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Thursday, May 09, 2013
Microfiles: The American D-22, Form & Function In One Package
Craig Leerman
05/09/13 12:28 PM,
When I got serious about collecting microphones I started a list of the models I wanted, and one of the first names on the list was the D-22 from the American Microphone Company. It’s a beautiful omnidirectional microphone with two-tone…
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Friday, February 08, 2013
Microfiles: Turner 44D, Derived From A Distinctly Unique Heritage
Craig Leerman
02/08/13 04:01 PM,
A recent addition to my microphone collection is a Turner 44D. I looked everywhere for a clean model and finally lucked upon a mint condition unit complete with the box, cable and paperwork. I’ve always thought Turner made some of…
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Friday, January 11, 2013
Microfiles: Shure Model 55—The History Of A True Classic
Craig Leerman
01/11/13 04:24 PM,
Ask any person on the planet to think of a vintage microphone, and the Shure Model 55 is what probably comes to mind. This iconic mic was introduced in 1939, and two models that sport the distinctive box shape are…
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RE/P Files: clubs, Clubs, CLUBS: A Sound Reinforcement Supplement
Paul Stark
01/11/13 02:48 PM,
Editor’s Note: From the archives of the late, great Recording Engineer/Producer (RE/P) magazine, this feature is a serious look at club sound in RE/P’s Concert Sound Reinforcement supplement. The article dates back to the January/February 1974 issue. “Multi-Various” is a…
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Friday, December 14, 2012
In Profile: Tim Cain, Co-Founder Of Gemini Light, Sound & Video
Kevin Young
12/14/12 07:07 PM,
Like many production professionals, Gemini Light, Sound, Video (LSV) co-owner Tim Cain started out as a musician. “This all began with the band I was in the late 70s/early 80s. We had our own PA and rented some lights, but…
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Sunday, November 18, 2012
History Files: The Genesis Of Clair Bros To Today
Jeff MacKay
11/18/12 06:58 PM,
The story of Clair Brothers starts in 1954, when a grocer decided to purchase a PA system as a Christmas gift for his two sons, Gene and Roy Clair. “He had no knowledge of electronics or anything!” exclaims Roy in…
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Friday, October 12, 2012
The Oldest Sound Company In The World?
Roland Hemming
10/12/12 06:14 PM,
Living in Britain, I am in a country steeped in history. A friend of mine’s house was built before a European even “discovered” America, and we are so used to things just being old that we don’t get excited about…
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Monday, September 10, 2012
Microfiles: Olson M-191, A Triumph Of Aesthetics
Craig Leerman
09/10/12 05:09 PM,
The Olson M-191 is one of the more interesting-looking microphones I’ve run across, a hybrid metal and plastic unit that has a style all it’s own. Olson Electronics may not be a familiar name. Started by Sid Olson in Akron,…
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Wednesday, August 22, 2012
The “Wall Of Sound” To Now - A PA Evolution Odyssey
Dave Rat
08/22/12 02:22 PM,
Back in 1974, the Grateful Dead put together what was easily the most unique, experimental and perhaps complex sound system ever configured for live sound reinforcement in that era. This system was named the “Wall of Sound” and jt was…
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Monday, August 13, 2012
RE/P Files: Studio Design And Construction
Paul D. Lehrman
08/13/12 05:35 PM,
“The most important piece of equipment in a recording studio is the control room,” says Phil Greene, chief engineer and part-owner of Normandy Sound, located in Warren, Rhode Island. It’s that kind of thinking that led Normandy, one of the…
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Monday, July 30, 2012
Microfiles: The Kent DM-17—“Exacting Workmanship…Excellence Of Tone Production”
Craig Leerman
07/30/12 07:25 AM,
You never know what you’ll come across at a yard sale – a few months ago, I found this little beauty, a Kent DM-17 microphone. Kent was a brand established by Buegeleisen & Jacobson musical instrument distributors, which was based…
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Thursday, July 12, 2012
An Early History Of Modern Power Amplifiers
Neil A. Shaw
07/12/12 05:32 PM,
Expectations in power amplifiers have come a long way over the years. We expect higher power, lighter weight, cleaner sound, less heat and increased reliability, all for less cost and with less weight per watt. Power amplifiers are almost a…
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Monday, July 09, 2012
Crown Audio Celebrating 65th Anniversary (Includes Video)
PSW Staff
07/09/12 11:37 AM,
From humble beginnings in 1947, Crown Audio has grown to become one of the world’s largest manufacturers of power amplifiers. Crown’s history traces back to 1947 and an Elkhart, Indiana minister named Clarence C. Moore (1904-1979). Moore, a longtime radio…
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Thursday, May 24, 2012
Microfiles: Univox DF-14B, A Smooth (Looking) Operator
Craig Leerman
05/24/12 04:16 PM,
If you were a musician in the 1970s or are a fan of vintage gear, the name Univox should be familiar. Merson Musical Products, a musical instrument division of Unicord Incorporated, made and marketed a wide range of products with…
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Thursday, April 26, 2012
Microfiles: Electro-Voice 664, The Legendary “Buchanan Hammer”
Craig Leerman
04/26/12 11:10 AM,
My Baltimore-area high school theater was outfitted with the first quality PA system I ever worked with. It had JBL horns and cabinets in a center cluster, powered by Crown amplifiers, with a 6-channel TAPCO mixer in the sound booth…
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Wednesday, April 04, 2012
Microfiles: Altec Lansing (and Western Electric) 639 A/B
Rick Chinn
04/04/12 06:19 PM,
The Altec Lansing 639A/B microphone made its debut in the early 1940s, and was originally sold by Western Electric (WECO) under the same model number. When the U.S. government forced the breakup of WECO in 1947, Altec spun off to…
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Thursday, January 05, 2012
A Conversation With Audio Pioneers, SynAudCon Founders Don & Carolyn Davis
Keith Clark
01/05/12 09:37 AM,
When noting the contributions of Don and Carolyn Davis to the professional audio industry, it’s hard to know where to even start. Their book, Sound System Engineering, originally published in 1973 (and since updated), remains a standard audio and systems…
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Friday, November 04, 2011
RE/P Files: The ‘Planet Waves’ Sessions - Recording Bob Dylan At The Village Recorder
Gary D. Davis
11/04/11 08:43 AM,
R-e/p: Dick, how did you choose an engineer for the Dylan album? Dick LaPalm: I left the decision up to Rob. I asked him who should do it. At the time we had 3 guys. Rob came back after a…
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Friday, June 10, 2011
RE/P Files: Producing A Controllable Phasing Effect
Jerry Ferree
06/10/11 03:31 PM,
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Everyone who listens to pop music has at some time heard that weird swishing effect swooping down through a drum solo or a vocal group making them sound rather like a long-distance short wave broadcast. Most engineers will tell you…
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Friday, June 03, 2011
RE/P Files: Mixing Stereo Monophonically
Oliver Berliner
06/03/11 04:13 PM,
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A short while ago a mild furor was generated when AM radio stations began to receive stereophonic promotion records and discovered to their horror that the soloists were 3 dB or more too loud when the stereo discs were played…
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