital interfaces to complement legacy analog I/O practices. The choices may seem confusing at first, but when you break them down the strengths and weakness of each become apparent. In this overview, I will start with analog since it is familiar to most readers and serves as a… View this story
    Filed in: AVFeatureStudy HallTrainingAnalogAVDigitalEducationEngineerEthernetInstallationInterconnectMeasurementProcessorSignalSystemTechnician

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    Mike Sessler 12/02/16 07:34 AM,
    This article is provided by ChurchTechArts.   For the novice sound engineer, it can be pretty intimidating to walk up to a large analog or digital console and try to figure out the routing of audio signals. It wouldn’t be so bad if the only place the sound had to go was to the main loudspeakers in the room. Occasionally that’s the case, but most of the time, we’re also sending different mixes to monitors for musicians; to lobby and… View this story
    Filed in: Church SoundFeatureBlogStudy HallConsolesMixerProcessorSound Reinforcement

  • Thursday, December 01, 2016
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    PSW Staff 12/01/16 09:56 AM,
    API announces their partnership with Chinese distributor Beijing Pacific Budee Technology Development effective November 1, 2016. Budee was established in 2002 as an audio and video solutions company. The business focuses on music performances, AV integration, audio production, radio, television, fixed installation, consumer electronics, musical instruments and equipment and more. Budee’s product line will now include the analog sound of API. “API has a fantastic reputation for building high end consoles and other audio products,” says Budee director of Strategic… View this story
    Filed in: AVNewsAVBusiness

  • Tuesday, November 29, 2016
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    PSW Staff 11/29/16 09:32 AM,
    Synthax, the Americas distributor for RME, announces the introduction of the ADI-2 Pro AD/DA converter. The ADI-2 Pro is ideal for mastering and measurement applications, plus hi-res audio playback—making it well suited to studio applications as well as use in theaters and performing arts venues. Being plug & play compatible, the unit’s feature set makes the ADI-2 Pro easy to set up and use. Based on the connections being made, the ADI-2 Pro will automatically switch to AD/DA converter, USB… View this story
    Filed in: RecordingNewsProductAVDigitalDigital Audio WorkstationsInterconnectStudio



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