One Of The Most Overlooked Steps Of Recording
Taking time to listen to instruments in the studio prior to recording can make a significant difference in the final product.
Taking time to listen to instruments in the studio prior to recording can make a significant difference in the final product.
A “wrong” hookup turns out to be invaluable in helping to overcome a singer’s difficulties.
Often given little thought compared to other parts of the studio, the ceiling and floor are critical. Have you made any of these very avoidable mistakes?
Can digital room correction fix all problems…or is acoustic treatment necessary as well?
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine, a discussion of the problems and several of the solutions involved in renovating an existing control room structure from the March / April 1974 issue.
All three full-range models incorporate company’s logarithmic waveguide designed to provide a wide “sweet spot” and enhanced stereo imaging
Two new compact self-powered models build on the legacy of the 7 Series line and incorporate driver and waveguide technologies developed for flagship M2
Dual mono design offers discrete power supplies, signal, and return paths
Longtime engineer for Grammy-winning punk rock trio chooses SCM45A Pro nearfields and Subwoofer Pros’ Studio Sub 18 for new album.
Passive floor-standing studio monitor specifically designed for mastering applications offers Dynaudio Directivity Control.
Company selects Anaview AMS Class D modules for Amp100 (mono), Amp100 (stereo), and Amp500 amplifiers.
Chuck Ainlay, Geoff Emerick, Nathaniel Kunkel, Ed Cherney, George Massenburg, Chris Lord-Alge, Elliot Scheiner, and Frank Filipetti among presenters.
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