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Wednesday, December 02, 2009

Lexicon Begins Shipping Highly Anticipated PCM Native Reverb Plug-In Bundle

The newest addition to Lexicon’s legendary processing family provides seven Lexicon reverb algorithms that are designed to deliver the highest level of sonic quality and function while offering all the flexibility of native plug-ins.

After meeting favorable reviews at its AES introduction in October, Lexicon has begun shipping the new PCM Native Reverb Plug-In Bundle.  

The newest addition to Lexicon’s legendary processing family provides seven Lexicon reverb algorithms that are designed to deliver the highest level of sonic quality and function while offering all the flexibility of native plug-ins.

As the ultimate studio reverb package for creating professional mixes within popular DAWs like Pro Tools, Logic, and Nuendo, the PCM Native Reverb Plug-In Bundle is one of the most highly anticipated introductions from Lexicon yet.

It includes unique plug-ins for each reverb including: Vintage Plate, Plate, Hall, Room, Random Hall, Concert Hall, and Chamber, and comes complete with over 950 of the most versatile and finely crafted studio presets.

“We are very excited that the new PCM Native Reverb Plug-In Bundle is now available to our customers,” said Randy Garrett, Marketing Director for Lexicon.

“Ever since the introduction at AES, the response has been outstanding and we know that this product will exceed our customers’ expectations once they experience the distinctive smooth, rich reverbs for themselves.”

The user interface is extremely intuitive and displays nine of the most logical parameters for customization, but also provides the ability to transition deeper into the algorithm to edit the full matrix of parameters.  

Input and Output Meters allow a user to quickly assess the audio levels going to and from each reverb and the EQ section makes it possible to visually dial in the settings for both the early and late reflections.

To add another tool to the user’s arsenal, each plug-in is complemented with three multi-dimensional real time displays that offer additional insight to help shape the sound.

The PCM Native Reverb Plug-In Bundle is ideal for recording and post-production environments where unsurpassed quality is required. It is a fully functional cross-platform plug-in that is compatible with Windows XP, Vista, and 7 along with MAC OSX 10.4, 10.5, 10.6, Power PC and Intel based.

The Bundle is Native only, and requires iLok authorization. It is now available from authorized Lexicon dealers with a suggested retail price of US $1899.

Lexicon

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Taylor Swift’s Fearless Tour Utilizes Audio-Technica Wireless Systems

FOH Engineer Russell Fischer and Monitor Engineer Andrea “Vito” Carena applaud Audio-Technica’s Artist Elite 5000 Series UHF Wireless System for frontline vocals

Audio-Technica is proud to have been selected as the microphone manufacturer of choice for frontline and backing vocals on multi-platinum-selling singer/songwriter Taylor Swift’s Fearless tour.

Swift’s vocal microphone needed to be suited to her voice and able to reliably reject feedback, even as Swift interacts with the crowd in front of the main P.A. loudspeakers.

Front-of-House (FOH) Engineer Russell Fischer and Monitor Mixer Andrea “Vito” Carena, together with Swift, chose Audio-Technica’s 5000 Series Wireless System for the tour because of its overall sound quality, gain-before-feedback properties and reliability.

Swift uses Audio-Technica’s acclaimed Artist Elite 5000 Series UHF Wireless System with an AEW-T4100 Cardioid Dynamic Handheld Transmitter for her lead vocals.
All background vocals are handled by the 5000 Series Wireless System with AEW-T5400 Cardioid Condenser Handheld Transmitter, with all systems using the AEW-R5200 True Diversity Frequency-Agile Dual Receiver.

Fischer selected other Audio-Technica mics for the Fearless tour, including AT4050 Multi-Pattern Condenser Microphones on guitars and overheads, AT4051 Cardioid Condenser Microphone on snare bottom and an ATM25 Hypercardioid Dynamic Instrument Microphone for kick drum.

“During rehearsals for the tour, we tried a number of different wireless systems and mics from a variety of manufacturers on Taylor’s vocals, but we kept coming back to the Audio-Technica 5000 Series Wireless and the T4100,” Fischer recalled.

“We all agreed that the A-T was the right system for the job. For me, I needed a mic that would give me gain before feedback and work well with a female vocal.

“Because she’s moving around the stage a lot, going in front of the P.A. system plane, we need to make sure feedback doesn’t creep in the mix, so we needed something that had massive rejection and controllable gain before feedback.

“The mic really sounds great – it sounds like her.”

“This is the biggest tour I’ve been on yet, and that naturally presents some pretty big wireless challenges, but the A-T system has been very comfortable to work with,” Vito added. “I’ve never had a problem squeezing in all the frequencies or having them work flawlessly as a matter of fact.

“From arenas to clubs, from award shows to subway stations, the A-T has been rock solid.”

Swift’s Fearless tour resumes in London on November 23, and after an early-2010 jaunt to Australia, she will be back in North America, beginning March 4, 2010, in Tampa, Florida.

Audio-Technica

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Middle Atlantic Racks Solve Problems For Leading Canadian Research Institute

Graced with a budget in excess of $1 million, the Research Institute is equipped with a new AV system that included Christie projectors, Draper screens, Biamp power, and Mitsubishi LCD displays

The new David Braley Cardio Vascular Research Institute at Hamilton Health Sciences is equipped with state-of-the-art technology provided by the leading Canadian integrator, Duocom.

Hamilton Health Sciences (HHSC) is a network of hospitals that service Hamilton and surrounding communities.

The David Braley Cardio Vascular & Stroke research institute is a dedicated 165,000 square foot research facility that HHSC built primarily to house two of its world-renowned research teams.

Graced with a budget in excess of $1 million, the Research Institute is equipped with an AV system that included Christie projectors, Draper screens, Biamp power, Mitsubishi LCD displays Accordent capture stations and media management server, a Visix digital signage system and Alcorn McBride digital video.

Given the high level of technology throughout the facility, the obvious choice for racking and infrastructure was Middle Atlantic Products.

Besides the racks’ ability to neatly and efficiently tie in all of the incoming and outgoing cabling, the racks were able to make maximum use of the limited space in one small rack room on the first floor of the complex where the Auditorium, Atrium and Main Hallway spaces exist. 

Using MAP swinging tall racks, cable ladders, etc. Duocom was able to design an AV rack room where all equipment (4 x swinging racks over 6 ft.) is integrated to allow easy access for long-term service.

Specific rack choices also solved other space problems throughout the Institute.

Middle Atlantic’s PTRK-21 rolling rack was originally specified for use in the 5th floor standard meeting room because the room didn’t have any credenza space where the rack could be located.

However site conditions forced the change of the PTRK-21 when ERK4425 racks were used outside of each executive boardroom within a dedicated AV closet because there was no place to locate the racks inside the room. 

When Duocom and the Middle Atlantic team realized that they had to utilize ERK4425 racks on the 2nd and 5th floors, they decided to eliminate the PTRK-21 rack altogether and house the equipment centrally on the 5th floor.

This not only made sense from an integration perspective, but also from a long-term service and maintenance perspective.

In addition, three Middle Atlantic SR4628 racks are located n the main AV rack room on the 1st floor where all of the AV equipment for the 1st floor is housed.

The SR4826 units were chosen because of space but also because they allowed easy long-term equipment maintenance.

Middle Atlantic Products

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Lectrosonics Selects The Bakery For Sales Representation

Partnership designed to strengthen representation throughout Europe, the Middle East, and South Africa

Lectrosonics is pleased to announce it has selected France-based Jim Bakker to represent the company’s sales efforts throughout Europe, the Middle East, and South Africa.

Well known for his sales representation and strategic consulting capabilities within the professional audiovisual communities, Bakker will be tasked with increasing Lectrosonics’ presence throughout these critical sales territories.

Led by company founder Jim Bakker, the Bakery is a sales and distribution firm representing manufacturers of professional audio products. The company takes pride in its ability to provide a comprehensive sales support mechanism throughout the regions it serves.

“With its comprehensive product line and unique technologies, Lectrosonics represents a terrific sales opportunity for our organization,” notes Bakker.  “Their wireless systems and audio processors are very highly regarded in the professional audio market and they have a well-earned reputation for their sound quality, durability, and ease of use.

“I believe the Lectrosonics line is a perfect match for The Bakery and I look forward to developing a fruitful business relationship with the entire Lectrosonics team.”

“Engaging Jim Bakker brings local representation to Europe for the Lectrosonics line,” says Gordon Moore, Vice President of Sales for Lectrosonics. “Lectrosonics has known Mr. Bakker for many years and his assistance and services to our dealers represents our long term commitment to the European market.

“We are quite excited to have his support and expertise available for our European dealers and end users.”

Bakker commenced sales representation for Lectrosonics in November 2009.

Lectrosonics

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Worship Facilities Expo Expands Access for Church Leadership Education with Two Virtual Conferences

Online events will deliver national audience to educational sessions and exhibitors

Worship Facilities Conference and Expo (WFX), in partnership with Church Production and Worship Facilities magazines, announces two virtual conferences will be held in 2010 to support church leadership with facility design, management, technology, and improvement projects.

The virtual conferences will be held May 5 and July 27, 2010, and each will consist of dynamic keynote presenters, in-depth conference sessions, online discussions, networking, and the opportunity to interact with suppliers and service providers from across the country.

“Culture, media, and technology are moving at a fast pace, and the demand from church leadership teams for education and idea exchange has never been greater. WFX’s mission to connect churches with the tools and technologies to create meaningful spaces and powerful worship experiences continues to resonate. We plan to use technology to educate and inspire as many churches as we can,“ says Brian Blackmore, Publisher and Editor-in-Chief Church Production and Worship Facilities magazines.

“While we will not hold an event in the spring as we have in the past, we do not see virtual events replacing physical events for demonstrating, touching and experiencing the technology and engaging with people who share a Christ-centered passion for ministry,” says Jim Wagner, General Manager for Events at EH Publishing. “We look at virtual events as being on the forefront of technologies in a similar way social media technologies have become more important and more main stream.

“The virtual conference embraces the behavioral tendencies, learning styles, and schedule demands of our audience and stays true to the purpose and mission for WFX,” he continued. “For our exhibitor clients, the virtual event format limits the number of exhibitors who can participate which creates a powerful and cost-effective lead generation vehicle with online audience.“

Companies interested in participating in WFX Virtual Conferences should contact Patrick Shaughnessy at 508-663-1500 x267 or .(JavaScript must be enabled to view this email address). The virtual conference format makes exhibitor participation limited with exhibits accepted on a first-come, first-served basis.

WFX Website
Church Production Website
Worship Facilities Website

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Tuesday, December 01, 2009

An Introduction To The New Smaart Version 7 Test & Measurement Platform

One of the minds behind Smaart takes us for a tour of the latest iteration of the industry's leading test and measurement platform

What’s new in Smaart Version 7?

Everything.

Smaart v7 test and measurement software is a completely new code base developed from the ground up. We have been able to reconsider, revise and improve all areas of the program – from the program’s fundamental architecture through to the details of the control interface.

The changes to Smaart extend far beyond the application itself. One of the most exciting new features of Smaart v7 is our company, Rational Acoustics, which is made up of the same people who have been developing and steering Smaart for the last 12 years as SIA Software Company within EAW.

As Rational Acoustics, we are a small, independent company focused only on Smaart, which means we can make decisions that make sense for our software and our market.

In addition, we can focus full-time on providing the high level of support and development that have been the hallmark of the Smaart platform.

Now, what’s new in Smaart v7?  Let’s take a look.

Multi-Channel, Multi-Platform
Smaart v7 is inherently multi-channel and multi-platform, able to access modern multi-channel input devices and operate native in both Windows and Mac operating systems (including 32- and 64-bit versions). 

As you can see in the screen capture at left, v7 can run multiple, simultaneous Spectrum and Transfer Function measurements. 

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Maximizing Developments
One thing that has remained constant over Smaart’s decade-plus of evolution is the expansion of the processing power, speed and memory of personal computers, and with that has come the potential for greater measurement power and possibilities. 

From the outset, the Smaart v7 code base was optimized to make use of the all power that modern processor configurations present, whether it be from one processor or eight. A Smaart rig might not need to use all of a PC’s power right now - but if history is any indicator - it will.

Smaart v7 System Hardware, Recommended Configuration:
• Microsoft XP, Vista or Windows 7 (32 & 64-bit)
    - or -
• Mac OSX 10.5 or 10.6 (Leopard & Snow Leopard)
• 2 GHz Dual-Core Processor
• Graphics Processor with 128 M dedicated video RAM
• Compatible Sound Hardware with ASIO, Wav or CoreAudio drivers

New Program Architecture
One of the most powerful aspects of the new Smaart v7 platform is its object-oriented program architecture.  Effectively, the program is built of many individual code modules that are run as independent, inter-related programs (objects). 

This means that users can run as many simultaneous single-channel (spectrum) and dual-channel (transfer function) measurement engines as the computer will allow. (The v7 screen captures in this discussion were all made on a dual-core, 2 GHz Mac Pro. For users running the measurement power equivalent of Smaart v6, a 1 GHz single core would certainly be sufficient.)

This new architecture also means that Smaart is ready for expanded application/interaction beyond the basic program itself.

Remote GUIs (Graphic User Interfaces), real-time data export/sharing with other applications and the creation of plug-in versions are all now possible and already on the drawing board.

Enhanced Data Acquisition
Smaart v7’s new data acquisition module now provides increased and improved access to the devices and signals in a system. 

Features include:
• Unlimited input channels/devices
• Able to access multiple devices
• Able to access virtual devices
• ASIO, Wav and CoreAudio input
• Able to reference to internal sources
• Power calculation per input (SPL)
• Time Domain Filtering / Input Calibration

Simplified GUI
While v7 has significantly expanded the measurement power of Smaart, it does not mean that the user interface (GUI) needs to become dauntingly complex.

In fact, to be manageable, the GUI necessarily needed to get cleaner, simpler and more streamlined as the measurement system gains complexity. What’s the use of power if it can’t be controlled?

As a result, Smaart v7 operation features a much more elegantly focused user interface.

Much effort in v7 development was put in to reducing unnecessary clutter. Many of the dialog box-based controls that once populated Smaart’s interface have now been replaced with modern “point ‘n’ grab ‘n’ drag ‘n’ click” mouse-based controls.

If there’s need to move a trace up or down, just grab it and drag it. For example, if the dynamic range of a spectrograph needs to be changed, or the coherence blanking threshold for a transfer function trace needs to be changed, those controls are right on the plot. 

The direct-enter dialog have not been eliminated, but they’ve been moved off of the top level interface - out of the way.

Measurement Engines
All aspects of Smaart’s measurement engines were revisited, considered and reconsidered, and everywhere possible, improved.

The resulting enhancements range from quite subtle, “under the hood” improvements to obvious quantum leaps in measurement power, stability, accuracy and ability.

The user can configure as many single-channel engines as they need, each with the ability to produce its own RTA and Spectrograph data.

RTA:
• Improved fractional-octave banding for RTA and Spectrograph, including 1/48th octave
• Multi-channel input allows for simultaneous display of multiple individual RTAs, as well as “live averages” of active signals
• “Line-Over-Bands” view of RTA displays both raw and banded data

Spectrograph:
• Improved color definition
• Scrollable 1000 (+) line history
• Real-time adjustable dynamic range
• Store and recall spectrographs

Real-Time Mode, Transfer Function Engine (Frequency Response):
•  New MTW (Multi-Time Window) FFT provides better than 48th octave frequency resolution from 60 Hz up. (MTW takes the place of FPPO)

•  Improved fractional-octave smoothing provides better trace readability
•  New averaging algorithm greatly enhances trace stability
• Separate smoothing control for Phase and Magnitude traces
• Overload protection – TF average rejects data during input clip

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• Multi-channel input allows for multiple, simultaneous transfer functions as well as the calculation of “live-averages” of those measurements
• Groups of Transfer Function measurements can be configured for managing multi-channel system alignment

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Live IR - top data panel - shows the TF measurement in a linear IR view.

Live IR
•  Window centered at the TF’s delay
•  User-selectable FFT size up to 32k
•  FIFO Averaging up to 8 averages

When engaged, Delay Tracking automatically measures and adjusts the TF delay for every measurement cycle. The microphone can be moved, and Smaart will track the delay change.

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Impulse Response Mode
Smaart v7’s Impulse Response Mode has been significantly expanded to include much of the functionality from the AcousticTools software package, with the intent of giving a user a robust and intuitive set of tools for making and analyzing Impulse Response measurements.

Also watch for additional impulse response analysis features to be slip-streamed into Smaart 7 over the next year in the course of normal maintenance updates.

Smaart v.7: New code base, modern object-oriented architecture, enhanced data acquisition, improved GUI, enhanced measurement engines, and brand new features like delay tracking.  All backed by Rational Acoustics, a dedicated, independent company focused solely on the development and support of Smaart. 

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Jamie Anderson is a founding member of Rational Acoustics, which provides training courses, hardware products/packages, and professional consulting for sound system measurement, analysis, and alignment. He has been teaching and working in the field of sound system engineering, measurement and alignment for almost 20 years. During his career, Jamie has worked as a technical support manager and SIM instructor for Meyer Sound Laboratories, as a system engineer on tour for A-1 Audio (kd Lang) and UltraSound (Dave Matthews Band), and most recently, as a product manager and instructor for SIA and EAW.

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Clear-Com’s Cellcom Is The Winning Bet For Blue Man Group Las Vegas

The behind-the-scenes crew communicates using Clear-Com’s CellCom digital wireless intercom system, carefully coordinating the group’s fast-paced music and multimedia experience

Clear-Com Communication Systems, a Vitec Group brand, is helping Blue Man Group Las Vegas bring a sense of adventure to its popular live show at the Venetian hotel. 

Though the three “Blue Men” on stage never utter a word throughout the performance, a large behind-the-scenes crew communicates using Clear-Com’s CellCom digital wireless intercom system, carefully coordinating the many moving parts that create the group’s fast-paced music and multimedia experience. 

From day one, Clear-Com’s CellCom helped the Blue Man Group Las Vegas production team overcome a challenge it had been experiencing with another brand of wireless intercom - RF interference. 

As the CellCom operates license-free in the 1.8-1.9 GHz frequency band, it immediately resolved all interference issues.  The show’s production manager and technical supervisor, who first learned about the system through an in-house demo conducted by Clear-Com representatives, were also impressed by the system’s flexibility and overall ruggedness.

“The exciting venue and Las Vegas location of this Blue Man Group show allows it to be bigger in scale - both in technology and design - than in other locations,” says Antonio Garfias, Audio Head of Department for Blue Man Group Las Vegas. 

“We required a very robust wireless intercom system to ensure that the adventure happening on stage and the themes of communication, interaction and technology highlighted in the show are delivered flawlessly to our audience, and CellCom has delivered this for us.

“I am extremely impressed with the reliability and overall ruggedness of the system, along with the customer support, which is the best I’ve ever experienced.”

As Blue Man Group’s show features a large crew that rotates on a nightly basis, it was also important to keep the show’s communication systems as simple and easy to use as possible. 

The CellCom system is highly customizable, allowing the audio team to assign different channels for the six to eight team members that use the system on a nightly basis, seamlessly connecting them for specific show cues and improving efficiency. 

In addition, crew members are able to work together to customize their beltpacks, selecting a preferred position for options including sidetone, overall gain and alarms.  CellCom also easily integrated with the show’s existing party-line intercom system.

“The versatility of the CellCom system has rendered it a must-have for such a wide variety of events, from live theme park attractions at Universal Studios Hollywood to major theatrical productions such as Blue Man Group Las Vegas,” says Bob Boster, Director of Sales, Americas and Asia Pacific at Clear-Com. 

“We are pleased to see that the CellCom system has truly improved the show’s behind-the-scenes workflow, completely eliminating their previous interference issues and ensuring they have a seamless communications solution for this world-renowned visual production.”

In addition to the CellCom digital wireless intercom base, Blue Man Group Las Vegas uses Clear-Com’s CC26, CC95, CC260, CC40 and CC60 headsets.  The equipment setup also includes three antennas on the stage level and one antenna on the basement level of the theatre for the stage managers who escort the performers to the stage.  The Clear-Com equipment is used for two nightly shows, seven days a week, as well as for rehearsals and special events.

Clear-Com Communication System
Vitec Group

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Extron MediaLink Controller For A/V Equipment Now Shipping

The MLC 62 RS D features eight customizable backlit soft touch buttons providing control capabilities for common A/V functions including display power, input switching, and volume control.

Extron Electronics is pleased to announce the immediate availability of the MLC 62 RS D MediaLink Controller, an easy-to-use keypad controller for controlling A/V equipment in classrooms and meeting facilities.

The MLC 62 RS D features eight customizable backlit soft touch buttons providing control capabilities for common A/V functions including display power, input switching, and volume control.

The new controller serves as a replacement for a display’s handheld IR remote, providing user-friendly control for a projector or flat panel display, and eliminating problems related to misplaced IR remotes, confusing menus, and dead batteries.

“The new MLC 62 RS D provides A/V control in a new contemporary design for an elegant look in any environment,” says Casey Hall, Vice President of Sales and Marketing for Extron.

“Standardizing the control interface for all A/V systems in a facility makes them easy to install, operate, and maintain.”

The MLC 62 RS D offers IR and unidirectional RS-232 for universal display control, two relays for controlling screens and lights, and a digital input for interfacing with switches and sensors. The controller includes black and white Decora faceplates.

Extron Electronics

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Waves Audio Now Shipping WavesLive MultiRack Native Software Host

Designed especially for live sound - concert, touring bands, club and house-of-worship applications

Waves Audio is now shipping WavesLive MultiRack Native, the first-ever software application designed to run Waves plug-ins with live analog and digital mixing consoles.

MultiRack Native is a software host that lets front of house and monitor engineers run multiple simultaneous instances of the same Native Waves plug-ins used in recording studios and mixing rooms the world over.

Armed only with a laptop, an I/O box, MultiRack Native and Waves plug-ins, users now have the power to shape their live sound with precision while elliminating effects units.

WavesLive MultiRack Native features easy setup with advanced preset capabilities and an intuitive workflow which facilitates a smooth transition from traditional hardware-based systems to the live digital realm.

There are four basic components in a MultiRack Native setup:
—Plug-ins, which process the audio, including compressors, EQs, delays, etc.;
—Racks (Virtual Racks, like hardware, hold multiple Waves plug-in processors);
—Snapshots (already familiar to some users as “scenes”), that store plug-in and Rack settings;
—Sessions, which store the settings for all Waves plug-ins, Racks, and Snapshots, as well as information about the setup design and signal flow. Users can create up to 64 racks that host up to eight plug-ins each.

WavesLive MultiRack Native key features include:
—Allows users to take their studio sound to the stage and back again
—Complements hardware outboard gear
—Quick and simple setup
—A fraction of the cost of hardware
—Reduces the need for cartage of heavy rack-mounted devices
—Simple routing with less cabling
—Full snapshot automation with total recall — set and save presets and snapshots per song and song sections
—ASIO and Core Audio I/O compatible
—Windows 7 and Mac OS X compatible

WavesLive MultiRack Native is now available from authorized Waves dealers and online.

WavesLive Website

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Crown Offering Free Online Seminars For Network Design In Audio Projects This Week

The free seminars are first-come, first-serve, with registration being limited to 50 participants per seminar

Crown International is offering two online seminars focused on network design for audio projects.

The free seminars are first-come, first-serve, with registration being limited to 50 participants per seminar. Each will be offered twice to accommodate individual schedules.

Each seminar will be led by Bradford Benn, Director of Application Engineering for Crown. Benn is Crown’s lead network design and development specialist and has worked on projects ranging from NFL stadiums and NASCAR racetracks to NHL arenas.

The first of the two seminars entitled Networking 101 will be a primer on Ethernet Networking.  It will include basic discussion of connectivity, addressing, and hardware options. It is designed to assist with the design of basic systems and provide a vocabulary to build from larger systems.

The session will be offered at the following times:

Thursday, December 3, 2009
2:00 pm, Eastern Standard Time
Session number: 719 316 881

Friday, December 4, 2009
9:00 am, Eastern Standard Time
Session number: 713 516 242

The second session, Deconstructing an Arena, will discuss how one goes through designing a networked control system for an arena studio system. The concepts discussed will apply to all sizes of projects. 

The session will be offered at the following times:

Thursday, December 3, 2009
9:00 am, Eastern Standard Time
Session number: 717 500 457

Friday, December 4, 2009
2:00 pm, Eastern Standard Time
Session number: 719 014 996

For more information, or to register for any of the above seminars go to http://www.crownaudio.com/tutorials/webinars091203.htm

These seminars will be conducted through WebEx Training Center. The requirements are an active internet connection, a web browser, and either a computer with audio capability. Exact requirements can be found at http://support.webex.com/support/system-requirements.html

Crown Website

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Shure Rebates For 700 MHz Wireless Systems End December 31, 2009

Customers may submit their rebate forms with the purchase of the following new replacement products: UHF-R, ULX, MX690/SLX4L, PSM700 (H3, L2 bands), and PGX

The long-running Shure rebate program, which offers customers up to $1,000 for the trade-in of Shure 700 MHz frequency band (698-806 MHz) wireless systems as well as any other qualifying 700 MHz frequency band wireless systems and their related components, will be ending December 31, 2009.

“The deadline for our wireless rebate program is fast-approaching,” said Mark Humrichouser, General Manager of Shure’s Americas Business Unit.  “Unfortunately, some customers are unaware that Verizon, AT&T, and other new licensees have already begun to use the 700 MHz band. Service trials are underway in several U.S. cities, so it’s only a matter of time before wireless microphones and personal monitors operating in this band begin to experience interference.

“We want to remind everyone that there are just a few weeks left to take advantage of the rebate and offset the cost of replacing 700 MHz wireless systems – whether made by Shure or someone else.”

Customers may submit their rebate forms with the purchase of the following new replacement products: UHF-R, ULX, MX690/SLX4L, PSM700 (H3, L2 bands), and PGX.

For a complete summary of the terms and conditions of the rebate program, to learn which products are eligible, and to obtain a rebate form, go to www.shure.com/rebate.

Shure Website

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