Mixing For The Boss: Dealing With Unsolicited (And Usually Unhelpful) Advice At FOH
Should we morph our approach to the mix when someone of influence is “contributing” as a member of the “mix committee” at FOH?
Should we morph our approach to the mix when someone of influence is “contributing” as a member of the “mix committee” at FOH?
A short primer on basic approaches and techniques for miking and recording several aspects of drums.
Techniques for building digital console show files to make often-used controls and functions accessible in three moves or less.
Every process a sound goes through will change the tone of the sound, even if the process is a little bit of gain change…
Success with creating a “bigger” sounding room by adding ambience to the room itself rather than adding a tacky effect to the recording.
Place it where the instrument sounds best, not where the microphone looks best…
A few steps that might help your venture into low frequency territory a lot easier…
A variety of ways to capture the performance so it can be brought back alive…
Taking some tips from another industry to apply knowledge and experience in selecting the right tools for the job.
Mixing a small number of channels while retaining the full frequency spectrum, intimacy, and dynamics may be the pinnacle of the craft.
Key aspects that result in better mixes, with more gain before feedback and improved coverage – the magic won’t happen without understanding the basics.
Regardless if you decide to master yourself or use a mastering engineer, here are some approaches to help you get the most out of your mastering session.
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