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Wednesday, July 06, 2011
Studio Techniques To Get Great Sounding Vocals, Part 2: In The Control Room
Barry Rudolph
07/06/11 11:11 AM,
0 Comments
(See part 1 of this series.) During a session, I remember when an artist was on mic, out in the studio ready to start vocal overdubs, and the producer asked: “how do we look in here from out there?” Interesting,…
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Friday, June 10, 2011
RE/P Files: Producing A Controllable Phasing Effect
Jerry Ferree
06/10/11 03:31 PM,
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Everyone who listens to pop music has at some time heard that weird swishing effect swooping down through a drum solo or a vocal group making them sound rather like a long-distance short wave broadcast. Most engineers will tell you…
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Thursday, June 09, 2011
A Wide Variety Of Microphone Techniques For Drums
Barry Rudolph
06/09/11 08:32 AM,
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Of all acoustic instruments, drums and percussion instruments seem the most elusive to capture with a compelling sound. Pop recordings are (mostly) driven by an unique and attractive drum sound. The definition of what makes a “good drum sound” has…
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Thursday, June 02, 2011
Bruce Swedien On Loudspeakers, Amplifiers, The Control Room, Techniques & More
Bruce Swedien
06/02/11 10:18 AM,
1 Comment
Editor’s note: If you missed the earlier discussion from Bruce, click here. Over the years, I have been very fussy about the volume levels that I use in the control room. I have always tried to observe the American OSHA…
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Friday, May 27, 2011
Tech Tip Of The Day: Mixing Safely Is Critical
PSW Staff
05/27/11 09:12 AM,
0 Comments
Provided by Sweetwater. We’re running this Tech Tip Of The Day sans-question because it is so important to your music career and your quality of life that it can’t be ignored. Plus, there’s no better way to remind you…
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Friday, May 20, 2011
Recording Techniques: The Effects Of Microphone Placement On Banjo Tone
Bruce Bartlett
05/20/11 09:11 AM,
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This article is provided by Bartlett Microphones. Some time ago I decided I wanted to find out how the location of a microphone near a banjo affects the tone quality you hear. To make these tests scientific as well…
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Wednesday, May 11, 2011
Five Tips To Keep In Mind For Better Vocal Recordings
Jon Tidey
05/11/11 11:02 AM,
This article is provided by Audio Geek Zine. Recording vocals can be extremely tricky even under the most perfect of circumstances. However, as we well know, the perfect circumstances aren’t encountered by everyone from day to day. So, here…
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Tuesday, May 10, 2011
Recording Techniques: Virtual Instruments To The Rescue!
PSW Staff
05/10/11 09:08 AM,
0 Comments
This article is provided by Home Studio Corner. I recently finished up a fun little EP project with an artist who is a phenomenal female singer/songwriter. Early on in the project she told me she wanted everything to have…
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Tuesday, May 03, 2011
Remastering Three Jazz Classics: The Dave Brubeck Quartet, Art Pepper, and Sonny Rollins
Bruce Bartlett
05/03/11 08:03 AM,
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It’s a joy to hear old recordings of a favorite musician remastered on CD. Especially when the remastering is done so well that you can enjoy the music more than ever. What’s more, a great remastering job clearly reveals the…
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Friday, April 29, 2011
Audio Basics: The Often Misunderstood Points Of Threshold Based Effects
Bruce A. Miller
04/29/11 11:02 AM,
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This article is provided by BAMaudioschool.com. In the world of recording there are numerous kinds of effects. However, often there are more terms and details specific to each device than the average engineer would care to learn before jumping…
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Thursday, April 28, 2011
Video: Equalization Explained By George Massenburg
PSW Staff
04/28/11 03:36 PM,
1 Comment
One of the topics most discussed here on ProSoundWeb is EQ. However, it can often be difficult for beginners and experts alike to take the skills off the page an apply them in the studio. Thankfully, today we have a…
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Wednesday, April 27, 2011
Audio Basics: A Beginner’s Guide To Audio Connections
Bruce Bartlett
04/27/11 04:00 PM,
2 Comments
This article is provided by Bartlett Microphones. An audio system has so many cables and connectors, it’s easy to become confused. What plugs into what? This article will help you sort out the various types of audio cables and…
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Tuesday, April 26, 2011
Recording Quality: Let’s Keep Moving Forward, Please
j. hall
04/26/11 04:35 PM,
0 Comments
It seems to me that over the course of many years and many technological “advances,” we have once again come to an age-old question: where is the line of acceptability? As recording techniques, and production ethics change as quickly as…
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One Of The Most Overlooked Steps Of Recording
Joe Gilder
04/26/11 09:58 AM,
2 Comments
This article is provided by Home Studio Corner. When I started recording more seriously, I was spending most of my time in professional studios. Fancy studios are awesome. You’ve got a pretty control room with a big console, patchbay,…
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Friday, April 15, 2011
Recording Microphone Techniques To Produce Warm, Spacious Stereo
Bruce Bartlett
04/15/11 09:08 AM,

9 Comments
Renowned recording engineers Jack Renner of Telarc Records and Marc Aubort of Nonesuch Records describe spaced omnidirectional microphones as their favorite technique for stereo recording of symphonic ensembles. Of all the stereo mic techniques available, the “spaced-omni” method is especially…
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Wednesday, April 06, 2011
Behind The Glass: The Wall Of Sound Deconstructed
Howard Massey
04/06/11 10:23 AM,
3 Comments
He was making hit records long before most of us were born. Together with a legendary producer, he fashioned a distinctive sound that was to dominate the industry for decades and inspire countless musicians and producers (including a young genius…
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Tuesday, April 05, 2011
Video: Edison Wax Cylinder Recording Session
PSW Staff
04/05/11 10:25 AM,
2 Comments
Recording to an original Edison Cylinder machine is an incredible experience to watch. Thanks to Gerald Fabris of the Edison Historic Site, Bruno Caruso (great grand nephew of Enrico), the Hot Tamale Brass Band, the AES, the Audio Program at…
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Simulating A Live Drum Solo In The Studio
Bruce Bartlett
04/05/11 09:42 AM,
2 Comments
Suppose you just recorded a band in a club to create a live album. A few days after the gig, the drummer asks, “Can I play a drum solo in your studio, and have you add it to the album?…
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Friday, April 01, 2011
RE/P Files: Studio Design And Construction
Paul D. Lehrman
04/01/11 09:20 AM,
0 Comments
“The most important piece of equipment in a recording studio is the control room,” says Phil Greene, chief engineer and part-owner of Normandy Sound, located in Warren, Rhode Island. It’s that kind of thinking that led Normandy, one of the…
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Wednesday, March 30, 2011
Video: The Loudness Wars Exposed
PSW Staff
03/30/11 10:06 AM,
0 Comments
When mixing, we’re all surely guilty of distorting sounds to make them seem louder from time to time. Unfortunately, sound quality suffers. So, in debate of the loudness wars, why don’t we take a look at a real example? As…
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