Reducing The Count: Do I Really Need That Input? How About This One?
“Once I stopped thinking about live sound in absolute stereo terms, a world of possibilities for reducing the number of inputs became quite apparent.”
“Once I stopped thinking about live sound in absolute stereo terms, a world of possibilities for reducing the number of inputs became quite apparent.”
How many freelance stagehands does it take to plug in a cable? It’s not a joke, it’s a serious question.
Live audio crews at their best are like efficient ninjas: they all wear black, you never know they were there, and when the job is perfectly executed, they disappear silently into the night.
I’d love to tell you I learned all of this without making any horrible or expensive mistakes. Yeah. That would be nice…
The value of working with and accentuating the dynamics that a band is already producing on stage.
Analyzing when, where and why a system may – or may not – be necessary, and in fact, do more harm than good…
Reducing low-end accumulation issues in the room while bringing added clarity to the mix…
Numerous tools that can help solve the various challenges faced when setting up complex audio systems in different venues.
Establishing how much room there is to be creative — and where the canvas ends.
Analysis to help in avoiding dips in the frequency response of the total system.
Was that really the most amazing show anyone ever heard, or…?
A variety of ways to capture the performance so it can be brought back alive…
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