Quickly getting the max from the mix in these tough situations.
Digital may now dominate the industry, but analog still has its place in many events for many reasons…
Technology is advancing at such a rapid pace, it seems almost impossible to get comfortable with new gear before it is considered obsolete.
I advocate that instead of searching for the latest and greatest plugin, microphone or console… first learn to mix.
Provides same functionality as built-in SLink port with a further 128 inputs and 128 outputs of digital audio for splits, broadcast feeds, recording & more.
Production Resource Group provides technical services for all three stages with L500 Plus on Stage 2 connected via SSL’s Blacklight II MADI concentrator technology.
Gridworks outfits Los Angeles congregation with dLive C Class C2500 surface and DM32 MixRack for front of house, in-ear monitors and streaming broadcast.
Front of house engineer Mark Woodcock and monitor engineer J. Summers choose PM7 consoles for “Twins of Evil-Second Coming” tour with Marilyn Manson.
SD-Range & S-Series consoles from Morris and DCR Nashville deployed for 47th annual Country Music Association event for more than 350 artists on 10 stages.
Update adds new features through third party collaboration, connectivity with more Dante devices, and Fade Time functionality for theatrical applications.
Artist selects software-based console for recording and live-mixing album Live in the Moment II, which highlights live guitar solos from years on tour.
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