Multiple Grammy Winner Béla Fleck Working With Sanken Microphones
Banjo virtuoso and vocalist Abigail Washburn utilizing CU-44X MkII, CO-100K and CUX-100K mics in the studio and for live performances.
Banjo virtuoso and vocalist Abigail Washburn utilizing CU-44X MkII, CO-100K and CUX-100K mics in the studio and for live performances.
Engineer/producer Robert Friedrich deploys CUX-100K and CO-100K microphones in recording the Notre Dame Magnificat Choir in the Basilica of the Sacred Heart.
Recording engineer Robert Friedrich deploys CO-100K and CUX-100K microphones to capture recent work by popular Classical, Christian and New Age pianist.
Special recordings with musicians Robert Rearden (horn) and Teddy Abrams (pianist) captured in college’s Ohio recording studio by Five/Four Productions with CO-100K microphones.
Scott Burgess, chief audio engineer for the festival, notes that “The CUX-100K pair has found good use as soloist spot mics.”
Academy bestowing award “for the original innovation and continuous refinement of the Sanken COS-11 series of miniature lavalier microphones.”
Offers selectable pattern (cardioid far and near as well as omni) and designed to handle a variety of high-resolution (100 kHz), high-sample-rate recording applications.
Latest supercardioid microphone designed for professional boom operation, film location recording, and DSLR camera mounted applications.
Montana mountaintop recording studio utilizes CO-100K mics to turn pool balls into percussion for experimental music group Matmos.
Lead music producer and recording engineer/mixer chooses CU-44X MK II, CO-100K, and the new CU-55 studio mics for 2017’s Best Musical Theater Album.
Dual-capsule design provides a cardioid pattern and low proximity effect for vocals and a wide range of musical applications
WETA audio supervisor employs COS-11D lavalier microphones for the program’s commentators and guests.
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