Blast From the Past: An “Automatic” Third-Octave EQ Circa The 1970s
Long ago, the author was inspired to create an equalizer that would use LEDs to let even untrained users adjust its bands for a flat response. Here’s how it went…
Long ago, the author was inspired to create an equalizer that would use LEDs to let even untrained users adjust its bands for a flat response. Here’s how it went…
Challenging the long-standing warnings that claim electromagnetic (EM) radiation from AC power cables will couple into audio signal wires to create hum.
There are two ways to assess the quality of audio devices: measuring and listening.
Testing to debunk the myth that air gaps larger than one inch aren’t helpful for panels mounted flat on a wall or hung below a ceiling.
Testing to debunk the myth that air gaps larger than one inch aren’t helpful for panels mounted flat on a wall or hung below a ceiling.
An answer to the need of drummers for more cue volume from an article that originally appeared in the October 1979 issue of Recording Engineer/Producer (RE/P) magazine.
Considering how our subconscious mind reacts to music and audio (and other things) while our conscious mind is still in the process of evaluating and gathering information.
There are two ways to assess the quality of audio devices: measuring and listening.
What is group delay? Is it the same for all frequencies like a digital delay effect? Or does it vary with frequency like phase shift? And what causes it?
Focusing on testing specifics for software as well as hardware including loudspeakers, microphones, cables, preamps and more.
Examining the reality of tools designed to counter low frequency acoustic problems with equalization or processing.
Why it’s OK to get things wrong, addressing audio myths, why we why we can’t completely trust our ears and more
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