How To Disappear Completely: My Year Of Working Without Corrective EQ
Creating an accurate translation of instruments for a larger experience, as though the PA isn’t there and the band is playing just for the fans.
Creating an accurate translation of instruments for a larger experience, as though the PA isn’t there and the band is playing just for the fans.
Testing a hypothesis that a good result could be attained by using all-pass filters to align the show’s low-frequency energy by placing them on the mains and sub.
Parallel processing, by definition, splits a signal and processes the copies separately, but there’s a sinister concern called “latency.”
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
Testing a hypothesis that a good result could be attained by using all-pass filters to align the show’s low-frequency energy by placing them on the mains and sub.
Techniques to add another dimension of creativity to mixes as well as to present a wider and deeper spatial soundscape.
While digital audio workstations have fundamentally changed the way we make records, proper gain structure is no less critical to good recording. Here’s a primer…
Mixing a small number of channels while retaining the full frequency spectrum, intimacy, and dynamics may be the pinnacle of the craft.
Simple techniques to help your mix translate properly to other monitors once you take your song out of the studio.
What’s your approach to plugins/outboard? Let’s see what our panel of front of house and monitor engineers has to say on the issue…
Think of compression being like an invisible finger on a volume control (fader) and you’re already halfway there…
Techniques to add another dimension of creativity to mixes as well as to present a wider and deeper spatial soundscape.
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