Austin’s Nancy Coplin Reaches For Mackie
Driving force in the city’s music business selects Reach portable PA for live music program in the Hilton Austin Hotel.
Driving force in the city’s music business selects Reach portable PA for live music program in the Hilton Austin Hotel.
Updated model simplifies the challenge of mounting microphones in grand pianos without clamps and gaff tape.
Eight-input intelligent MIDI merge unit offers eight-into-two or four-into-one signal merge with 32-bit ARM micro-controller for fast MIDI processing.
A look into the physics of low-frequency sound and why it’s so hard to control.
Technical director Dennis Kopacz deploys dLive S5000 surface and DM48 MixRack to manage complex production at sold-out concert.
Features 1/4-inch analog inputs for up to three keyboards with a USB interface for use with soft-synths or computer based audio.
Ross Garfield shares techniques he uses to achieve the drum sounds on platinum recordings from Bruce Springsteen, Rod Stewart, Metallica, Dwight Yoakam, Red Hot Chili Peppers, Foo Fighters, Lenny Kravitiz, Michael Jackson and many, many more.
Becoming a songwriter, the differences in how music is made today vs. the old analog days, and the satisfaction of working in the commercial electronics industry.
Director of Audio Services and front of house mixer Phil Peters integrates eMotion LV1 console, Waves Tracks Live, and Waves plugins into workflow.
Drum sound can enhance or degrade an entire mix, so be sure to pay it due diligence
SR25, SR40V, and DP30/C microphones support Gary Clark Jr’s fusion of blues, rock, soul, and hip-hop in the studio and on stage.
Some advice and suggestions for protecting your gear, your show, and possibly your life.
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