In The Studio: Three Critical Compressor Tweaks You Might Be Overlooking
Opting for default settings might work in many cases, but sometimes it won’t provide that little extra something that you’re probably looking for.
Opting for default settings might work in many cases, but sometimes it won’t provide that little extra something that you’re probably looking for.
New re-creation joins owner John McBride’s sizeable collection of vintage microphones and outboard gear that includes a pristine vintage 670.
Addressing common confusion about compression – in the context of live sound – as processing that’s used to reduce the dynamic range of the signal.
From the October 1986 issue of RE/P magazine, insights into the effective use of compressors and limiters in the recording realm.
Studio in Boulder headed by two-time Grammy winner David Glasser adds recently introduced two-channel compressor to a toolkit that also includes an SSL XLogic compressor in his console.
Extends the design of the original Bus Compressor into a 2RU chassis that delivers the SSL classic “glue and punch” in addition to new dynamic coloration and advanced processing tools.
With powerful mastering tools now available to everyone, sometimes it’s easier to do more harm than good when self-mastering. Here are some straightforward guidelines to help in attaining the desired result.
How to compress without making a mess of the music you’ve worked so hard to make sound good…
Explaining how this wonderful tool actually works… if used wisely and properly…
Most compressor plugins today are based on the four different types of electronic building blocks from the analog hardware days.
New unit offers two channels of diode bridge compression based on the dynamics circuit in the proprietary Shelford Channel; company also offering Master Buss Processor with new black cosmetics.
Treating one of the most dynamic instruments that shows up in mixes…
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