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Thursday, April 09, 2009

OPTOCORE Presents Two New Signal Converter Devices

The X6R and V3R can be seamlessly integrated into the OPTOCORE Optical Digital Network System

At the 2009 Prolight+Sound - Musikmesse in Frankfurt, OPTOCORE introduced the X6R and V3R, two new signal converter devices, both housed in 1U enclosures.

The 16-channel X6R offers flexibility with two card slots on the back panel that can be equipped with five different card types. It converts analog signals (16 inputs, 16 outputs, 8 inputs and 8 outputs, dual microphone inputs with two independent adjustable gains) to AES/EBU or it can serve as a sample rate converter for AES3 input signals, at sample rates up to 192 kHz.

The V3R offers one card slot for eight channels on the back panel and is ideal as an analog input or output satellite if no more than eight channels are required.

Five card types are available:
• 8 mic inputs
• 8 line inputs
• 8 line outputs
• 8 mic inputs with two independent preamps each
• 8 AES/EBU inputs with sample rate converters

The devices are especially designed for rack-mounted applications and permanent installation. All cards are equipped with Phoenix connectors.

The X6R and V3R can be seamlessly integrated into the OPTOCORE Optical Digital Network System.

All parameters of the converters can be remote controlled and monitored with the OPTOCORE Control software application. High quality preamps and A/D and D/A converters make the X6R and V3R units ideal for the incorporation into audio systems even if no OPTOCORE network is established.

The X6R with the dual microphone input card relieves all front of house and monitor engineers of the decision about the control of the microphone preamps. Every microphone input incorporates two independent microphone preamps and both can be adjusted individually. Different sample rates of devices with AES3 outputs are no issue any more as well. The 8-channel (16 audio channels) AES/EBU card will convert the sample rate to the one shared in the network.

The devices can be equipped exactly according to the customer’s requirements and the following versions can be purchased:

X6R
16 microphone inputs
16 line inputs
16 line outputs
8 microphone and 8 line inputs
8 microphone inputs and 8 line outputs
8 line inputs and 8 line outputs
8 microphone inputs with two independent preamps each
8 AES/EBU inputs (16 audio channels) with independent sample rate converters

V3R
8 microphone inputs
8 line inputs
8 line outputs

OPTOCORE Website

Take our Photo Gallery Tour of new products from this year’s Prolight + Sound - Musikmesse.

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Friday, April 03, 2009

Cakewalk Announces SONAR V-Studio 100 Compact Music Production Studio

SONAR V-Studio 100 integrates a USB 2.0 Audio Interface, DAW Controller, Digital Mixer, SD Recorder, and VS Production Pack for Mac & Windows

At the 2009 ProLight+Sound/Musikmesse in Germany, Cakewalk has introduced the SONAR V-Studio 100 compact music production studio, which integrates a USB 2.0 Audio Interface, DAW Controller, Digital Mixer, SD Recorder, and VS Production Pack for Mac and Windows.

Customers can take control of their music productions by using the VS-100 as a 24-bit/96 kHz high speed USB 2.0 audio, MIDI interface and universal DAW controller. SONAR V-Studio 100 also includes the VS Production Pack, a powerful suite of high quality instruments and effects.

The VS-100 hardware and VS Production Pack have been designed to enhance productions on both Mac and Windows in conjunction with popular DAW software including SONAR, Cubase, Logic, Ableton Live, and others. For PC customers just getting started with digital recording, SONAR V-Studio 100 includes the SONAR VS digital audio workstation.

In stand-alone mode, the VS-100 hardware functions as a personal digital mixer and SD Wave recorder. Customers can use the VS-100 to record and mix rehearsals and live gigs and can also use it to play backing tracks (even while recording). Customers can then simply transfer the stereo recordings to their favorite DAW software to use as the basis for new tracks or for further editing and sweetening, to upload to the Internet, and more.

SONAR V-Studio 100 is the second product in the next generation V-Studio line of Cakewalk branded hardware and software solutions from Cakewalk and Roland, following the release of the flagship SONAR V-Studio 700.

The high quality USB 2.0 audio and MIDI interface utilizes Roland engineering design and component technology:
* 8 in + mix / 6 out, 24-bit/96 kHz quality
* 2 mic pre-amps w/phantom Power, hi-z guitar input; MIDI I/O
* ASIO, WDM, WASAPI, Core Audio support
* Compatible with DAWs such as SONAR, Logic, Live, Cubase, and Digital Performer

The universal DAW controller supports all popular digital recording software for Mac/PC via Mackie control protocol, including Logic, Live, Cubase, and Digital Performer. Additionally, V-Studio 100 provides extended control capabilities over SONAR through the implementation of Cakewalk’s Active Controller Technology (ACT):
* 100 mm motorized, touch-sensitive fader
* 5 rotary encoders, 11 buttons and transport control
* Use with any DAW through Mackie Control protocol
* Advanced control of SONAR through Active Controller Technology

The digital mixer is great for small groups or solo performers who need easy control of few instruments and vocals mics; DJs, MCs, and any electronic musician who needs to mix multiple sound sources. All users can enhance their live sound with the pro-quality on-board effects which offer easy routing and accessibility:
* Ideal for mixing small bands, solo musicians, DJs, home studios
* 8 inputs, 6 outputs plus headphones
* 4 types of reverb and 6 channels of EQ and Compression

Record directly to the VS-100’s SD-card to capture song ideas, rehearsals, or live performances. Create backing tracks on your DAW of choice and transfer them to the VS-100’s SD-card for playback during live performance (even while recording). Likewise, recorded performances can be easily transferred from the VS-100’s SD-card for additional editing, tracking, and sweetening:
* Record away from your computer
* 2 channel wave recording and playback
* Capture rehearsals and live performances
* Play and record along to backing tracks
* Built-in metronome
* Insert markers during record and playback
* Loop a region for practicing parts or jamming
* Easily transfer audio to and from any computer via USB

VS-100 Production Pack (Win/Mac) suite of effects and instruments includes:

VX-64 Vocal Strip is a seven-stage processor designed specifically for shaping and sculpting incredible sounding vocal tracks. Each of the VX-64’s stages have been fine-tuned to be vocal-specific, taking the work out of dialing in an entire chain of vocal processors. 

The VX-64 features a new Cakewalk technology that employs phase-coherent, multi-band saturation to avoid unwanted distortion; unique filtering to avoid harsh artifacts at extreme high and low frequencies; and an auto-leveling circuit that prevents the tube saturation from sounding too harsh when high gain transients are processed by it.

VX-64 also employs a new de-essing algorithm designed with Cakewalk’s LP64 linear phase effect filtering technology to remove sibilance without creating any frequency smearing.

Processing stages include:
* Input — simulates a tube pre amp
* De-esser — removes sibilance without smearing
* Compander — vocal compressor with an expander to reduce unwanted background noise
* Tube EQ — for adding character ranging from subtle warmth to intense heat to the vocal
* Doubler — advanced doubling effect providing the quality of actual re-tracking
* Delay — preset delays useful for vocal tracks with tempo sync
* Output — provide saturation control with a built in soft-clipping filter
* Order of processor stages is user definable with click & drag reordering

Channel Tools — provides easy and powerful control over individual placement of the left and right channels anywhere in the stereo field. Ideal for adjusting L/R channel placement, gain, pan/width, and phase; also provides a widening or narrowing effect to stereo recordings through adjustments to mid-side gain.

Boost 11 Peak Limiter — gives your tracks radio-ready punch through transparent peak limiting and volume maximization without additional coloring of the source material. Boost 11 employs a “look-ahead” limiter and PDR (Program Dependent Release) to provide professional results with a simple interface.

Native Instruments Guitar Rig 3 LE — built on the latest award-winning guitar amp modeler from Native Instruments; 3 amps and cabinets, 11 effects, tuner, metronome, and over 50 presets.

Dimension LE — a streamlined version of the acclaimed Dimension Pro instrument from Cakewalk. Dimension LE features over 400 sound programs, ranging from bass, organ, and electric piano samples to cutting-edge synth sounds, rhythmic grooves, and a special edition of Garritan Pocket Orchestra.

Rapture LE — is a special version of the award winning Rapture wavetable synthesizer. It includes over 200 programs and hundreds of oscillator shapes. Rapture LE is perfect for performing the modern synthesized sounds igniting today’s pop, dance, and electronic music.

Cakewalk Studio Instruments — a collection of four virtual instruments that provide a fast and easy way to create backing tracks using a photo-realistic, interactive user interface. Instruments include a Drum Kit, Bass Guitar, Electric Piano, and String Section.

SONAR VS digital recording software (PC only) — a special entry level DAW based on the powerful SONAR 8 audio engine but offering a streamlined user interface.

SONAR V-Studio 100 will ship with the VS-100 hardware (Mac/Win), the VS Production Pack (Mac/Win) and SONAR VS (Win) software available in English, German, French, Spanish, and Italian; Online Help contained in all versions in English, German, French, Spanish, and Italian; printed documentation is in English.

SONAR V-Studio 100 will be available through select music and sound retailers throughout the world beginning in June 2009. For more information go to www.sonarvstudio.com.

Cakewalk Website

Take our Photo Gallery Tour of new products from this year’s Prolight + Sound - Musikmesse.

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Thursday, April 02, 2009

Crown Audio Debuts HiQnet Band Manager Software App For Portable PA System Configuration & Control

Band Manager unlocks all loudspeaker processing capabilities of Crown XTi Series amplifiers

Delivering a sound management solution to the portable PA market at the 2009 ProLight+Sound/Muzikmesse in Frankfurt, Crown Audio has introduced HiQnet Band Manager software, a free-of-charge application providing a sleek function-driven interface designed to simplify system setup and management while enabling audio professionals, musicians, and engineers to configure and control a rack of Crown XTi series amplifiers. 

Band Manager unlocks all loudspeaker processing capabilities of the XTi Series. Once it automatically discovers up to eight USB-connected XTi amplifiers, represented in a virtual rack, all the setup required is to load each amplifier with the JBL-provided loudspeaker tunings and set which amplifiers are driving front-of-house. 

Band Manager makes smart use of browser-style navigation and the ‘Home’ screen displays monitor strips for each amplifier in the rack and front-of-house EQ and level control.  EQ for stage monitors and all other processing is accessible on an individual amplifier basis. 

Upon starting Band Manager, all amplifier settings are transferred from the connected devices but they can also be saved to disk for quick recall if the rack is used often in multiple venues. 

Band Manager is a cut-down version of its parent software, HiQnet System Architect, a much larger application which provides full-system control of over 70 professional audio devices from across the entire Harman Pro group, including the XTi Series. 

Anyone who has already used System Architect with the XTi will instantly be familiar with the amplifier control layout since Band Manager makes use of the same software plug in. 

Directly tailoring Band Manager to the needs of portable PA market enables far quicker configuration of a rack of XTi amplifiers by bringing only the essential tools into direct focus.  For those who need the more advanced control, any rack configurations saved within Band Manager can be opened in System Architect. 

By using the plug in concept, Band Manager is all ready to control other future portable PA HiQnet devices.

Commenting on the introduction of Band Manager, Andy Flint, Crown marketing manager for portable PA, stated, “Band Manager provides users with a simple and intuitive interface capable of unlocking the vast array of system setup and management tools included in the XTi product line’s integrated processing.  This is another excellent example of Harman’s experience and dedication to the portable PA market.”

While Band Manager is being introduced to operate in conjunction with Crown XTi amplifiers it is planned to take control of other complimentary Harman HiQnet products in the near future. 

“As a group, we envision Band Manager being used to manage an entire portable PA sound system all the way from microphone to speaker.  When introducing software control, making the management of a potentially complex audio system as simple as possible is the most important goal.  It is no longer enough to just provide the user with the highest quality equipment, you need to offer great, user-friendly tools to open its potential as well,” added Flint.

Crown Audio Website

Take our Photo Gallery Tour of new products from this year’s Prolight + Sound - Musikmesse

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Wednesday, April 01, 2009

Yamaha Commercial Audio Systems Announces Major Upgrade To M7CL Digital Console

The new M7CLv2 software incorporates Global Paste, enabling simultaneous editing of multiple scenes, and Matrix Sends on Fader, providing access to 24 mix buses

Yamaha Commercial Audio Systems has announced a major software upgrade to its M7CL-32 and 48-channel digital mixing consoles.

The Yamaha M7CLv2 software incorporates features requested by thousands of Yamaha console users worldwide including Global Paste, enabling simultaneous editing of multiple scenes, and Matrix Sends on Fader, providing access to 24 mix buses.

Additional enhancements provided by M7CLv2 software include Post-Fader Inserts on all inputs and outputs, Post-Fader Direct Outs, Monitor/Cue Level on stereo/mono faders, improved Recall Safe mode, and Relative Level Channel Link and User Defined Key Setup on the console’s offline editing software.

“We always listen to recommendations made to us by engineers, the ultimate end users of our products, when designing or upgrading our products,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “M7CLv2 includes many of these recommendations and even more power and convenience for the live mix/installed sound situation.

“And, when used with the new SB168-ES Stage Box providing more inputs and outputs, the Yamaha M7CLv2 digital console becomes an even more affordable mixing solution.”               

The M7CLv2 software update will be available by download free of charge during the summer for all existing M7CL users, and new console purchasers will receive the software pre-installed at no additional charge.

Yamaha Commercial Audio Website

Take our Photo Gallery Tour of new products from this year’s Prolight + Sound - Musikmesse.

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Tuesday, March 31, 2009

Synchro Arts Releases VocALign Project AU (Audio Unit); Compatible With Apple Logic 8

By purchasing one multi-platform license, the user can run VocALign Project V3 as an AU version with Logic, as an Audio Suite version with Pro Tools, and shortly as a stand-alone version with other DAEs

Synchro Arts Limited has announced the immediate availability of VocALign Project AU, a completely new version that integrates with Apple’s Logic 8 music production system by using the Audio Unit (AU) protocol.

VocALign is the only software tool that automatically edits one audio signal to match the timing patterns of another audio signal.

John Ellwood, the company’s Technical Director, commented, “We designed a brand new approach that fits in with the AU protocol for efficiently handling the audio in Logic. What’s been particularly rewarding is the fantastic response from hundreds of Beta users who told us how pleased they are to at last have access to the editing tool they’ve been waiting years for.”

For cost-conscious studio owners, VocALign Project V3 licenses are now mutli-platform licenses delivered on iLok.

So by purchasing one multi-platform license, the user can run VocALign Project V3 as an AU version with Logic, as an Audio Suite version with Pro Tools, and shortly as a stand-alone version with other DAEs.

This allows the user to switch between popular audio editing systems and still access a version of VocALign Project V3.

The new VocALign AU plug-in can be initially purchased as a download with an electronic license from the web store on www.synchroarts.com and Synchro Arts dealers or as an upgrade.

The recommended retail prices for a download with an electronic license are US$325 for North America, €239 (ex VAT) for Europe, £199 (ex VAT) for UK and the rest of the world.

Upgrades are being offered at a discount price for a limited time period at RRPs of US$99 for North America, €84 (ex VAT) for Europe, £70 (ex VAT) for UK and the rest of the world.

A 14-day demonstration of VocALign Project 3 AU, and Audio Suite, manuals and tutorial media can be downloaded from http://www.synchroarts.com/downloads.

Synchro Arts Website

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Cakewalk Announces VS-700C V-Studio Console Now Available For SONAR 8 Producer

Matched with SONAR 8 Producer, VS-700C provides an exceptionally deep hardware/software integration, offering fluid control over all aspects of SONAR 8 Producer’s creative, editing, and mixing capabilities, maximizing workflow and productivity

The centerpiece of the Cakewalk SONAR V-Studio 700 production system is now available separately as a control surface for SONAR.

Matched with SONAR 8 Producer, VS-700C provides an exceptionally deep hardware/software integration, offering fluid control over all aspects of SONAR 8 Producer’s creative, editing, and mixing capabilities, maximizing workflow and productivity.

The VS-700C’s dedicated implementation of ACT (Active Controller Technology) dynamically remaps controls based on how the user is working in SONAR. Also, with the press of a button, the VS-700C provides instant control over any V-Link compatible video and imaging hardware, including the EDIROL DV-7 line of direct linear video editing systems.

VS-700C Highlights

Channel Section
• Nine 100mm touch-sensitive, motorized faders arranged in a bank of eight channel strips with a master channel
• Users can tab between fader banks and lock/unlock tracks and buses to faders for maximum efficiency when mixing large projects
• Channel Branch Mode is an innovative new mixing mode, where Channel Strip 1 will control the volume of a selected track while the remaining channels control the associated sends for that track
• One-level undo for all faders and encoders, using the ‘Revert to’ feature
• Total control over SONAR 8 mute and solo functionality including Dim Solo, Exclusive Solo, and Layer Mute/Solo

EQ, Send, ACT Section
• Dedicated section of 12 continuous push-button rotary encoders that can be used for EQ, Sends, or ACT control
• When controlling EQ, the rotary encoders edit four stages of parametric EQ gain, frequency, and Q for whichever channel has the focus
• In ACT mode, encoders automatically remap to control effect, instrument, or mix parameters of whatever view or plug-in has focus within SONAR

Surround and Video Implementation
• Full surround implementation with Joystick Panner, F/R Balance, LFE Send, and Width controls
• Multifunction T-bar for surround F/R balance and video hardware control
• Automate multiple surround parameters simultaneously
• Control video mixers/editors/presenters that support V-LINK protocol

Access, Project Navigation, Editing
• Control plug-in for SONAR provides user-definable presets that change the functionality of the VS-700C depending on tasks or workflow preferences
• Access Panel provides one-button functionality to call up different views and utilities; allows custom assignments from over 45 SONAR commands
• Joystick can move plug-in windows around your screen
• In addition to F/R balance and Video hardware control, the T-Bar offers: X-Ray option to fade plug-in windows in/out to allow access to the views below and the T-Bar can also be used as a dedicated ACT controller
• Complete SONAR transport functionality not available from any other control surface, including Audition, Rewind, Fast Forward, RTZ/GTE, and Pause
• Jog and shuttle wheels and Free Edit cursors for project navigation, scrubbing and zoom; provides complete scroll and zoom functionality, including flyover mode which lets you navigate around a project
• Use jog wheel to move, crop and fade clip(s), as well as time-stretch
• Select clips and time ranges, even across tracks and layers
• Split and mute clips with the touch of a button
• Insert, delete, bypass and control any VST effect from the control surface
• Mackie Control protocol support, provides basic compatibility (transport, faders, jog/shuttle, etc.) with other Windows DAWs

Display
• A 2 x 13 LCD display for track names, parameter values, and markers
• 7 Segment LCD display for time-code and now time position
• Responsive metering for each channel

SONAR V-Studio 700 offers a feature-rich music production system that is accessible by a broad range of users.

SONAR customers who purchase the VS-700C can later purchase the VS-700R I/O to experience the full benefits offered by the complete SONAR V-Studio 700 system, which includes hardware control of the VS-700R from the VS-700C, 19 input channels, 8 digitally-controlled mic pres with compression on each channel, and onboard Fantom VS synthesizer featuring 1,400 patches with ARX expansion board capability, among many other features.

Cakewalk Website

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Aviom Previewing New Pro64 Control Application At ProLight + Sound In Frankfurt

Simplifies network management and streamlines workflow of Pro64 Series

Aviom will be previewing its Pro64 Network Control Application at this year’s Musikmesse/Prolight+Sound in Frankurt, at Hall 8, Stand J41.

While the Pro64 Series is designed with a simple, front-panel user interface that makes it possible to design sophisticated networks without PC-based programming, the company is introducing a software control application this year for those users who desire centralized control and status monitoring.

With the Pro64 control application, users have remote control of every Pro64 device in a network using a PC connected to the I/O module set as the Control Master.

Both network settings and audio parameters for each device can be managed from one location, simplifying network management, streamlining the workflow, and increasing the flexibility of the network as a whole.

“In designing the Pro64 Network Control Application, our goal has been to make the application as intuitive as possible from the user’s perspective, building on the inherent strengths of the Pro64 hardware,” Aviom’s Product Research and Development Manager, Ray Legnini, explains. “The addition of this application increases the flexibility of the Pro64 Series by giving our users even more setup options to meet their specific needs.”

Aviom Website

Take our Photo Gallery Tour of new products from this year’s Prolight + Sound - Musikmesse.

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Thursday, March 26, 2009

New UAD 4K Series, Emulating SSL 4000, Joins Universal Audio Family of Plug Ins

The UAD 4K Channel Strip is an exacting circuit emulation of the SSL 4000 G+, while the UAD 4K Buss Compressor faithfully models the 4000 G+ buss compressor

Universal Audio has announced the release of the UAD 4K Channel Strip and UAD 4K Buss Compressor plug-ins to its UAD platform.

The UAD 4K Channel Strip is an exacting circuit emulation of the SSL 4000 G+, complete with the Type E “black knob” four-band EQ widely held to be the favorite in SSL’s console lineage.

The companion UAD 4K Buss Compressor, with its simple control set and transparent compression characteristics, faithfully models the 4000 G+ buss compressor.

The UAD 4K Channel Strip sells for $249, while the UAD 4K Buss Compressor is available for $199.

Each of the UAD 4K plug-ins includes a 14-day fully functional demo and is now available for purchase to UAD-1 and UAD-2 owners.

“Universal Audio’s UAD 4K plug-ins finally give fans of the SSL large format consoles DAW tools that truly capture the myriad of circuit and sonic details that made the 4000 such a fantastic desk to work on,” commented UA Product Manager Will Shanks. “We were happy to meet customer’s requests for these amazing tools”.

Features:
· The UAD 4K plug-ins emulate the hit-making sound of the SSL 4000
· UAD circuit emulation of the 4000 G+ with the beloved Type E “black knob” EQ
· Flexible channel compressor range from transparent to “in your face”
· Highly responsive channel Gate including “no-chatter” mode derived from later SSL designs
· Specially tailored buss compressor characteristics ideal for the full mix or subgroups
· Fixed Attack, Release and Ratio buss compressor settings

Universal Audio Website

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Wednesday, March 25, 2009

Ringgold Baptist Church Selects WorxAudio TrueLineX3i-P Line Array For Audio Upgrade

Painted white to match the room’s décor, the WorxAudio TrueLineX3i-P is a compact, “all-in-one” line array system incorporating three modules

With a rich history that dates back to 1876, Ringgold Baptist Church recently decided to overhaul the sound reinforcement system in its sanctuary, an effort spearheaded by Danville, VA-based Big Sound Productions, which selected a WorxAudio Technologies TrueLine X3i-P line array to head the new system.

Chuck Eskey, Owner of Big Sound Productions, a design/build firm that caters primarily to the church audiovisual installation market, discussed the challenges this project presented.

“The sanctuary at Ringgold Baptist Church is approximately 80 feet long by 45 feet wide, with a sheet rock ceiling at a height of 21 feet,” notes Eskey. “The space provides fixed pew seating for approximately 300 people and worship services are fairly traditional in nature—with music provided by choral, piano, or organ performances. The stage/altar area faces into the length of the room.”

“Speech intelligibility and the ability to accurately reproduce music were key considerations in the selection of the upgraded audio system,” continued Eskey. “Of equal importance, a clear line of sight to the stage from any seat in the sanctuary—free from visual obstructions caused by loudspeaker enclosures—was deemed essential. For this reason, I determined that a centrally-positioned line array system made the best choice for this space.”

Painted white to match the room’s décor, the WorxAudio TrueLineX3i-P is a compact, “all-in-one” line array system incorporating three modules, each with a medium format, 1-inch exit compression driver that is paired with dual 8-inch cone transducers.

The system utilizes a total of three high frequency drivers and six bass drivers—all housed in a low-profile enclosure. The upper two modules of theX3i-P provide 10-degree vertical dispersion while the lower module delivers a 25-degree vertical pattern. Combined, the three modules create a 36-degree vertical system with an unusually broad horizontal dispersion of 160 degrees.

The system is self-powered by WorxAudio’s PMD-1.5 digital power amplifier that delivers 1,000 watts to the low frequencies and 500 watts to the highs.

To create a visually clean and uncluttered appearance, Eskey deployed WorxAudio’s unique TrueAim Grid rigging hardware. The TrueAim Grid incorporates a proprietary means of leveling the line array and suspends the entire system with a single industry-standard schedule 40 pipe through which all wiring passes, creating a clean, aesthetically pleasing appearance—free from the distractions of visible cable.

“We flew theX3i-P at a height of 20 feet at the front center edge of the stage,” says Eskey. “The TrueAim Grid creates the impression that the system is floating in air. It’s a remarkably clean looking setup.”

Eskey commented on theX3i-P’s performance attributes, “TheX3i-P turned out to be ideal for this sanctuary. The system has the throw to cover the entire room and its broad 160-degree horizontal dispersion could not be better for this space. No matter where you sit, sound quality is consistent, speech intelligibility is clear and natural, and the music reproduction characteristics of the system are very musical.

“With the front row of the congregation positioned approximately six feet from the edge of the stage, I was initially concerned about the volume up close. As it turns out, the level is well balanced from front to rear—without blasting those seated in the front rows.”

Eskey and his crew also installed a single TrueLine X1i-P line array module behind the X3i-P cluster that faces the congregation. Angled down at the stage/altar area, this element serves as a downfill monitor—enabling those on stage to hear clearly during services.

“Like the X3i-P,” Eskey explained, “the X1i-P provides broad horizontal dispersion, so a single element covers the entire stage area. Both loudspeaker systems are white, so they blend seamlessly into the décor of the room.”

Ringgold Baptist Church’s new TrueLine X3i-P line array system was installed during the latter half of February and was first placed into service on Sunday, March 1st to the delight of Ringgold Baptist Church Pastor Dr. Steve Ellis.

“The new loudspeaker system represents a dramatic departure from what we previously had,” notes Ellis. “The system really is amazing. No matter where one sits, the sound quality is very natural. Speech is clear and music sounds wonderful through the system. Chuck and his crew not only selected the ideal loudspeaker setup for our sanctuary, he installed it in such a way that it delivers the full potential of the system. Our entire congregation has responded very positively to the new equipment.”

WorxAudio Technologies Website

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Tuesday, March 24, 2009

New EASE Address v1.1 Calculates 2D Maps Of Both Signal-To-Noise & Direct Sound Coverage

Major enhancements in the latest software release include exporting of entire rooms, importing floors from EASE; 2D maps of both direct sound coverage and signal-to-noise ratios, support for constant-voltage systems; saving maps with the project, saving or printing maps and other output files to RTF (Rich Text Format) and PDF (Portable Document Format)

Ahnert Feistel Media Group (AFMG) has released version 1.1 of EASE Address software. The program has been licensed by SoundTube Entertainment, Bosch, Electro-Voice, Dynacord, Bouyer, QSC and Tannoy for the design and optimization of ceiling loudspeaker installations and other distributed systems.

“EASE Address is the most efficient program I’ve found for ceiling system design,” says Bruce C. Olson of Olson Sound Design, who has used the software on major design projects. “It gives me exactly the information I need to optimize a design and present it to the client - no more, no less. The software uses the EASE acoustic engine, so I have complete confidence that my models are predicting real world results.”

“We are continually working to make EASE Address more useful to systems integrators and manufacturers,” says Stefan Feistel of AFMG.

Major enhancements in the latest software release include: exporting of entire rooms, including loudspeaker systems, to EASE; importing floors from EASE; 2D maps of both direct sound coverage and signal-to-noise ratios (the latter based on a user-entered value for ambient noise); support for constant-voltage systems; saving maps with the project; saving or printing maps and other output files to RTF (Rich Text Format) and PDF (Portable Document Format).

EASE Address models the direct sound output of distributed systems in two dimensions, using the acoustical calculation engine behind EASE (Enhanced Acoustic Simulator for Engineers) 4.2, the industry standard for sound reinforcement modeling.

The program is available as a free download at www.EaseAddress.com and from licensees. Loudspeaker data in AFMG’s GLL (Generic Loudspeaker Library) data format is available direct from the licensees: new loudspeaker models can be added without writing a single line of code.

Ahnert Feistel Media Group (AFMG) Website

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Monday, March 23, 2009

TC Electronic Offering New Mastering, Production and Studio Complete Bundles For Pro Tools

The cost of the Studio Complete bundle offers a significant saving over buying the two bundles individually

TC Electronic is offering three new collections of TDM plug-ins for Pro Tools: Mastering, Production, and Studio Complete.

The Mastering bundle provides all of the tools needed to bring professional quality mastering to DAW in one convenient software pack. It includes the MD3 Stereo Mastering package for quality in mastering, Brickwall Limiter, Unwrap for stereo to 5.1 upmixing, and Master X3, a virtual incarnation of the industry standard TC Electronic Finalizer.

Production bundle has six plug-ins to give mixes a lift and a professional edge. These include NonLin2 for vocal, percussive and effected reverb; DVR2 for modulation and spectral effects; VSS3 for the ultimate in accurate spatial reverbs, MD3 for stereo mastering; Tube-Tech CL1B for tube compressor/limiter emulation; and Harmony4 for natural, intelligent vocal harmonies.

The Studio Complete bundle contains all of the plug-ins found in the Mastering and Production bundles - MD3 Stereo Mastering, Brickwall Limiter, Unwrap, MasterX3, NonLin2, DVR2, VSS3, Tube-Tech CL1B, and Harmony4.

The cost of the Studio Complete bundle offers a significant saving over buying the two bundles individually.

There is a cross-grade program for users of older, discontinued products, including Voice Tools, MegaReverb, TC Reverb, Master X5, TC Tools and TDM Works. Further, there is also an upgrade path for users who own the following products: Master X3, DVR2, NonLin2, Harmony4, Tube-Tech CL-1B, VSS3, MD3 and Unwrap.

To upgrade or crossgrade, go to http://tcsupport.custhelp.com/cgi-bin/tcsupport.cfg/php/enduser/ask.php

TC Electronic Website

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Friday, March 20, 2009

Bosch Communications Systems Announces The Availability Of New IRIS-Net V2.0

IRIS-Net V2.0 brings EV's FIR-Drive technology to the fore. FIR-Drive combines transducer development, FIR processing, and optimized DSP protection algorithms

Bosch Communications Systems has just announced the release of IRIS-Net V2.0, a unified software package supporting DSP design, device control, custom user interface creation, and system integration spanning multiple Bosch Communications Systems brands.

IRIS-Net V2.0 continues to expand IRIS-Net’s array of features by adding new devices such as Electro-Voice REV wireless microphones.

IRIS-Net V2.0 also brings EV’s FIR-Drive technology to the fore. FIR-Drive combines transducer development, FIR processing, and optimized DSP protection algorithms to create a holistic approach to system development.

IRIS-Net V2.0 provides additional FIR-Drive controllers, a new peak anticipation limiter, and brand-new loudspeaker settings for EV concert sound products.

The latest version of IRIS-Net also includes the following features and additions:

Software Additions and Enhancements
Enhanced software installation process for improved compatibility with Windows Vista. Selection of brands and/or devices possible via new Device Options dialog (Dialog is automatically shown when IRIS-Net is started the first time).

Support of .PNG and .JPEG file formats for use in Controls, User Controls and project graphics.

A completely restructured Help System now formatted as a User Manual in PDF format. Modified Object List for easier use and navigation.

NetMax Additions and Enhancements
DSP block FIR Controller (mono and stereo version) containing complete DSP structure of an RCM-26 output channel. Use of all current RCM-26 speaker settings is possible.

The Electro-Voice N8000 System Controller now also supports the following remote amplifiers when using the RCM-810 remote control module: Electro-Voice CPS series amplifiers (CPS2.4, CPS2.6, CPS2.9, CPS2.12, CPS4.5, CPS4.10 and CPS8.5) DSP block Loudspeaker Controller now uses Peak Anticipation Limiter instead of RCM Limiter.

Password protection of DSP blocks possible via context menu. Non-Administrator users are no longer able to edit the DSP structure.

Other Hardware Additions and Enhancements
New device Electro-Voice REV (UHF wireless microphone system) is available (Currently the REV receivers can only be connected to the PC using a UCC1). Peak Anticipation limiter available for RCM-26 amplifiers (firmware update of RCM-26 to version V1.13 required), fully compatible with existing speaker settings.

New Loudspeaker Settings (including FIR filter settings) and files for Electro-Voice and Dynacord loudspeakers (check directory “Speaker Settings/Electro-Voice” or “Speaker Settings/Dynacord” for details).

IRIS-Net V2.0 is currently available for download at http://irisnet.electrovoice.com


System Requirements
Processor: Intel Pentium III 1 GHz or equivalent (more is recommended)
OS: Windows 2000, XP, or Vista (32-bit versions only)
RAM: 512 MB (more is recommended)
Hard Disk: 300MB of free space
Video: 1024x768, High Color (16-bit)
Network: Ethernet port and/or 1 USB port per 100 amplifiers

Bosch Communications Website

 

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Digidesign Currently Offering New Pro Tools LE Hardware Exchange Program

Also comes with free Pro Tools 8 software and provides access to the all-new 003 Rack+ Factory Pro Tools LE hardware interface that includes eight built-in mic preamps

Digidesign is currently offering all registered owners of a Digi ToolBox, Digi 001, Digi 002, Digi 002 Rack, Mbox, Mbox 2 Mini, Mbox 2, or Mbox 2 Pro system the ability to exchange their system up for a 003-based Pro Tools LE system.

The program comes with free Pro Tools 8 software, and also provides access to the all-new 003 Rack+ Factory Pro Tools LE hardware interface that includes eight built-in mic preamps.

In addition, owners are able to utilize the new 003 Complete bundles, which pair a 003 Factory or 003 Rack Factory system with the Complete Production Toolkit — supporting up to 7.1 surround mixing, up to 128 simultaneous audio tracks, over $2,650 in additional effects and virtual instrument plug-ins, and much more.

Finally, the program also offers access to the new Music Production Toolkit 2, a more powerful plug-in arsenal, support for up to 64 simultaneous stereo audio tracks, and more.

Find out more about the program here - http://www.digidesign.com/index.cfm?navid=48&langid=100&itemid=37151

Digidesign Website

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Thursday, March 19, 2009

Propellerhead Software Updates Its Recycle Package & Offers Free Video Tutorial

ReCycle lets artists do with sampled loops and phrases what they can do with beats and riffs programmed from individual sounds.

Propellerhead updates the ReCycle package with a new look and streamlined packaging, and includes a detailed, hour-long video tutorial from ASK Video that helps users get started with the ReCycle toolkit. In the tutorial, ASK Video’s Mike Baggley takes users step by step from installing and setting up ReCycle to turning concrete-rigid loops into musical modeling clay in no time.

ReCycle lets artists do with sampled loops and phrases what they can do with beats and riffs programmed from individual sounds. Producers use Recycle for making loops tempo-independent, and as a quick phrase editor for easy comping, mash ups and remix work.

Load any sampled sound into ReCycle, the program will look at the file, analyze it, and slice it up into its rhythmic components. The file can then be rearranged, pitched or have its tempo freely adjusted. Artists have full control over the individual slices and can alter the timing or even quantize the groove, keep the feel of the loop and replace the sounds with their own.

A favorite among sound designers and producers, ReCycle’s REX format is supported by all major music software titles including applications such as Apple Logic, Digidesign Pro Tools, Steinberg Cubase, Cakewalk Sonar, Ableton Live, MOTU Digital Performer and Propellerhead Reason, and software instruments such as Native Instruments Kontakt, Spectrasonics Stylus RMX or Digidesign Transfuser.

Propellerhead Website

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EASTWEST Offering Free Download Of Latest PLAY Audio Engine Software

Fast streaming performance, more than 400 stereo voices

EASTWEST announces a free update for its PLAY audio engine software — PLAY v1.2.0. - available as a free download on the company’s website (www.soundsonline.com/updates.php) for both Mac and Windows platforms in both standalone and plug-in versions.

“This update to PLAY offers our users a new ASE streaming engine that delivers the fastest streaming performance of any sampler, more than 400 stereo voices (800 voices, streaming)” says Producer and Founder of EASTWEST Doug Rogers.

Changes and enhancements in PLAY Software Update version 1.2.0 include:
• Improved save times for instrument files on windows.
• New ASE streaming engine.
• New micro tunings for Quantum Leap Silk and Quantum Leap Ra.
• Extended streaming setting dialog with reset engine functionality.
• Resolved mute bug issue.
• Fixed sustain pedal threshold.
• Improved fonts for Stormdrum 2 and Orchestra.
• Implemented poly aftertouch automation.
• Product libraries entries in the browser now can be changed, added or deleted.
• Fixed portamento and first silent note issue.
• Resolved FL Studio GUI issue.
• Fixed voice swapping issue.
• Improved installer

The streaming engine found in PLAY v1.2.0 will also be offered with PLAY PRO due for release in April.

EASTWEST Website

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