Three Techniques For Recording Live Audiences
It’s sometimes difficult to record the audience in a way that captures its true sound – here are some techniques and considerations that can help…
It’s sometimes difficult to record the audience in a way that captures its true sound – here are some techniques and considerations that can help…
You never know unless you try, and you’ll never learn if you’re afraid of pushing buttons, turning knobs and putting a mic where it’s maybe never been placed before.
Some tips that can help when tracks start to climb and chaos starts to ensue.
A case study in breaking the “golden rules” of recording – and getting away with it…
Managing all of the “area” between the extremes, for each and every sound you record, is a skill that’s critical to making a good-sounding recording.
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
We work with sound. We work with music. We work with feelings. We must arrive in the musical moment.
Explaining and exploring stereo recording microphone techniques, including coincident pairs, spaced pairs, near-coincident pairs, and baffled omni pairs.
“Creative grouping and routing, combined with the use of ambient microphones placed onstage or at FOH, can result in some stellar live recordings that require little to no post processing.”
If you’re guilty of any (or all) of these, don’t worry. I am, too
In-person portion of event slated to present 65 talks, keynotes, panels, and workshops is sold out but tickets are still available to attend virtually.
Often overlooked and/or misunderstood, the real secret is how much reverb to use and how to adjust its various parameters.
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