Exercising Restraint In Stage Design
Even with the ability to make something look really cool, have we considered if the look actually matches the tone, vibe, and sound coming from the stage?
Even with the ability to make something look really cool, have we considered if the look actually matches the tone, vibe, and sound coming from the stage?
A few simple suggestions for resolving the old “sound guy versus the guitar player” conflict.
Regardless of the approach, a quality recording starts with the right mics — correctly placed…
A few tricks and tips for optimizing the mix of live stringed instruments in a concert-level performance.
Enhanced, rugged instrument and microphone cables feature low capacitance design for great tonal properties.
An in-depth look at the myths, half-truths and misconceptions about properly wiring your system.
The rules of engagement for entry-level audio engineers to produce the best live sound possible on a regular basis.
Meeting the goal of clear, natural sound marked by high intelligibility…
Are we part of the solution or part of the problem?
Some of the crazier (and unknown and uncertain) stuff has been taken out of the equation…
Getting the drum mix isn’t always up to the sound crew; it starts at the source.
A variety of strategies with the live mix for successfully taking on the many ways vocals are used in music
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