Delaying Mains To Backline: Worth Trying Or Sheer Folly?
Does delaying the mains to the backline cause any problems for the performers? A variety of views…
Does delaying the mains to the backline cause any problems for the performers? A variety of views…
Equipped with two balanced XLR inputs, one unbalanced RCA input, a 3.5-mm input jack for mobile devices and a digital USB input for PCM with up to 384 kHz at 32 bit or DSD 256.
A veteran engineer details what he’s learned by plugging in a self-contained stage and mix rig he developed into numerous sound reinforcement systems.
Some simple ways to get the most out of IEM applications that you’ll be able to use if you’re a weekend club warrior, mixing the worship band, or out on the touring circuit.
From the April 1983 issue of the late, great Recording Engineer/Producer (RE/P) magazine, David Scheirman takes a look inside the Willie Nelson & Family tour of 1983.
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
Main control room outfitted with 11 KH series monitors being used in the mixing of back-catalog material as well as new projects in the Dolby Atmos and Sony 360 Reality Audio formats.
Recently implemented Nero controller handles all routing needs for a variety of monitoring setups in addition to various talkback duties.
Jacob “Biz” Morris adds a Nero monitor controller in the studio he uses at Reach Records to help centralize, connect and control all monitoring from his desktop.
Presenting beautifully blended vocal harmonies through a PA can be the icing on the cake of a quality mix
RAW 8320 and 8330 monitors plus a 7360 subwoofer deployed in “next-generation” studio built largely by the students at the university’s Gilley Recording Studio facility.
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