Viewpoints: Contrasting Mix Approaches For One-Offs & Touring
Considering the different types of preparation we can make to mix with excellence on single events as well as the long-term tours.
Considering the different types of preparation we can make to mix with excellence on single events as well as the long-term tours.
Techniques to add another dimension of creativity to mixes as well as to present a wider and deeper spatial soundscape.
There’s really no such thing as a “typical” event when working with different artists, different styles of music, and different technical situations.
If we truly want every detail of the performance to shine through, there could be a different approach than the one we’re typically using right now.
Should we morph our approach to the mix when someone of influence is “contributing” as a member of the “mix committee” at FOH?
The biggest aspect of adding effects (or not) to a mix is experience, but following these guidelines can be a great place to start…
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
Every process a sound goes through will change the tone of the sound, even if the process is a little bit of gain change…
Was that really the most amazing show anyone ever heard, or…?
A variety of ways to capture the performance so it can be brought back alive…
Like the foundation of a house, the drums are the foundation of a recording. On a strong foundation, you can build almost anything you or your clients can imagine.
Mixing a small number of channels while retaining the full frequency spectrum, intimacy, and dynamics may be the pinnacle of the craft.
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