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Articles Tagged 500 Series

  • Monday, September 22, 2014
    crane song
    PSW Staff 09/22/14 12:13 PM,
    At the upcoming AES convention in Los Angeles, Crane Song (booth 1013) is introducing the new Avocet II discrete class A monitor controller as well as the new INSIGNA tube equalizer. The Avocet II, functionally and operationally identical to its predecessor, is a stereo monitor controller capable of operating in surround configurations up to 7.1, supporting three digital inputs, three analog inputs and a headphone system. It utilizes the latest generation 32-bit component from microprocessor manufacturer AKM in the digital-to-analog… View this story
    Filed in: Live SoundRecordingNewsProductInterconnectMonitoringProcessorSignalStudio

  • Thursday, July 31, 2014
    PSW Staff 07/31/14 11:51 AM,
    LaChapell Audio has released the new 583s MK2 single-bay tube preamplifier, replacing the company’s first 500 series tube preamp, the 583S, after a successful run. The 583s MK2 improves on the original while retaining identical microphone and Hi-Z topologies. Noted as the only true 500 series high-voltage vacuum tube preamp that accommodates mics and Hi-Z instruments, it incorporates a Cinemag input transformer and Jensen JT-11 output transformers. A convenient handle is provided for easy insertion and removal. “Our users have… View this story
    Filed in: Live SoundRecordingNewsProductAnalogInterconnectMicrophoneProcessorStudio

  • Friday, May 30, 2014
    PSW Staff 05/30/14 12:15 PM,
    Chandler Limited has released the new TG2-500 preamp for 500 series racks, building upon the company’s TG2 preamp/DI to deliver the classic sound of the EMI TG12428 preamp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. Using the identical TG2 circuit, transistors, and transformers, the new TG2-500 delivers 10 – 60 dB of gain and uses a coarse gain control and a fine gain control as found on EMI consoles. The unit provides… View this story
    Filed in: Live SoundRecordingNewsProductAnalogProcessorSignalStudio

  • Thursday, May 29, 2014
    PSW Staff 05/29/14 11:03 AM,
    Eventide has announced the immediate availability of its new digital delay for 500 series racks, the DDL-500. It provides 10 seconds of delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. Soft saturation clipping, low-pass filter, feedback, insert loop, relay bypass, and +20 dB boost are all analog. “500 series is, by and large, analog and we thought long and hard about introducing a digital product… View this story
    Filed in: Live SoundRecordingNewsAVDigital Audio WorkstationsProcessorStudio

  • Friday, May 09, 2014
    PSW Staff 05/09/14 01:58 PM,
    Since 2007, Daryl Hall has opened up his home to host a diverse selection of contemporary artists who walk in the front door, with these golden moments presented on the monthly webcast “Live From Daryl’s House.” Hall’s long-time engineer/producer Peter Moshay has had the sound dialed in since episode one. According to Moshay, who’s worked with Hall (and John Oates) for 20 years: “The sound of the show was always in my head as soon as we had the idea… View this story
    Filed in: Live SoundRecordingNewsDigital Audio WorkstationsEngineerProcessorSignalStudio

  • Monday, March 31, 2014
    radial engineering
    PSW Staff 03/31/14 02:02 PM,
    Radial Engineering has announced the availability of the Solo and Duo filler panels for its 500 series power racks. The Radial Solo fits a single wide space while the Duo covers two slots. Both panels are made from 14-gauge steel and are painted in a black enamel. They will fit all five Radial racks, along with others made to the 500 series specification.  According to Radial Sales Manager Roc Bubel: “With more and more studios getting into the 500 series,… View this story
    Filed in: Live SoundRecordingNewsProductInstallationPowerProcessorSound ReinforcementStage

  • Monday, February 10, 2014
    PSW Staff 02/10/14 10:19 AM,
    The new Aphex D 500 DUO is a 2-slot 500 Series receiving frame with a unique feature set. Balanced analog inserts jacks are provided. When two preamp modules are loaded in the rack, the inserts can be used to connect processors like compressors and equalizers. The insert return signal comes before the output jack. If no processors are inserted, the insert send can be used as a secondary output for the module. The S/PDIF output derives its signal post-insert. This… View this story
    Filed in: Live SoundRecordingNewsProductInterconnectProcessorSignalStudio

  • Monday, January 27, 2014
    PSW Staff 01/27/14 08:52 AM,
    Aphex has announced two new additions to its 500 Series module line, the CX 500 and Project 500. The new CX 500 is based on the Aphex CX-1 compressor/gate unit – one of the first 500 Series modules from the early 80s. It provides the company’s patented EasyRider compressor and logic-assisted gate, a Jensen output transformer, and multi-function meter for gain reduction, gating and output level. The new Project 500 is a module-sized version of Aphex’s Project Channel rack unit.… View this story
    Filed in: Live SoundRecordingNewsProductDigital Audio WorkstationsInterconnectProcessorSignalStudio

  • api
    PSW Staff 01/27/14 06:31 AM,
    API introduced its new eight-slot 500-8 lunchbox at the 2014 NAMM. The new eight-slot model is priced the same as the six-slot 500-6 lunchbox, effectively giving new purchasers two free slots. In addition, the new 500-8B includes all of the features of the 500-6B, including DB-25 (D-Sub) connectors for easy I/O, universal power supply (100- or 250-volt, 47 Hz to 63 Hz), phantom power, rack-mounting with optional rack-ear kit for robust performance, and new toggle switches for channel linking. Notes… View this story
    Filed in: Live SoundRecordingNewsProductInterconnectProcessorStudio

  • Wednesday, January 15, 2014
    chandler limited
    PSW Staff 01/15/14 11:36 AM,
    Chandler Limited has announced the TG2-500 preamp, a new 500 series module delivering the classic sound of the EMI TG12428 preamp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. It will be on display at the upcoming NAMM show in Anaheim at booth 6254. Using the identical circuit, transistors, and transformers of the company’s original TG2 preamp/DI, the TG2-500 delivers 10 – 60 dB of gain and uses a coarse gain control and… View this story
    Filed in: Live SoundRecordingNewsProductProcessorSignalStudio