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Articles Tagged 500 Series

  • Monday, March 31, 2014
    radial engineering
    PSW Staff 03/31/14 02:02 PM,
    Radial Engineering has announced the availability of the Solo and Duo filler panels for its 500 series power racks. The Radial Solo fits a single wide space while the Duo covers two slots. Both panels are made from 14-gauge steel and are painted in a black enamel. They will fit all five Radial racks, along with others made to the 500 series specification.  According to Radial Sales Manager Roc Bubel: “With more and more studios getting into the 500 series,… View this story
    Filed in: Live SoundRecordingNewsProductInstallationPowerProcessorSound ReinforcementStage

  • Monday, February 10, 2014
    PSW Staff 02/10/14 10:19 AM,
    The new Aphex D 500 DUO is a 2-slot 500 Series receiving frame with a unique feature set. Balanced analog inserts jacks are provided. When two preamp modules are loaded in the rack, the inserts can be used to connect processors like compressors and equalizers. The insert return signal comes before the output jack. If no processors are inserted, the insert send can be used as a secondary output for the module. The S/PDIF output derives its signal post-insert. This… View this story
    Filed in: Live SoundRecordingNewsProductInterconnectProcessorSignalStudio

  • Monday, January 27, 2014
    PSW Staff 01/27/14 08:52 AM,
    Aphex has announced two new additions to its 500 Series module line, the CX 500 and Project 500. The new CX 500 is based on the Aphex CX-1 compressor/gate unit – one of the first 500 Series modules from the early 80s. It provides the company’s patented EasyRider compressor and logic-assisted gate, a Jensen output transformer, and multi-function meter for gain reduction, gating and output level. The new Project 500 is a module-sized version of Aphex’s Project Channel rack unit.… View this story
    Filed in: Live SoundRecordingNewsProductDigital Audio WorkstationsInterconnectProcessorSignalStudio

  • api
    PSW Staff 01/27/14 06:31 AM,
    API introduced its new eight-slot 500-8 lunchbox at the 2014 NAMM. The new eight-slot model is priced the same as the six-slot 500-6 lunchbox, effectively giving new purchasers two free slots. In addition, the new 500-8B includes all of the features of the 500-6B, including DB-25 (D-Sub) connectors for easy I/O, universal power supply (100- or 250-volt, 47 Hz to 63 Hz), phantom power, rack-mounting with optional rack-ear kit for robust performance, and new toggle switches for channel linking. Notes… View this story
    Filed in: Live SoundRecordingNewsProductInterconnectProcessorStudio

  • Wednesday, January 15, 2014
    chandler limited
    PSW Staff 01/15/14 11:36 AM,
    Chandler Limited has announced the TG2-500 preamp, a new 500 series module delivering the classic sound of the EMI TG12428 preamp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. It will be on display at the upcoming NAMM show in Anaheim at booth 6254. Using the identical circuit, transistors, and transformers of the company’s original TG2 preamp/DI, the TG2-500 delivers 10 – 60 dB of gain and uses a coarse gain control and… View this story
    Filed in: Live SoundRecordingNewsProductProcessorSignalStudio

  • Thursday, January 02, 2014
    PSW Staff 01/02/14 02:15 PM,
    Aphex is now shipping the new USB 500 Rack, a USB computer audio interface and analog rack for up to four 500 series modules. The USB 500 Rack facilitates the use favorite 500 Series mic preamps as inputs to a DAW, individually or chained to form a channel strip. In addition, processor modules such as EQs and compressors can be routed in a DAW as hardware inserts. In addition, the USB 500 Rack can act as an analog 500 Series… View this story
    Filed in: Live SoundRecordingNewsProductDigital Audio WorkstationsProcessorStudio

  • Friday, December 13, 2013
    PSW Staff 12/13/13 10:40 AM,
    Focusrite has announced the return of the Red Series mic preamp in a new incarnation for the “Lunchbox” 500 series portable rack system, and it is shipping now. Focusrite’s Red Range was released in 1993, and with circuitry from the original ISA110 modules designed by Rupert Neve for Air Studios, Red 1 became a sought-after mic preamp in top studios with its ability to handle almost any microphone as well as its unique, signature sound. Featuring the same circuit topology… View this story
    Filed in: Live SoundRecordingNewsProductDigital Audio WorkstationsProcessorStudio

  • Thursday, December 12, 2013
    PSW Staff 12/12/13 02:20 PM,
    As 2013 comes to a close many people will find themselves taking stock of what the year held for them, and perhaps making resolutions to accomplish more of their goals. It’s safe to say, in looking back at the last several months, Grammy award winning producer/mixing engineer Andrew Scheps might be looking forward to taking it a little easy, but probably not. His time is in high demand. Grammy award winning producer/mixing engineer Andrew Scheps is a favorite of many… View this story
    Filed in: RecordingNewsBusinessProcessorStudio

  • Monday, June 17, 2013
    radial engineering
    PSW Staff 06/17/13 01:15 PM,
    Radial Engineering has announced the PreMax channel strip, a combination preamp and 3-band equalizer module for the popular 500 series format. The PreMax begins with a low-noise op-amp input coupled with Radial’s unique Accustate gain control that simultaneously sets the input sensitivity and signal gain to deliver ultra-quiet performance at all levels. Visual monitoring is supported with LEDS for signal and overload. The preamp then feeds a traditional 3-band shelving EQ for tone shaping. A front panel switch enables the… View this story
    Filed in: Live SoundRecordingNewsProductAnalogProcessorStudio

  • Wednesday, April 24, 2013
    PSW Staff 04/24/13 05:23 PM,
    Radial Engineering has announced a new addition to the 500 series range of modules, the PreComp combination preamp and compressor. The design begins with a high-performance preamp equipped with Radial’s unique Accustate gain control that simultaneously sets the output and sensitivity to maximize signal-to-noise at all levels. This is particularly important when recording in the digital domain where background noise can often be audible during quiet passages.  A full-feature compressor follows with adjustable threshold, compression ratio and make-up gain control… View this story
    Filed in: Live SoundRecordingChurch SoundNewsProductProcessorSound ReinforcementStudio

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