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Urban Myths & Smokin’

Somebody has been feeding misinformation to our pal Roy. He wrote in twice and I have taken the liberty of mixing and matching excerpts from both his missives. Plus I have tagged on a heart-rending plea from a soundman in a tragic fix.


Good Sir

YES, ROY!

I was hoping you grace us with your suggestions on mic'ing guitar amps, placement and such.

WHEN YOU GO TO CONCERTS, DO YOU EVER SEE THE TAPED “X” ON SOME POSER’S 4X12 CABINET? EITHER HIM OR HIS GUITAR TECH HAS PAINSTAKINGLY DETERMINED THAT THIS IS THE SINGLE BEST-SOUNDING SPEAKER IN THE BOX.

THEY ARE ABSOLUTELY CONVINCED THAT AFTER COMBINING HIS INPUT WITH THE 115 DB CONNIPTION FIT THAT THE BASS PLAYER IS HAVING, AND THE DISTORTO-SPAZZ ATTACK THAT THE OTHER GUITARIST IS EXPERIENCING ON HIS BRAND SPANKING NEW SEVEN-STRING DIMEBAG/GUY FROM KORN/OFFICIAL SLIPKNOT AX FROM GUITAR CENTER, PLUS THE WILD FLAILING OF THEIR DRUMMER THAT HAS THE CHROME DOUBLE-KICK KIT WITH 14 CYMBALS, AND THE BESTIAL HOWLING OF THE PSEDUO-SATANIC SINGER, THAT EVERY PERSON IN THE AUDIENCE WILL NOD THEIR HEADS KNOWINGLY AND SAY:

“I’M SURE GLAD THEY DIDN’T MIC ONE OF THOSE OTHER TWELVES!”

WHEW!

PERSONALLY, I PUT THE MIC ON THE EDGE OF THE SPEAKER, ABOUT 2” OFF THE CAB. WHEN IT IS A 4X12, I USE ONE OF THE UPPER SPEAKERS, UNLIKE MY COLLEAGUES WHO SEEM TO REALLY LOVE THAT WAVE OF 150 HZ THAT ROLLS AROUND THE STAGE ABOUT A FOOT OFF THE GROUND.

I ENCOURAGE PLAYERS WITH SMALLER AMPS TO PUT THEM UP ON A CASE LID OR A CHAIR, TO GET IT OUT OF THAT HELL-STREAM.

As well, is it true that compressors are only triggered by low freqencies?

NO, THAT IS AN URBAN MYTH.

PERHAPS YOU WERE MISLED BY THE TRUE FACT THAT IT TAKES MORE AMP POWER TO PUSH SUBWOOFERS THAN HIGH-FREQUENCY SPEAKERS.

AN OLD SOUNDMAN TRICK IS TO KNOCK DOWN 25 AND 31 ON YOUR GRAPHIC EQ AT FRONT OF HOUSE. THAT WAY, THE AMP IS NOT STRUGGLING TO REPRODUCE THOSE FREQUENCIES, WHICH ARE NOT IMPORTANT IN 99.99% OF TODAY’S POPULAR MUSIC.

OF COURSE, THE CRYBABIES ON THE LIVE AUDIO BOARD WILL WHIMPER THAT BY DOING SO YOU ARE TOTALLY WARPING YOUR PHASE RESPONSE.

DON’T LISTEN TO THEM, ROY!

Also what are the pros and cons each of micing/DI'ing bass amps?

THE D.I. BRINGS THE SOUND TO YOU WITHOUT ANY OF THE AMBIENT NOISE ONSTAGE BEING INCLUDED. IT CAN SEEM KIND OF DRY, THOUGH.

THE MIC BRINGS YOU THE SOUND OF THE SPEAKERS (THE TONE OF WHICH THE PLAYER ALLEGEDLY ENJOYS.) HOWEVER, IT CAN ALSO PICK UP A LOT OF THE CRAP NOISE SWIRLING AROUND IN GENERAL.

GENERALLY I FIRST PUT UP THE D.I. LIKE THE WASHINGTON MONUMENT AND THEN ADD SOME MIC AROUND THE EDGES FOR FATNESS.

And finally, the band my bar is hosting this weekend has a stand up bass, and it sounds awesome!

Thanks –

Roy

PERHAPS YOU ARE UNAWARE HOW SELDOM THAT IS THE CASE WITH UPRIGHT BASSES. OR MAYBE YOU ARE, AND THAT IS WHY THE EXCLAMATION MARK.

EITHER WAY, I SENSE THAT YOU DO NOT SHARE THE NEUROSIS OF OUR NEXT FRIEND HERE …

Hey old soundman

HEY, BUDDY

I've been doing FOH for 20 years. Local bands, wedding bands, every dive or palace in the midwest.

I’VE BEEN ALL OVER THE MIDWEST, BUT I HAVE YET TO SEE A PALACE THERE. LOTTA DIVES, THOUGH.

I've had some dry spells where I've taken time off from the venues and stayed in the shop.

YOU AND ME BOTH. THE HEATER, THE MR. COFFEE, THE OLD TV, SOME RICKI LAKE, SOME “COPS” …

When I'm not around mixers, and live sound, I can go a day or two without smoking. Get me behind a fully wired ready to go rig, and I can burn up 2 packs in a night.

OLD ROADIE, WHAT THE HECK GETS INTO YOU?

I know it's bad for the equipment, I know it's bad for me ... but I just can't help myself. Can you give me any insight as to why the board makes me suck cigarettes?

Old roadie


I HAVE SEEN MANY OF OUR COLLEAGUES ENTER THE SAME ALTERED STATE YOU DESCRIBE. BUT OLD ROADIE, IF YOU DON’T UNDERSTAND IT, HOW CAN I?

CHAINSMOKERS REALLY HATE ME. I CAN HAVE ONE OR TWO NOW AND THEN, BUT NOT TURN INTO THE ADDICTED DRAGON LIKE YOU DO.

I REALLY LIKE LITTLE CIGARS, YOU MIGHT TRY SOME. MACAROONS ARE GOOD, I MEAN MACANUDOS! STAY AWAY FROM THOSE CHEAPO LIQOUR STORE SPECIALS, OLD ROADIE. YOU NEED TO SPEND A LITTLE TO GET A GOOD ONE.

DON’T TRY THOSE PATCHES, THE GUM, OR THE PLASTIC CIGARETTES TO CHEW ON. THOSE ARE JUST PRODUCTS OF THE CAPITALIST INSECT TRYING TO MAKE MONEY OFF YOUR SUFFERING.

HERE’S A SERIOUS SUGGESTION: TRY SOME YOGIC BREATHING NEXT TIME YOU ARE HAVING A FIT.

IN THROUGH THE NOSE AND THEN EXHALING OUT THROUGH THE MOUTH, TAKING THREE TIMES AS LONG AS YOU DID WITH THE INHALE.

SEE IF THAT DOESN’T LIGHT UP YOUR BRAIN AND TAKE YOUR MIND OFF THE SMOKING.

AND, IT’S FREE!

LUV –

- THE OLD SOUNDMAN

WE DARE YOU TO ASK HIM A QUESTION!

NEW!
Egos and Feedback | Stage Volume and Guitars | Concert and Pictures | Huge Rooms and ZDM

Previous Articles:
Insults and Evil DJ
Incompetence and Compressors
Unions and Sheds
Hypnotists and Therapy
Anonymity
High Schoolers
Urban Myths and Smokin'
Coloring and Crap
Deep Questions
Freaky Frequencies
Organs and Bass

Youngsters Rebel

Club Restrictions

Stinking Shoeboxes

Good Questions
Picking and Choosing
Plugs'n'Stuff
Loud Git-tars
Soft Singers
Dead Spot
Rack Monster
Balanced & Unbalanced

 

Old Sound Homes
Sobersoundman
Drums 'n' Bass
Fans 'n' Spam
Gates 'n' Tom's PT. 2
Songs for Testing

Indoor/Oudoor
Lawyers & Open Mics

Pushing Graphics Up
Justice of the Peace
Delays & Mix Positions

One Legged Phil
Salary and Benefits

Turnkey Systems
Single Point Source
Mom's Board
Frustrated Soundman
Subjective Opinions
To Bridge or Not
Diversity

Factory Settings
Guitar EQ
Magical Sound
Gizmotrons

 

Sales Dudes
Paragon vs. Heritage
Down On Toys
Popcorn
Generators

Obnoxious Drummer

National Tragedy
Speaker Controllers
Roadhouses

Audience Critics
Search Engines
Limiters & Domination
Bass Bleedthru
What is a VCA?
Wants To Go Studio
Auditorium
Nickname
Pay the Man!
Rack em' Up!
Violins'n'Wedges
Gig Butt
Piano Gangsta
Getting Walked On

 

Boxes
Brands
Reverb Application
Slang for Brazil
Crush on Sheryl Crow

Fourteen and Mixing
Guitars Versus Vocals
Two Senses

Why are you so
Crabby?

Why are you so
Crabby? follow up

Parabolic Microphones
Unity Gain
Sadistic Sideman
Sadistic Sideman
follow up

Two Birdies
Pianos
Money Issues?
Why do I Hate My Life?
Friend's Band


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