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Technology Update:
AES31 File Transfer Format
Where are we, and where
do we go from here?
By Mel Lambert
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AES31-3's ADL is similar to normal Edit Decision Lists but adds
sample-accurate timing flags so that projects can reconstructed
with higher precision than would be possible if data files were
solely referenced to hours:minutes:seconds:frames timecode. (See
diagram.) Multiple audio channels and crossfades are already handled
by the published AES31-3 specification. Additional parameters for
level and pan automation, plus user metadata, are under active discussion.
Aside from sample-accurate labels that identify critical in/out
points for each component audio file, AES31-3 uses a form of Universal
Resource Locator for finding files on local disc drives or via a
network. A URL string uniquely identifies the designator, host name,
local disk volume, directory, subdirectories, and the file name
with a .wav extension. This is similar, in concept, to the familiar
http:// network address.
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AES31-4 is currently undefined, except for an intention that it
could be based upon ideas being formulated by the Advanced Authoring
Format consortium. AAF will serve as a multimedia file format to
let content creators exchange digital media and metadata between
systems and applications, and will include complex project structures
that enable sample-accurate editing of multiple sources. These ideas
are being considered by SC-06-01 for possible inclusion within the
more complex AES31-4 Object Oriented Project Structure.
As will be readily appreciated, a primary motivation for DAW and
recorder manufacturers to adopt an open standard rather than
attempting to emulate each other's proprietary formats is
that this process needs to be done only once. Implementing a matrix
of System A-to-System B translations, for example, is blindingly
complex and costly to manage. The use of AES31 is intended to reduce
such effort. To date, a number of companies have implemented, or
plan to offer, AES31 compatibility: SADiE, Euphonix, DAR, Fairlight,
iZ Technology, AKAI, AMS Neve, Genex, Steinberg, Waveframe and Zaxcom.
Some of these firms (and others) are also considering using AES31
as a native file format, to eliminate any translation stages needed
to offload and archive project material.
The fledgling AES31 Trade Association, an organization that looks
to stimulate interest in and advance the implementation of AES31,
had its first meeting at the New York AES Convention. Currently
chaired by Joe Bull, Managing Director of SADiE, this Association
comprises an ad hoc group of individuals that plan to add structure
to the association during the coming several months. According to
a document circulated at the AES31-TA meeting, the association will
exist independent of the AES Standards Committee processes, and
will promote adoption of the AES31 format within the audio industry,
while communicating its purpose, capabilities and applications to
a broader community. AES31-TA will also provide a forum for manufacturers
to exchange information and sample files, as well as engage in discussions
on the uses of AES 31.
The plan is to set up the association as a not-for-profit organization,
owned by its members, and funded by an annual subscription. An Executive
Committee will also be established, comprising representatives from
the general membership; an Executive Secretary may be appointed
by the committee to coordinate and promote the associations
aims. Annual fees are currently being discussed, based on projected
budgets. A logo is a also planned for the association, its works
and publications. The logo will be licensed to members offering
hardware that has been declared by its manufacturer to be in accordance
with AES31-TA rules, and which implements AES31-complaint file exchange.
While the association will work to promote successful interchange
between different equipment, Bull offers, it cannot
act as a validation authority and cannot be liable for errors or
omissions, nor any damages arising. We will simply rely on members
to maintain compliance with the AES31 standard, and use our website
forums to exchange information between DAW manufacturers and their
customers.
The primary vehicle for the Association's activities will
be a web site, Bull adds, with open access for the general
public. It is generally felt that, while the AES31 story has spread
remarkably well by word of mouth, many key people in our industry
simply don't know of its existence. The website will seek to inform
about the purpose and utility of AES31, as well as communicating
the activities of its members. Various FTP sites will enable private
and public data files to be exchanged easily between members.
For more information about the AES31 Trade Association from:
AES31@sadie.com
Entire contents © 2001 Mel Lambert/Media&Marketing.
All Rights Reserved
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