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Monday, December 12, 2011
Tim Vear 12/12/11 03:30 PM,An important consideration in microphone use is acoustic interference, which can occur whenever delayed versions of the same sound are mixed together, acoustically or electrically. With mics, this may happen in several ways: mics of reverse polarity picking up the same sound, multiple mics picking up the same sound from different distances, a single mic picking up multiple reflections of the same sound, or any combination of these. The results are similar in each case, and include audible peaks and… View this story
Filed in: Church Sound • Feature • Poll • Study Hall • Audio • Education • Engineer • Microphone • Studio • System -
Tuesday, February 22, 2011
Tom Young 02/22/11 11:27 AM, 0 CommentsWhen traveling to different time zones, we need to correct our time-keeping tools in order to align our activities to the local standard time. Very simple. Likewise in sound reinforcement systems, we often encounter multiple sources of misalignment, albeit in much smaller time increments. The importance of these misalignments is often subject to debate, but with the advent of a wide variety of very good digital processing products, correcting such anomalies is no longer out of reach for most of… View this story
Filed in: AV • Feature • Study Hall • AV • Education • Installation • Line Array • Loudspeaker • Measurement • Processor • Sound Reinforcement • Technician -
Monday, February 07, 2011
Dale Alexander 02/07/11 07:01 PM, 0 CommentsThe question that is at the top of the list when we talk to pastors and music ministers: Why can’t we hear the choir? For a church with an active choir ministry this can be one of the most volatile challenges they have to deal with. The solution to the problem is usually not a simple one. In many evangelical churches, the choir is still an extremely important element of the worship service although the musical styles have evolved from… View this story
Filed in: Church Sound • Feature • Study Hall • Concert • Sound Reinforcement • Stage -
Tuesday, October 12, 2010
Pat Brown 10/12/10 12:48 PM, 0 CommentsFor most humans, there is nothing easier than breathing, seeing, smelling and hearing. We do these things without thought, and even take them for granted. Our senses were given to us to help us exist in a physical universe. They are transducers that allow physical stimuli to be converted into a form recognized by the brain. We are bombarded with stimuli every waking moment, and our brains are continuously processing the information to help us function in our environment. Of… View this story
Filed in: AV • Feature • Poll • Study Hall • AV • Audio • Education • Installation • Measurement • Signal • Sound Reinforcement • System -
Tuesday, July 20, 2010
PSW Staff 07/20/10 12:42 PM, 0 CommentsDesigned for acoustic guitarists, the new Guitar Mic by Bartlett Microphones ($179) provides hi-fi sound while rejecting feedback. A pro-quality miniature condenser mic that attaches inside an acoustic guitar for sound reinforcement and recording, the Guitar Mic is intended to convey the timbre of the instrument accurately to the audience. According to Flamenco guitarist/teacher Jason McGuire, “The Guitar Mic is the best thing I have tried on my guitars in 25 years of searching and trying literally every other mic… View this story
Filed in: Live Sound • Recording • Church Sound • Poll • Product • Audio • Microphone • Sound Reinforcement • Studio -
Tuesday, September 01, 2009
Mark Frink 09/01/09 10:24 AM, 1 CommentThis time in Real World Gear we look at the big guns - large format line arrays, those with 12-inch and larger woofers. Line arrays are modular, multi-way enclosures arrayed in vertical columns, with their cabinet’s geometry optimized to provide full-frequency transducer coupling from one enclosure to the next along the height of the array. This is achieved at lower frequencies with cone transducers forming a column from one cabinet to the next, at frequencies where the distance between their… View this story
Filed in: Live Sound • Feature • Product • Slideshow • Audio • Concert • Installation • Line Array • Loudspeaker • Sound Reinforcement • Subwoofer • System -
Friday, August 28, 2009
PSW Staff 08/28/09 11:06 AM, 0 CommentsIn Howard Community College’s Smith Theater in Columbia, Maryland, a typical day might include everything from theater and film to lectures and meetings, with the occasional live concert thrown in as well. With inputs ranging from a single voice up to 56 inputs and outputs that might be mono, stereo or full surround sound, it was critical that this multifunctional space have a sound system with maximum flexibility and sonic clarity. The college chose an Allen & Heath iLive-112 digital… View this story
Filed in: Live Sound • News • Audio • Consoles • Digital • Installation • Software • Sound Reinforcement -
Friday, August 21, 2009
PSW Staff 08/21/09 11:25 AM, 0 CommentsFocusrite is now shipping the new Saffire PRO 24 DSP, a 16-input/8-output FireWire audio interface that features new VRM monitoring technology in addition to real-time DSP-powered tracking plug-ins, all tailor-made for the modern recording environment. The Saffire PRO 24 DSP completes the full lineup of four new Saffire Audio Interfaces from Focusrite including: Saffire PRO 24 at $299 U.S. MAP, Saffire PRO 24 DSP at $399, Saffire PRO 40 at $499, and Liquid Saffire 56 with 2 Liquid Channels at… View this story
Filed in: Recording • Product • Audio • Digital Audio Workstations • Digital • Processor • Software • Studio • System -
Monday, August 17, 2009
PSW Staff 08/17/09 10:08 AM, 0 CommentsThe Music Engineering and Technology Alliance has announced certification of the KM D series microphones, designed and manufactured by Neumann, a METAlliance Pro Partner. The alliance is working closely with manufacturers to evaluate, recognize, and certify products which meet the call for quality in the recording arts and science. “This is a great honor for us,” stated Robb Blumenreder, Neumann/Sennheiser Team Mgr. “The KM D Series of Solution-D microphones represents a milestone achievement in microphone technology for us at Neumann.… View this story
Filed in: Live Sound • Recording • News • Product • Digital • Microphone • Sound Reinforcement • Studio -
Saturday, August 08, 2009
Bruce Bartlett 08/08/09 08:08 AM, 3 CommentsThe Core Sound TetraMic is the first portable, coincident, stereo and surround-sound Ambisonic soundfield microphone under $1,000, and it compares very favorably with similar soundfield mics selling for $3,000. This pencil-sized microphone offers amazing sound and flexibility at an affordable price. Some applications include stereo or surround recordings and broadcasts of musical ensembles, sound effects, news events, sporting events, environmental sounds, and general ambience. How It Works The TetraMic is a soundfield system that utilizes a patented four-capsule microphone and… View this story
Filed in: Recording • Feature • Product • Study Hall • Microphone • Processor • Signal • Software • Stage • Studio
Articles Tagged Acoustic
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