What’s The Take-Away? The Advantages Of Subtractive Mixing
A powerful, pristine mix doesn’t always have to be about loud, louder and loudest.
A powerful, pristine mix doesn’t always have to be about loud, louder and loudest.
Creating an accurate translation of instruments for a larger experience, as though the PA isn’t there and the band is playing just for the fans.
The culmination of the combined efforts of the producer, musicians, and engineers to realize a musical vision…
Although being a “Lone Audio Ranger” can be trying at times, you have the unique freedom to create solutions that work best for you – and it can be quite rewarding.
A veteran mix engineer shares some tricks and techniques for managing multiple guitars in stereo or mono mixing scenarios.
“Inspired music and fabulous musicians – that’s the reason I do what I do… and if any of their production managers are
reading, let’s talk!” — Becky Pell
Outlining some of the most common problems he when receiving mixes from clients…
Tips for helping to achieve a well-blended contemporary worship sound, instrument by instrument.
Capturing the right sound and feel in the most important session in the production cycle of a record…
Employing some relatively common techniques to provide listeners with cues that give the audio some space – in multiple dimensions – as they’re used to hearing it in real life.
You can’t mix a song until you learn to honor the song. You can’t honor a song until you leave your agenda at the door and really, honestly listen to it. j. hall talks about finding the meaning of a song as being one of the keys to great mixing.
Try these suggestions, but then try something totally different. Innovate – don’t blindly follow…
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